Skip to main content

Review of Alice At Wonderland from Open Stage Performing Arts at Royal & Derngate (Derngate), Northampton

I always try my very best to be positive about community shows as they form a perfect bridging gap between the very beginners and those of the professional world. Among these vast numbers (and in this show, there were roughly 170 performers in this epic), some on the stage you always feel sure has enough talent to take them to some success in the future.

So if all that hints that I didn't find Alice At Wonderland the greatest success ever, you would be quite right. However, fortunately, most of the blame doesn't lie with the performers, most are the fault of the script. While the premise of setting Alice in Wonderland during a festival called Wonderland (explaining the At of the title) is excellent, it drags the whole premise over an incredible and excruciating three-hour-plus production. Now, community shows are often long, it is to be expected as teacher and pupils alike need to have their turn on the stage, however creating one of such length doesn't really help anyone, certainly not the audience. Also, three hours plus wouldn't be so bad if the script was entertaining, sadly Alice is only very occasionally so and often verges into the territory of abysmal. Scenes go on too long, and most especially those featuring host Janet Smiley are cringe inducing.

However, between all this are the real gems of shows like this, the performers, and in this show, they are of one of the most diverse age spread you could imagine. From the tiny tots who get all the possible awws from the audience whenever they enter the stage, to seventy-year-olds and the choir. This is as all community stage school shows should be, fully inclusive and is at its very best when they are doing what they should, dancing and singing. It's perhaps true that there could have appeared a little more fun in some of the performers at times, and there were for whatever reason a few glum faces, and this doesn't include the few that were as always a little stage struck at being presented with a mass of a few hundred people looking on either.

The show itself was also sadly clearly victim to preparation time during the first of the two performances that I saw, with microphone and lighting cues missed, but all for a show like this fully understandable, and nothing at any point to criticise just mention. I know that there is never enough time to prepare these shows on the site and to be absolutely honest for a show of this scale it actually went extremely well.

Trying to pick our individual sequences during a show of this length is something that I wouldn't want to attempt. There were many good moments and a few less so, to be honest. However, there was one single section where I got what I really love from any theatre show, a genuinely surprising and in this case heart grabbing moment. It happened during the final part of the first half when the choir suddenly revealed themselves by standing up at various points in the stalls and began singing I Lived. Unexpected, thrilling and a single moment to almost make the whole show worthwhile.

So at the end of the show, I was as always happy to have attended. I love shows like this as you never know what to expect and who indeed you might be watching in their early days of development. This is often the place that performers of the future take their first steps, I only wish that the script had done all the young performers justice, as it was it was excellent in parts and pants in others. How is that for an expressive summing up!

Performance reviewed: Saturday, July 8th, 2017 at the Royal & Derngate (Derngate), Northampton. Alice At Wonderland was performed on Saturday, July 8th, 2017 only at Royal & Derngate, Northampton. Details of Open Stage can be found at http://openstage.vpweb.co.uk/

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of The Bodyguard at Milton Keynes Theatre

The 1992 film The Bodyguard , starring Kevin Costner and marking the acting debut of singing megastar Whitney Houston, was a standard romantic thriller, greatly enhanced by Houston's presence and a cascade of big musical numbers. Surprisingly, it took twenty years to make the transition to the stage. Premiering in London in December 2012, just ten months after Houston's death, the show has since become a massive global success. Now it arrives at Milton Keynes Theatre again as part of its fourth UK tour in just thirteen years. The Bodyguard sees former Secret Service agent turned bodyguard, Frank Farmer, hired to protect an Academy Award-nominated actress and music superstar, Rachel Marron, from a stalker. Between Farmer's duties and Marron's career, something inevitably builds between the two amid music and dancing aplenty. Taking the leads on this tour are Sidonie Smith as Rachel and Adam Garcia as Frank. Smith has appeared in The Bodyguard before, as a walk-in in a p...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...