Skip to main content

Review of Bright Places at Birmingham Rep (The Door)

Bright Places, currently running at The Rep, Birmingham, is an at times deeply powerful and at others overtly funny exploration of what it is to be a sufferer of Multiple Sclerosis.

Presented by Carbon Theatre, in association with Birmingham Rep, the show is written by MS sufferer Rae Mainwaring as a totally honest autobiographical story. Performed by three female actors, Lauren Foster, Aimee Berwick and Rebecca Holmes, they each take on the roles of Actor A, B and C respectively.

These "actors" then in turn take the role of sufferer and writer Rae, and all others within her life story from work colleagues, fellow sufferers and doctors. Most of their characterisation is kept simple and is mostly depicted by the use of a costume box or prop rather than in their performance.

All the actors do work extremely well together though, clearly, both well rehearsed and confident in each other's abilities to keep the much-needed pace to the story.

At times, the sketch-like style of the format creates both a disjointed aspect and a lack of direction. However, what does work is the power of both the story Bright Places tells and the education and further recognition of the condition it presents. The audience truly does learn something here.

There is also much to be gained from the simplicity of the production and solid, crisp direction from Tessa Walker. Pace is maintained throughout, and there is also an excellent use of music if often brief in the snippets used. Scenes pass quickly, never allowing one idea to bog down the show for too long.

Overall, Bright Places has more success than failure, but with a little more time, it could have benefited from some tightening of some scenes. What remains though is a totally educational and entertaining 75 minutes of theatre which without question is well worth your support during its stay at The Rep.

A both funny and sad exploration of what Multiple Sclerosis means to sufferers.

Performance reviewed: Wednesday 30th October 2024 at The Birmingham Rep Theatre (The Door)

Bright Places runs at the Birmingham Rep Theatre until Saturday 2nd November, 2024.

For further details about the Birmingham Rep and to book tickets see their website at https://www.birmingham-rep.co.uk/

Production Photos: Graeme Braidwood


Popular posts from this blog

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Dear England at Milton Keynes Theatre

James Graham’s award-winning play Dear England has been around a while now, and indeed, when it was first staged in 2023, some events depicted here hadn’t even happened. Therefore, the pen, likely keyboard, of Graham has been busy adding what amounts to a further epilogue, and it now amounts to the complete package of Gareth Southgate’s tenure as the poisoned chalice that is England football manager. For those who may have missed it, Dear England tells the story of Southgate’s journey from his inception into the manager role in 2016 to his eventual departure and knighthood in the New Year’s Honours of 2025. However, this play, while centred on the beautiful game, is more than about kicking a ball and managing and coaching it. Writer Graham mines from the source material a piece that very much explores what it is to be English and, with Southgate’s approach to coaching, what makes the brain tick. To that effect, enter psychologist Pippa Grange, and the journey for Southgate to become ...

Review of Shrek the Musical at Royal & Derngate (Derngate), Northampton

When Shrek the Musical rolls into town, it arrives in seven great big lorries, and this actually says a little as to where the strength of this production, now well into its UK tour, lies. This show looks spectacular in every way, it might be the best looking and the biggest tour show you will have ever seen. However, at times, this spectacle feels a little superficial, as you feel more thought could have been put into the original writing. Shrek the Musical mostly follows the story of the original 2001 computer-animated film, which sees ogre Shrek's swamp overrun by fairytale folk, which results in him confronting the evil Lord Farquaad, which then results in him going to rescue Princess Fiona, as you do. What feels missing though in this musical (book by David Lindsay-Abaire and music by Jeanine Tesori), compared with the film, is the clever balance for children and adults alike. This nearly always feels targeted more at adults, there is a lack of humour that feels just r...