Skip to main content

Review of Footloose (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

I have to confess that apart from hearing Kenny Loggins' monstrously catchy title tune many times, both the original 1984 film and this 1998 stage adaptation of Footloose have passed me by. Therefore, finally, I get to tick it off the list thanks to this production from the Northampton Musical Theatre Company on stage at Royal & Derngate. So, was it worth the wait?

Footloose tells the story of Ren McCormack and his mother, Ethel's move to the town of Bomot, Utah with his aunt and uncle following the walking out of Ren's father from the family home. What the confident and rebellious Ren finds within the boundary of Bomot and its illegal dance stance puts him on a path of conflict with the local Reverend Shaw Moore.

In many ways the story of Ren and his attitude sits with the delightful selection of Footloose for the N.M.T.C. It is not an obvious fit for the group, leaving fewer roles for the old guard and a movement towards the "next generation" of the group. While it is sad not to see many familiar faces on the stage, what shows though is the obvious future strength for the group.

Leading the "rebellion" is Ell Barnes-Ward as leading man Ren, and after what appears some initial nerves on opening night, his confidence builds throughout the first act and by the superb final act number I'm Free, he is very much the leading man. Within the story, Ren develops a close friendship with the Reverend's daughter Ariel Moore and in that role, Jemma Adams is a delight. Their chemistry works and Adams' strong vocals power through numbers such as Holding Out for a Hero (also an excellent comically staged number) and Almost Paradise, a delightful duet with Barnes-Ward.

Elsewhere the always excellent Luke White is clearly having fun as local redneck Willard Hewitt, who Ren befriends. His characterisation is as ever top-notch and presents the brilliant comic number Mama Says with high humour. Further strong support comes from the trio of Ella Styles as Rusty Rodriguez, who has some brilliant moments with White, Katie Proctor as Wendy-Jo and Zoe Mould as Urleen. This trio forms often a sort of singing Greek Chorus with the haunting, and quite brilliant repeating song Somebody's Eyes.

Finally, but far from least, in the cast, and those strongly representing the previous NMTC, are the excellent pairing of Brett Hanson as Reverend Shaw Moore and Hannah Taylor as his wife Vi Moore. Hanson here is as strong as I have seen him, particularly in his characterisation of the troubled Moore. Struggling to deal with what he wants to do to honour the town's losses, against the growing realisation that perhaps that very thing is harming his community. There is some excellent, powerful drama in his scenes. Not least those with Taylor, who is the more balanced and accepting of the relationship as she battles herself but tries to accommodate the wishes of the young members of the town more so than her husband.

Production-wise, it is much the usual strong affair from Martyn Knight's confident directing to the excellent music from Rod Illiffe and his musicians. Technically there were a few issues, particularly with late microphones on the opening night, but, it is likely these will become fewer as the week goes on. Set changes as always are slick, with only a few moments of darkness for big changes, which Illiffe and the musicians easily cover.

Footloose is a slow burner initially in the first act, with a somewhat unexpected stilted opening performance of the title track and a time getting into the story. However, after not very long, you are gripped by the story and performances. Thanks to these strong performances, this goes beyond the expected popcorn musical based on an eighties film with genuine emotional drama to be found between the music numbers, and some truly excellent songs beyond the familiar ones. Get your feet loose and head off to the Royal & Derngate while you can.

An unexpected and delightful surprise of a show. Make sure your eyes are watching.
⭐⭐⭐⭐


Performance reviewed: Tuesday 29th October 2024 at the Royal & Derngate (Derngate), Northampton.

Footloose runs at Royal & Derngate until Saturday 2nd November 2024. For information about the NMTC see their website at https://northamptonmusicaltheatrecompany.co.uk/

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Photos: Oscar Myles of My10productions



Popular posts from this blog

Review of a A Taste of Honey at Stantonbury Theatre, Milton Keynes

Written by Shelagh Delaney in 1958 at just nineteen, A Taste of Honey was a ground-breaking depiction of modern society, falling very much into the "kitchen-sink" genre, fast developing with writers within the world of British theatre during the fifties. Dealing with a multitude of themes including class, race, age of sexual consent, gender, sexual orientation and illegitimacy, it has rightfully become a legend of theatre. However, almost seventy years later, does this play still resonate with audiences and have a place in modern theatres? The play, set in 1950s Salford, tells of teenager Jo and her mother Helen moving from one rough lodge to another as either rent becomes due or Helen needs to escape another failing relationship. With Jo approaching school leaving age, Helen sees the time is right to abandon her to the world and move on with her own life. When watching A Taste of Honey , you can imagine the controversy surrounding its original release. The content is provoc...

Review of War Horse at Milton Keynes Theatre

Michael Morpurgo's novel War Horse was published in 1982. While it was highly regarded and thought to be his best work, perhaps it eventually came to most people's attention when this striking play stormed the stage, thanks to the National Theatre, back in 2007. Now, War Horse arrives at Milton Keynes Theatre as part of another vast UK tour. Adapted by Nick Stafford in association with the award-winning Handspring Puppet Company, War Horse tells the story of the First World War through the eyes of one horse, Joey, sold for a record price from a family battle but eventually shipped off to war-torn France much to the distress of his original owner, 16-year old Albert. The sprawling and epic story should take some staging, but the vast cast, beautiful structure, stunning folk music and, of course, what this play has become known for, magnificent puppetry, all bring the story to life. This production, directed by Tom Morris and revival director Katie Henry, is a magnificent thin...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...