Skip to main content

Review of Arcadia by University of Northampton BA Actors at Jacksons Lane Theatre, Highgate, London

Ahead of seeing Arcadia in this University of Northampton production by the Third Year BA Actors, I had been warned that it wasn't a play for everyone. It makes sense in retrospect, it's a bit clever, making you always feel as if you are not as intelligent as you hope you are (in my case, probably a fair point). However, despite this, the young cast in this production make Tom Stoppard's ever so clever play entertaining from beginning to end.

Arcadia follows two timelines, modern day as oddball poetry professor Bernard comes visiting Sidley Park looking for a Lord Byron trail, while 200 years before, young Thomasina Coverly is being taught by horny tutor Septimus. Intermixed with these timelines are a further assortment of odd characters. It's all a little weird, but oddly still fun.

Thomas Van Langenberg has tremendous fun as Septimus, teaching and flirting with his pupil Thomasina, played to playful perfection by Abi Cameron, demonstrating perfection in playing below your age. Their scenes together are never anything less than hugely entertaining.

Modern day, and Daniel Hubery slots into the role of Bernard perfectly, sparring with his compatriots and being more than a bit creepy at times. Almost typecast again, Hubery has the niche, and I think it will take him far in the future. Kit Wiles is equally excellent as the forthright novelist Hannah Jarvis, while Chris Cutler is suitably impulsive and more than a little wild as mathematician Valentine.

It's actually as ever a brilliant cast, even beyond the main players, and the dynamics that all of the performers get with one another really are excellent, and perhaps maybe makes this play a little bit better and more entertaining as a whole. Taking a little of the perhaps poncy, knowing nature out of it, and making it more fun.

Visually it looks superb, with sharp detail to the set from Meryl Couper, columns quickly becoming creepers, and as well as this, its superbly dressed from costumes through to some fascinating and very nice props.

I really enjoyed some of the bold direction from Tobias Deacon, allowing actors to perform naturally, often in profile centre stage for some time. It's not for everybody like that, but I like it, it's better to have something look more natural at times.

Arcadia is an interesting play, and that's being nice. I can't say I didn't enjoy it, as that would be a lie. I've seen better, but I've seen a lot worse, and here, the main thing is that the cast in their final group performance together did themselves proud, and that's the important thing here.

Performance reviewed: Sunday 2nd June 2019 at Jacksons Lane Theatre, Highgate, London

Red Velvet was one of three shows performed at Jacksons Lane Theatre by the University Of Northampton BA (Hons) Actors from Friday 31st May to Sunday 2nd June 2019.

Details of Jacksons Lane can be found by visiting their website at https://www.jacksonslane.org.uk/

Popular posts from this blog

Review of The House She Built at The Black Diamond, Northampton

Independent theatre company Nerve Theatre was founded in January 2025, when its first original production, Broken Party , took to the stage at Benn Hall in Rugby. That was followed the same year by a modern retelling of Frankenstein . Now, for 2026, Nerve Theatre founder Mia Ballard has written and directed The House She Built , staged for three nights at The Black Diamond, Northampton. The House She Built , set in 1950s Hollywood, is a dark thriller influenced by the lives of Marilyn Monroe, Judy Garland, Elizabeth Taylor and Audrey Hepburn and their treatment as women within the cogs of Hollywood. Our leading lady here is Nancy Carlton, who returns to Mellor Brothers Productions to make one final film. But something awaits her, and the scene is set for a period thriller that explores the grimy world behind Hollywood's apparently glamorous days. Michaela Clement-Hayes leads the cast as Nancy Carlton, the star troubled by her past, but returning to her old studio for that final mov...

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of The Play That Goes Wrong at Royal & Derngate (Derngate), Northampton

It is scary to contemplate that it is almost four years since I first saw Mischief Theatre's The Play That Goes Wrong . It is no secret that on that night I enjoyed it quite a bit (and ended up on stage, but that is another story). I returned the next evening to watch it again and then stalked it down to London later that same year, which over three years later it continues its remarkable West End success story. Since my last encounter with this original, I have seen Chris Bean's ramshackle Cornley Polytechnic Drama Society create chaos on stage and television with Peter Pan Goes Wrong , mess-up Dickens' A Christmas Carol and even gatecrash BBC Radio at Christmas. This fourth encounter with the original The Play That Goes Wrong though, offers the opportunity to see it in the hands of a different cast for the first time. How can pretenders of the original creators shape up in this anarchic disaster of a play? Actually, as it turns out remarkably well. It is true that ...