Skip to main content

Review of Lights! Camera! Improvise!: The Worm That Turned by Mischief Theatre at the Duchess Theatre, London (1st June 2015)

With the small matter of three viewings of The Play That Goes Wrong and a viewing of Peter Pan Goes Wrong behind me, it is safe to say that I am sold on the genius of the performers of Mischief Theatre. Lights! Camera! Improvise! was safe to say going to a rip roaring affair I was certain, I expected nothing less from them.

I got nothing less, indeed it was even better than I anticipated. The format is that the audience on the night has the task of selecting the genres for an imagined film production directed by Oscar (Jonathan Sayer). This selection itself is a comic masterpiece as many of the audience are fully into the swing of the idea and par off with their host superbly, although Sayer always has the upper hand with the put downs. Even if on the night he still reluctantly ended up with "Yiddish" as a genre and the wonderful "The Worm That Turned" as the films title title. I am glad we did, because the team of wonders worked magic with the subject which had as the main selected genre a sharp shifting superhero with added musical elements. You couldn't make it up. Thankfully Mischief Theatre certainly could as we were treated to a main feature of stunning proportions.

There was so much to delight in on this once in a lifetime performance, but much that you had to be there to appreciate. How to explain one spectator getting a minor amount of the porn genre he requested with Nancy Wallinger feeling Dave Hearn body? How to explain Henry Shields' sudden inexplicable blindness and box falling over antics? How to explain the agony on the faces of the cast hoisting Henry Lewis up into the air not once, but twice following the pause and rewind fun of Jonathan Sawyer? How to put over in words the joy of watching Charlie Russell try to get into a very snug viewing booth. I certainly cannot explain how brilliant the instantly created songs "I'm Your Son" and the Shape Shifting Battle tune were.

This was truly an experience to behold played to a packed out and highly interactive audience. Many I suspect were there not for their first time. As much as I have enjoyed seeing The Play That Goes Wrong on three occasionss, this is a completely different scenario, this most certainly will be different on every occasion. On the evidence of my first encounter with it (far from the last), I believe that each and every time it will be a feast of endless humour like this one that made my body hurt and my eyes run,

Every bit as good as I expected and if you ever get the opportunity to see this show, you simply must. That also goes for The Play That Goes Wrong and Peter Pan Goes Wrong. Mischief Theatre are a group of up and coming stars who deserve and warrant your attention.

★★★★★


Performance reviewed: Monday 1st June, 2015 at the Duchess Theatre, London.

Lights! Camera! Improvise! is at the Duchess Theatre monthly with the next performances on Monday 6th July and Monday 3rd August, 2015.

For details visit the website at http://www.nimaxtheatres.com/duchess-theatre/lights_camera_improvise

Popular posts from this blog

Review of The Jolly Christmas Postman at Royal & Derngate (Royal), Northampton

The Northampton Royal and Derngate have a tradition of producing a family play in the Royal Theatre alongside a spectacular pantomime in the Derngate, offering a more subtle Christmas treat for a family audience. However, this calendar staple has been missing since 2019, when the fine Pippi Longstocking graced the Royal stage and an unmentionable virus reared its head. Based on this triumphant return this year in the guise of The Jolly Christmas Postman , it has been heartily missed. Adam Peck has truly lovingly adapted  The Jolly Christmas Postman  for the stage from the original story by Janet and Allan Ahlberg. From the beginning, this is a proper cracker of theatre entertainment that captivates an occasionally distractable audience of all ages. The story follows the adventures of a friendly postman beset by an influx of mail on Christmas Eve and his adventures with an assortment of Fairy-Tale characters. What is, in essence, a kid's show aimed primarily at young children ...

Review of Cinderella at Royal & Derngate (Derngate), Northampton

Over the last few years, the annual Royal & Derngate pantomime has been produced by Evolution Productions and from the pen of Paul Hendy. It is safe to say they have been crackers, bringing everything you expect and more from traditional pantomime. This year, they are all back, this time with their take on the very traditional story of Cinderella . So, does the magic dust fall once again successfully on the stage of the Derngate? The answer is yes, as Evolution and Hendy prove they have found the magic formula to create another successful pantomime for Derngate. There are moments this year, though, where it is too clever for its own good, with some exceptionally good jokes lost to the panto audience (yes, I got the Hacker joke, but the tumbleweed reaction suggested it didn't hit the audience present). Cast-wise, it is a solid and assured collection of performers who don't always hit the mark. Joanne Clifton, as the Fairy, is a perfect fit for panto with her infectious smile...

Review of Never Let Me Go at Royal & Derngate (Royal), Northampton

Kazuo Ishiguro's 2005  Never Let Me Go is a slightly difficult novel to categorise at times, but most call it a science-fiction speculative piece. With some limited spoilers for those unfamiliar with the Man Booker Prize-shortlisted work, Ishiguro paints a world where people, clones, are created for the benefit of medical science, destined to become donors to rid the world of deaths from solvable diseases for the rich. It is a powerful piece and while it had a successful film version back in 2010, could a stage version, now running at Royal & Derngate, work similarly? The answer to that is yes, and perhaps even better than the film version. The intimate world of the theatre feels like a stronger location for the story to unfold, bringing the piece straight to the audience with no potential interruption or break to the tale. We learn of Kathy, Ruth and Tommy's (the main protagonists) fixed life through their eyes and live their life for the long, but never dr...