Skip to main content

Review of Arcadia by University of Northampton BA Actors at Jacksons Lane Theatre, Highgate, London

Ahead of seeing Arcadia in this University of Northampton production by the Third Year BA Actors, I had been warned that it wasn't a play for everyone. It makes sense in retrospect, it's a bit clever, making you always feel as if you are not as intelligent as you hope you are (in my case, probably a fair point). However, despite this, the young cast in this production make Tom Stoppard's ever so clever play entertaining from beginning to end.

Arcadia follows two timelines, modern day as oddball poetry professor Bernard comes visiting Sidley Park looking for a Lord Byron trail, while 200 years before, young Thomasina Coverly is being taught by horny tutor Septimus. Intermixed with these timelines are a further assortment of odd characters. It's all a little weird, but oddly still fun.

Thomas Van Langenberg has tremendous fun as Septimus, teaching and flirting with his pupil Thomasina, played to playful perfection by Abi Cameron, demonstrating perfection in playing below your age. Their scenes together are never anything less than hugely entertaining.

Modern day, and Daniel Hubery slots into the role of Bernard perfectly, sparring with his compatriots and being more than a bit creepy at times. Almost typecast again, Hubery has the niche, and I think it will take him far in the future. Kit Wiles is equally excellent as the forthright novelist Hannah Jarvis, while Chris Cutler is suitably impulsive and more than a little wild as mathematician Valentine.

It's actually as ever a brilliant cast, even beyond the main players, and the dynamics that all of the performers get with one another really are excellent, and perhaps maybe makes this play a little bit better and more entertaining as a whole. Taking a little of the perhaps poncy, knowing nature out of it, and making it more fun.

Visually it looks superb, with sharp detail to the set from Meryl Couper, columns quickly becoming creepers, and as well as this, its superbly dressed from costumes through to some fascinating and very nice props.

I really enjoyed some of the bold direction from Tobias Deacon, allowing actors to perform naturally, often in profile centre stage for some time. It's not for everybody like that, but I like it, it's better to have something look more natural at times.

Arcadia is an interesting play, and that's being nice. I can't say I didn't enjoy it, as that would be a lie. I've seen better, but I've seen a lot worse, and here, the main thing is that the cast in their final group performance together did themselves proud, and that's the important thing here.

Performance reviewed: Sunday 2nd June 2019 at Jacksons Lane Theatre, Highgate, London

Red Velvet was one of three shows performed at Jacksons Lane Theatre by the University Of Northampton BA (Hons) Actors from Friday 31st May to Sunday 2nd June 2019.

Details of Jacksons Lane can be found by visiting their website at https://www.jacksonslane.org.uk/

Popular posts from this blog

Review of The Bodyguard at Milton Keynes Theatre

The 1992 film The Bodyguard , starring Kevin Costner and marking the acting debut of singing megastar Whitney Houston, was a standard romantic thriller, greatly enhanced by Houston's presence and a cascade of big musical numbers. Surprisingly, it took twenty years to make the transition to the stage. Premiering in London in December 2012, just ten months after Houston's death, the show has since become a massive global success. Now it arrives at Milton Keynes Theatre again as part of its fourth UK tour in just thirteen years. The Bodyguard sees former Secret Service agent turned bodyguard, Frank Farmer, hired to protect an Academy Award-nominated actress and music superstar, Rachel Marron, from a stalker. Between Farmer's duties and Marron's career, something inevitably builds between the two amid music and dancing aplenty. Taking the leads on this tour are Sidonie Smith as Rachel and Adam Garcia as Frank. Smith has appeared in The Bodyguard before, as a walk-in in a p...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...