Skip to main content

Review of The Reluctant Dragon by Munchkins & Monsters Theatre Company at Rugby Theatre, Rugby

I first saw a show from Munchkins & Monsters during the 2016 local Northampton Umbrella Fair and their lively tale, Back In Time For Breakfast managed to keep an audience enthralled for an hour in a tent on a swelteringly hot August day, so with that achievement under the belt, it was clear they were doing something very right. As it turned out, the day that I saw this, their show entitled The Reluctant Dragon, the temperature wasn't a great deal cooler, but the lack of the tent meant we didn't get quite cook, even if the performers clearly did during this occasionally very energetic show.

The scene for the performance is set with a simple and clear staging of sheets with cartoon landscape, and puppets and cardboard towers hinting of what is to come. After the piping in of medieval music as we take our seats, our performers of Dale Forder, Hannah Conway and Laura Richardson take to the stage with all the suitable enthusiasm to try to keep an audience of children captivated.

Following a nice little prelude featuring a mini classic medieval adventure, the story introduces us to three dragons, each of which is heralded by each of the performers. Then we the audience are then asked to choose between the three in the most noise wins process. As it turns out the eventual winner matters not (although the kids get the fun required out of it) as all of these pesky dragons are quickly dispatched in some form relevant to their particular skills. This is mainly because this is not about fearsome dragons, but about The Reluctant Dragon, based on the short by Kenneth Grahame.

The main story opens with a genuinely delightful and emotional tale of the farmers meeting with his wife to be. Their romance is told via puppetry and it is perhaps one of the parts that are as much for the adults as the children, and this is the part where any truly good children's production works by bridging the gap to entertain both. Moments that crop up later like affordable housing are unlikely to leave little three years old Johnny smiling, but his parents sure will get it.

The tale is told in simple accessible ways, and full of high energy including a surprisingly physical sword scene expertly and very safely performed in the small space available. Add into this water pistols and audience-invading sheep and you have an hour of entertainment that managed to hold the attention of that well acknowledged tough crowd, children. Perhaps at times, the show might have benefitted from a little more dressing up from the performers, although the simplicity of caps worked, a little more might has made it more visual. When we finally encounter the dragon, his glitter encrusted form is a delight to everyone and his cuteness keeps the whole piece in a non-frightening form for all the ages present to enjoy.

If you should have possession of an child to take for an hour of entertainment, there is little doubt that The Reluctant Dragon is going to entertain them, as it kept a good room full happy during the performance. If no such child is available to you, you could always go and sit in a corner making notes and pretending that you are going to review, it worked for me and I am sure that it may well do for you as well. A little bit of childish entertainment sometimes works tremendously well for grown-ups as well.

«««½

Performance reviewed: Sunday 9th  at the Umbrella Fair 2016, Northampton. 

Munchkins And Monsters have a website for details of upcoming shows at http://www.munchkinsandmonsterstheatre.co.uk/

Popular posts from this blog

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of The Spy Who Came in From the Cold at Milton Keynes Theatre

The Spy Who Came in From the Cold is one of John Le CarrĂ©’s more well-known titles in his world of spy fiction, and having been adapted into a highly rated 1965 film with Richard Burton, it is perhaps surprising that it took until 2024 for this stage adaptation to appear, adapted by David Eldridge, and now at Milton Keynes Theatre. In many ways, it feels like a ripe story for a stage play, with locations and theatre folk often liking the cerebral storytelling it offers, so this should be perfect for the stage? The Spy Who Came in From the Cold depicts Alec Leamas, a British intelligence officer, being sent to East Germany as a faux defector to sow disinformation about Hans-Dieter Mundt, a powerful East German intelligence officer. However, as expected in the spy world, all is not as it seems, and with the lurking figure of the supposedly retired spy George Smiley in the background, Leamas finds things moving far from his control. It has to be said that Eldridge’s adaptation struggles...