Skip to main content

Review of Bright Places at Birmingham Rep (The Door)

Bright Places, currently running at The Rep, Birmingham, is an at times deeply powerful and at others overtly funny exploration of what it is to be a sufferer of Multiple Sclerosis.

Presented by Carbon Theatre, in association with Birmingham Rep, the show is written by MS sufferer Rae Mainwaring as a totally honest autobiographical story. Performed by three female actors, Lauren Foster, Aimee Berwick and Rebecca Holmes, they each take on the roles of Actor A, B and C respectively.

These "actors" then in turn take the role of sufferer and writer Rae, and all others within her life story from work colleagues, fellow sufferers and doctors. Most of their characterisation is kept simple and is mostly depicted by the use of a costume box or prop rather than in their performance.

All the actors do work extremely well together though, clearly, both well rehearsed and confident in each other's abilities to keep the much-needed pace to the story.

At times, the sketch-like style of the format creates both a disjointed aspect and a lack of direction. However, what does work is the power of both the story Bright Places tells and the education and further recognition of the condition it presents. The audience truly does learn something here.

There is also much to be gained from the simplicity of the production and solid, crisp direction from Tessa Walker. Pace is maintained throughout, and there is also an excellent use of music if often brief in the snippets used. Scenes pass quickly, never allowing one idea to bog down the show for too long.

Overall, Bright Places has more success than failure, but with a little more time, it could have benefited from some tightening of some scenes. What remains though is a totally educational and entertaining 75 minutes of theatre which without question is well worth your support during its stay at The Rep.

A both funny and sad exploration of what Multiple Sclerosis means to sufferers.
⭐⭐⭐

Performance reviewed: Wednesday 30th October 2024 at The Birmingham Rep Theatre (The Door)

Bright Places runs at the Birmingham Rep Theatre until Saturday 2nd November, 2024.

For further details about the Birmingham Rep and to book tickets see their website at https://www.birmingham-rep.co.uk/

Production Photos: Graeme Braidwood


Popular posts from this blog

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of The Play That Goes Wrong at Royal & Derngate (Derngate), Northampton

It is scary to contemplate that it is almost four years since I first saw Mischief Theatre's The Play That Goes Wrong . It is no secret that on that night I enjoyed it quite a bit (and ended up on stage, but that is another story). I returned the next evening to watch it again and then stalked it down to London later that same year, which over three years later it continues its remarkable West End success story. Since my last encounter with this original, I have seen Chris Bean's ramshackle Cornley Polytechnic Drama Society create chaos on stage and television with Peter Pan Goes Wrong , mess-up Dickens' A Christmas Carol and even gatecrash BBC Radio at Christmas. This fourth encounter with the original The Play That Goes Wrong though, offers the opportunity to see it in the hands of a different cast for the first time. How can pretenders of the original creators shape up in this anarchic disaster of a play? Actually, as it turns out remarkably well. It is true that ...