Skip to main content

Review of The Pope at Royal & Derngate (Royal), Northampton

The Pope weaves the story of the resignation of Pope Benedict into a finely tuned tapestry of entertainment. Enthralling, funny and with two devastatingly brilliant performances from masters of the stage. That's all you need to know really before you go and see this show.

However, for those still here, let's flesh it out a bit more. As Our Lady of Kibeho did a few months back, The Pope brings religion to the Made In Northampton range, and once again, it sweeps to every success in making it accessible for all. You don't need to have any religious leanings to be thrilled by this tale, expertly written by Anthony McCarten (Bohemian Rhapsody), this is simply told, and intensely funny, there are actually some amazingly good one-liners in this play which cause show-stopping moments due to the audience's laughter. It is unexpected, but superb to see, and also importantly doesn's shy away from the numerous issues of the Catholic church.

It helps that we have the incredible Anton Lesser and Nicholas Woodeson to delivery these one-liners and powerful speeches as well. Never has perhaps the papacy been as funny as here, and Lesser and Woodeson have the chemistry and stage presence to get everything so right.

I've always been a fan of Lesser, so, I would have been surprised to leave disappointed from this. I didn't, in fact, with his performance as Pope Benedict XVI, I ended up more astonished by him really. He brings charm, authority and more than a little sadness to the role as well. The final realisations of where his religious belief is at is devastating, and following all the relaxed chat from early, with the witty banter, all the more powerful for it.

Woodeson while not the star player in this, it is sold as Lesser's show generally, is parallel to him in performance, his sharp and witty Cardinal Bergoglio is effortlessly cool, initially thrilled by the prospect of retiring at 75, but being challenged with a very different future during his meetings with The Pope.

Lesser and Woodson's scenes together are theatre magic in the extreme. Sure it helps that the lines are funny, clever, and the play always entertaining. However, you imagine that these two could read the Yellow Pages (if they still existed) to one another, and make it thrilling.

While this is predominantly about the two main players, Faith Alabi is glowing as Sister Sophia, her charm is delightful, and her dedication to Cardinal Bergoglio palpable. Lynsey Beauchamp is understated as Sister Brigitta, a longtime friend of Pope Benedict XVI. They share a long scene in the first act which is in theory, is very plain in concept, but the two make it spark with strong emotional layers. The community ensemble of Will Adams, Sue Whyte, Jude Wilton and Patsy Wright bring a lovely depth to the production as well.

Director James Dacre is back to his best here, bringing flair to the proceedings like a movie director would to the stage. His approach is stylish and polished, and while it doesn't always work for people, here it feels perfectly pitched. Sharp, hidden scene changes, fluid movement. Angles are played with beautifully, keeping scenes of long chat flowing with gentle movement.

While the Made In Northampton range is proving extremely successful with three in the West End at present and one on its way, I haven't enjoyed one more recently as much as The Pope. It is a coming together of several perfect things, including director, performers and writer. It's a play that you truly need to see.

Powerful, dramatic, stirring and funny, this is theatre of the very highest order.
⭐⭐

Performance reviewed: Wednesday 12th June 2019 at the Royal & Derngate (Royal), Northampton.
The Pope runs at Royal & Derngate until Saturday 22nd June 2019. 

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Photos: Manuel Harlan

Popular posts from this blog

Review of Matthew Bourne's The Red Shoes at Milton Keynes Theatre

Sir Matthew Bourne has rightfully become the doyen of accessible contemporary ballet, with his works spanning a wide range, from Swan Lake , Lord of the Flies , and Edward Scissorhands to The Red Shoes , now here at Milton Keynes on an extensive tour. Based broadly on the 1948 film of the same name, The Red Shoes , set across Europe, follows the story of ballerina Victoria Page, discovered by ballet impresario Boris Lermontov. He requests that a ballet based on Hans Christian Andersen's tale   The Red Shoes  be written by the  composer Julian Craster, whom Page falls deeply in love with. A conflict arises, and Page must choose between love and success. The first impact on any audience of The Red Shoes is visually on the costumes and set. This is, without any question, a spectacular staging. Lez Brotherston, responsible for both costumes and set, has created a gem. The striking costumes effectively recreate the period in minute detail, placing the audience very much in t...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...