Skip to main content

Review of Red Velvet by University of Northampton BA Actors at Jacksons Lane Theatre, Highgate, London

Sometimes in theatre, whether you are in a big London venue, watching a big name star, or just watching a group of perfectly cast individuals, everything just feels right. Magic is happening. Without shooting the bolt of this review in the first paragraph, Red Velvet is that. Maybe the greatest moment of University of Northampton BA Acting history to date (that I have seen, and it's been quite a lot now). It all feels just right.

First and foremost, Lolita Chakrabarti's play is a classy piece of theatre, starting out with more than a hint of Ronald Harwood's The Dresser, before spiralling out into a period piece of racism and acceptance. It is just simply brilliant. At virtually two hours without an interval, it also never drags at any point. I said after that I had seen hour parts that had felt much longer, and it's true. When the lights fade at the end of the play, you don't feel you have been seated for that length of time.

So, much enthusing about the play itself then leads onto doing the same about the performances. All, even if not mentioned here, are brilliant. At the helm is the incredible Michael Gukas as Ira Aldridge, a black actor of the stage long, long before any acceptance of such a thing likely. There is no coincidence I think in the casting because I'll eat my hat if Mr Gukas doesn't also have stardom awaiting. Ira's arrival into a company of actors (mostly not accepting of) to take over from the ill Edmund Kean is received in a mixture of ways, and that is what drives the piece onwards from this point.

Elsewhere, Gukas is surrounded by superb performances, Ryan Greendale deals with the worst of the characters, Charles, he is the most repulsive of racist people and challenged also to deal with this person replacing his ill father as well. It's a tremendous performance from Greendale, that elicits no sympathy, but also somehow still seems to be not dislikable, simply because we as an audience try as we might to understand what is ingrained into his head. The time is the time, it cannot be changed, as to his character Charles, the black person must serve, like the quiet and obedient Connie does (an excellent calm performance by Shemelia Lewis).

Joseph Mattingley is at times equally repulsed by Ira's appearance as his character Bernard, but it is softer, nicely played, as a perfect bridge between the character of Charles, and the final male actor in the company Henry, the one male who knows the colour of Ira's skin before he arrives. As Henry, Harry Oliver is funny and interesting, the perfect, relatively quiet foil to the abusive and dominant Charles, and to a lesser extent Bernard.

Of the ladies of the company, the full of fun Betty is played with a vibrant nature by the excellent Franky Harris, a captivating presence on stage once again, although she has relatively little to do at times, she does it extremely well. Finally in the company of actors, is Hannah Magrath's Ellen, challenged with the key character of Desdemona to Ira's Othello. She falls for the charms of Ira, and her complicity to move into his understanding of making the performance more real, eventually leads to his downfall, and here Magrath is understated and believable in the delivery of Ellen, and the best performance I have seen from her to date.

Finally, from the cast, Tim Medcalf is a clear and concise Pierre, controller of the company and not swayed in what he wants by Charles. Medcalf's final scene with Gukas is a stunning piece of writing by Chakrabarti, and delivered with an incredible amount of skill by the two, leaving much thought beyond the final curtain.

I liked Red Velvet, a lot. It's a fantastic play, detailing a fascinating story, and even as a single piece of two hours, it clips along at pace. The whole group of actors are also at the top of their game, each getting all of their characters, and I don't doubt that director Lakesha Arie-Angelo has refined these in exquisite detail with the performers. Perhaps one of the very best of the University of Northampton shows I have seen really from my six years. Just simply superb.

Performance reviewed: Sunday 2nd June 2019 at Jacksons Lane Theatre, Highgate, London

Red Velvet was one of three shows performed at Jacksons Lane Theatre by the University Of Northampton BA (Hons) Actors from Friday 31st May to Sunday 2nd June 2019.

Details of Jacksons Lane can be found by visiting their website at https://www.jacksonslane.org.uk/

Popular posts from this blog

Review of Fawlty Towers at Royal & Derngate (Derngate), Northampton

The seventies comedy series Fawlty Towers , written by John Cleese and Connie Booth, remains one of the most enduring shows of all time. While some now frown on some of the content as being politically incorrect, it is impossible to see the antics of Basil Fawlty, his wife Sybil, and his staff as anything other than stunningly clever TV comedy of the highest standard. So, when news broke that Cleese was adapting three of his most famous episodes for the stage, there was a mix of naysayers predicting failure and jubilators ready for success. As the show now rolls into Royal & Derngate as part of an extensive tour following a hugely successful London run, the naysayers have gone quiet, and the audiences are packed. For those unfamiliar with the show,  Fawlty Towers  featured inept hotel manager Basil Fawlty battling everything from corpses and rats to Germans in his campaign to create the very best hotel, despite his constant annoyance with humanity, including the guests....

Review of Mary Poppins at Milton Keynes Theatre

The 1964 Disney film Mary Poppins is one of the most fondly remembered family films and has been a staple of many children's childhoods ever since its release. Adapted from P. L. Travers's book series featuring the famous nanny, it took until 2004 for the show to reach the stage, with this musical adaptation featuring a book by Julian Fellowes. The stage musical used the familiar songs from the film by Richard M. Sherman and Robert B. Sherman and added new ones by George Stiles and Anthony Drewe, all under the watchful eye of co-creator Cameron Mackintosh. It is safe to say that many people were involved in bringing this show to the stage. The story, of course, tells of the family Banks—father George, mother Winifred, and the tricky-to-handle children Michael and Jane. Following a job advertisement thrown into the fireplace, a nanny named Mary Poppins arrives at their home, and the Banks' family experiences a very different world than they have ever before. Touring to sele...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...