Skip to main content

Review of Alice At Wonderland from Open Stage Performing Arts at Royal & Derngate (Derngate), Northampton

I always try my very best to be positive about community shows as they form a perfect bridging gap between the very beginners and those of the professional world. Among these vast numbers (and in this show, there were roughly 170 performers in this epic), some on the stage you always feel sure has enough talent to take them to some success in the future.

So if all that hints that I didn't find Alice At Wonderland the greatest success ever, you would be quite right. However, fortunately, most of the blame doesn't lie with the performers, most are the fault of the script. While the premise of setting Alice in Wonderland during a festival called Wonderland (explaining the At of the title) is excellent, it drags the whole premise over an incredible and excruciating three-hour-plus production. Now, community shows are often long, it is to be expected as teacher and pupils alike need to have their turn on the stage, however creating one of such length doesn't really help anyone, certainly not the audience. Also, three hours plus wouldn't be so bad if the script was entertaining, sadly Alice is only very occasionally so and often verges into the territory of abysmal. Scenes go on too long, and most especially those featuring host Janet Smiley are cringe inducing.

However, between all this are the real gems of shows like this, the performers, and in this show, they are of one of the most diverse age spread you could imagine. From the tiny tots who get all the possible awws from the audience whenever they enter the stage, to seventy-year-olds and the choir. This is as all community stage school shows should be, fully inclusive and is at its very best when they are doing what they should, dancing and singing. It's perhaps true that there could have appeared a little more fun in some of the performers at times, and there were for whatever reason a few glum faces, and this doesn't include the few that were as always a little stage struck at being presented with a mass of a few hundred people looking on either.

The show itself was also sadly clearly victim to preparation time during the first of the two performances that I saw, with microphone and lighting cues missed, but all for a show like this fully understandable, and nothing at any point to criticise just mention. I know that there is never enough time to prepare these shows on the site and to be absolutely honest for a show of this scale it actually went extremely well.

Trying to pick our individual sequences during a show of this length is something that I wouldn't want to attempt. There were many good moments and a few less so, to be honest. However, there was one single section where I got what I really love from any theatre show, a genuinely surprising and in this case heart grabbing moment. It happened during the final part of the first half when the choir suddenly revealed themselves by standing up at various points in the stalls and began singing I Lived. Unexpected, thrilling and a single moment to almost make the whole show worthwhile.

So at the end of the show, I was as always happy to have attended. I love shows like this as you never know what to expect and who indeed you might be watching in their early days of development. This is often the place that performers of the future take their first steps, I only wish that the script had done all the young performers justice, as it was it was excellent in parts and pants in others. How is that for an expressive summing up!

Performance reviewed: Saturday, July 8th, 2017 at the Royal & Derngate (Derngate), Northampton. Alice At Wonderland was performed on Saturday, July 8th, 2017 only at Royal & Derngate, Northampton. Details of Open Stage can be found at http://openstage.vpweb.co.uk/

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of The Strange Tale of Charlie Chaplin and Stan Laurel at Royal & Derngate (Royal), Northampton

The Strange Tale of Charlie Chaplin and Stan Laurel is perhaps the perfect antidote to the troubled times we are in, harking back to when things were perhaps simpler and mass media and the press were less in your face. Not to say that bigshot Charlie Chaplin didn't make a name for himself in more than just the movies he made. This though is a warm show, filled with love. This show is based on the very real tale of the 1910 ship heading course for New York, which aboard were Charlie Chaplin and Stan Laurel, unknown, but part of Fred Karno’s music hall troupe, and destined for different, but very major futures. Told by an Idiot's production with Theatre Royal Plymouth (and Royal & Derngate and Unity Theatre) breaks down the tale of the voyage of the SS Cairnrona with intriguingly created flashbacks of the life, generally of Charlie Chaplin. Therefore along the course of the voyage, we see Laurel's moment as understudy to Chaplin, the birth of Chaplin (brilliantly...

Review of The Pillowman at The Playhouse Theatre, Northampton

The Pillowman sounds such a friendly title, and to be fair, his story is one of the lighter aspects of Martin McDonagh's script. It still involves dead children though, if you want to get a clear vision of how dark this play is. Set in a police state of the future, Katurian (Toby Pugh) is taken in for the content of his often violent stories and a similarity to a spate of recent child killings. Here in detention cell 13, his police captors, Tupolski (Adrian Wyman) and Ariel (Steve While) play good cop, bad cop while holding over the threat of violence against Katurian's mentally disabled brother Michal (Patrick Morgan), being held in another cell. The Pillowman is clearly a very warped story, with the blackest of black comedy, and often also very offensive with it's racial stereotyping and disability. In fact, it is no surprise that a couple left in the interval, as I would happily admit that this play is far from everyone. I like a good black comedy though, and ...