Skip to main content

Review of The Reluctant Dragon by Munchkins & Monsters Theatre Company at Rugby Theatre, Rugby

I first saw a show from Munchkins & Monsters during the 2016 local Northampton Umbrella Fair and their lively tale, Back In Time For Breakfast managed to keep an audience enthralled for an hour in a tent on a swelteringly hot August day, so with that achievement under the belt, it was clear they were doing something very right. As it turned out, the day that I saw this, their show entitled The Reluctant Dragon, the temperature wasn't a great deal cooler, but the lack of the tent meant we didn't get quite cook, even if the performers clearly did during this occasionally very energetic show.

The scene for the performance is set with a simple and clear staging of sheets with cartoon landscape, and puppets and cardboard towers hinting of what is to come. After the piping in of medieval music as we take our seats, our performers of Dale Forder, Hannah Conway and Laura Richardson take to the stage with all the suitable enthusiasm to try to keep an audience of children captivated.

Following a nice little prelude featuring a mini classic medieval adventure, the story introduces us to three dragons, each of which is heralded by each of the performers. Then we the audience are then asked to choose between the three in the most noise wins process. As it turns out the eventual winner matters not (although the kids get the fun required out of it) as all of these pesky dragons are quickly dispatched in some form relevant to their particular skills. This is mainly because this is not about fearsome dragons, but about The Reluctant Dragon, based on the short by Kenneth Grahame.

The main story opens with a genuinely delightful and emotional tale of the farmers meeting with his wife to be. Their romance is told via puppetry and it is perhaps one of the parts that are as much for the adults as the children, and this is the part where any truly good children's production works by bridging the gap to entertain both. Moments that crop up later like affordable housing are unlikely to leave little three years old Johnny smiling, but his parents sure will get it.

The tale is told in simple accessible ways, and full of high energy including a surprisingly physical sword scene expertly and very safely performed in the small space available. Add into this water pistols and audience-invading sheep and you have an hour of entertainment that managed to hold the attention of that well acknowledged tough crowd, children. Perhaps at times, the show might have benefitted from a little more dressing up from the performers, although the simplicity of caps worked, a little more might has made it more visual. When we finally encounter the dragon, his glitter encrusted form is a delight to everyone and his cuteness keeps the whole piece in a non-frightening form for all the ages present to enjoy.

If you should have possession of an child to take for an hour of entertainment, there is little doubt that The Reluctant Dragon is going to entertain them, as it kept a good room full happy during the performance. If no such child is available to you, you could always go and sit in a corner making notes and pretending that you are going to review, it worked for me and I am sure that it may well do for you as well. A little bit of childish entertainment sometimes works tremendously well for grown-ups as well.

«««½

Performance reviewed: Sunday 9th  at the Umbrella Fair 2016, Northampton. 

Munchkins And Monsters have a website for details of upcoming shows at http://www.munchkinsandmonsterstheatre.co.uk/

Popular posts from this blog

Review of Inspector Morse: House of Ghosts at Milton Keynes Theatre

The intellectually leaning Inspector Morse first appeared in print in the works of Colin Dexter in 1975 and became even more prominent in popular culture in 1987 when John Thaw took on the role in a series that would run for fourteen years. As well as generating a couple of spin-off TV series, Melting Pot and Birmingham Rep have now finally taken the detective to the stage in Inspector Morse: House of Ghosts , an original story written by TV series contributor Alma Cullen. So, as the play arrives at Milton Keynes Theatre this week with Tom Chambers now taking the eponymous role, does the Oxford intellectual make a smooth transition to the stage? Our story opens with Morse enjoying a stage production of Hamlet with a would-be love interest, Ellen. As expected, things quickly turn towards the need for a detective in the house as one of the players mysteriously collapses and dies live on stage. House of Ghosts opens excellently, drawing the audience in as a classic Hamlet scene suddenly ...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...