Skip to main content

Review of Jekyll & Hyde at Royal & Derngate (Royal), Northampton

The Third Year BA Acting & Creative Practice students made their final appearance onstage together in an adaptation of Jekyll & Hyde by Royal & Derngate's Erica Martin, who directs with Trudy A Bell. It offered an inventive, if perhaps overlong, telling of the story, but allowed the diverse range of skills from the students to be fully exploited.

This telling of Robert Louis Stevenson's classic, might at times feel a little different to those that know the story well. The piece itself, while in keeping with the Jekyll tale of a scientist exploring a hidden self, also developed a separate story, involving another culprit for Hyde's deadly adventures. This revolved around a local piece of history relating to the 1892 murder of Annie Pritchard (Amy Catherine), and the person convicted of her murder, an Andrew McCrae (Ben Loftus). It's a neat spin on fleshing out the tale, especially to allow more depth for the 23 strong year group to all be part of.

So, Jekyll & Hyde has its fair share of excellent acting and inventive moments, and its strength at all times is the ensemble work, the group generally all work well together, creating vibrant scenes upon the stage bridging scenes as well. These are the strengths of the whole show and keeps the piece interesting.

From the performances, Samuel Jordan is a clear and controlled Jekyll, every bit the thinker and explorer and his discussions with his friends are measured, this gives the perfect balance against George Henry's Hyde. Hyde takes some bedding in from Henry's performance, as at close of act one, he feels totally unconvincing in his fleeting appearance, not menacing enough at all to be the perfect opposite of Jekyll. However, it improves, in the second act, his menace increases, without too much volume, and at play end Henry has created an excellent, and sinister interpretation of Hyde.

Elsewhere there are a superb collection of performances. Rosalie Evans is strong and confident as Victoria, Ellie Lomas is perfectly cast in the lovely little role of Penny Girl especially, and Kyla Williams opens the entire show with a wonderfully evocative speech as Gypsy Woman.

I totally enjoyed the petulant and bolshy performance from Rosemarie Sheach, once again proving one of the stronger performers of the year group. As was Samual Gellard, with his controlling the stage and captivating his audience with his brilliant telling of Annie's story down at the White Horse. Erin Thorpe made an extremely convincing Utterson, in the gender-switched role, sparking in her scenes with Jekyll. Finally, from the cast, Liam Bottazzi created a clipped and precise version of Poole the butler (a role I've played don't you know), maintaining a discreet distance in the background as he should most of the time, but never dropping character.

Throughout the piece, there was some excellent setpieces and surprising songs, ensemble ones solid, and a wonderful solo performance from Amy Catherine of We Played A Game. From the collection of clever bobbing choreography during the dance sequence, and the hypnotic song laying behind, there were some truly brilliant moments of both visual and aural treat.

As already mentioned, I think as a piece it was too long, maybe as much as half hour, with some of the first act feeling like filler, although in actual fact, probably more importantly for this university piece, allowing all performers a good cut of the action. Therefore here, unlike other shows, it has to be allowed to get away with some of its bloated nature.

However, no question did I not enjoy it. There was so much to within it, some really neat ideas and totally as expected, some brilliant performances. This year group is mostly an excellent bunch of people, and as they have now parted, I can't help but wish them the best of successes in the future. Most especially the Jekyll's amongst them.

Performance reviewed: Friday 31st May 2019 at the Royal & Derngate (Royal), Northampton.
Jekyll & Hyde ran at Royal & Derngate between Friday 31st May and Saturday, June 1st 2019. 

For further details about the Royal & Derngate see their website at http://www.royalandderngate.co.uk

Photos: Graeme Braidwood

Popular posts from this blog

Review of Frankie Goes To Bollywood at Royal & Derngate (Royal), Northampton

There is no question that Rifco Theatre Company, the producers of Frankie Goes To Bollywood , now running at Royal & Derngate as part of a UK Tour, have come up with a cracking title for their show. However, as Bollywood descends upon Northampton, the question is, is this a gimmick title attached to a shallow show, or are we heading for Bollywood dreams? The show, unsurprisingly, follows a character named Frankie and tells the story of her dream to become a Bollywood star, a dream she shares with her best friend, Goldy. Following an opportune encounter with a famous Bollywood director, Frankie is invited to audition for his next movie, and her adventures begin. However, will the dream be the one she truly imagined? What is evident with Frankie Goes To Bollywood on stage is the love for creating a big, bold production. The staging is colourful and tries very hard to be epic, just like the Bollywood movies that it tells its story through. Unfortunately for all the boldness on offer,...

Review of Mean Girls - The Musical at Milton Keynes Theatre

The iconic 2004 teen movie Mean Girls has, despite 22 years passing, maintained relevance in modern youth culture; its “cautionary tale” still resonates. Therefore, back in 2017, original screenwriter Tina Fey created her musical adaptation of the story, maintaining the original's female empowerment and recognition of individuality while adding a little sprinkling of modernity, such as the arrival of mobile phones. It was such a success in London following a US debut that this UK Tour, now reaching Milton Keynes, was inevitable. Cady Heron, a teenager who has been home-schooled in Kenya, relocates to Chicago and confronts the fiercely competitive world at her new high school. Guided by the outcasts Janis and Damian, she strives for belonging but is soon drawn into the superficial "Plastics," ruled over by Regina George. Cady’s attempts to navigate both social circles spiral into rivalry, manipulation, and payback. While Mean Girls  may miss its target audience for this m...

Review of Party Season at Royal & Derngate (Royal), Northampton

Formed in 2011, the theatre group The Wardrobe Ensemble has created many shows for both adults and children. Over the years, they have established a rich connection with the Royal & Derngate, staging several productions here, including the recent Mog: The Forgetful Cat . With Party Season now opening at the venue, the focus returns to an adult-centred show. Party Season tells its story through three children’s parties over the course of one weekend. The usual social situations occur, awkwardness, one-upmanship, and the true chaos of such events as children descend on a single house. Though the setting is children’s parties, Party Season goes deeper. It explores what it means to be a parent, and in one amusing moment, what it is like not to be one. Party Season is a return to the triumphant balance that The Wardrobe Ensemble has between buffoonery and stark, human emotional storytelling. The simplicity of seeing a switch from the cast doing Gangnam Style to an emotional monologu...