Skip to main content

Review of Bugsy Malone (Bonnie Company) at The Royal & Derngate (Royal), Northampton

The enduring favourite with youth theatre groups gets the Royal & Derngate Youth Theatre/Young Company treatment under the directorship of the Youth Theatre Manager, Ashley Elbourne, and between them, they do as much as they can with the show. With this, my second viewing of Bugsy Malone, it is becoming more apparent to me that the show itself is a little flimsy in some areas. It has a fabulous, single wacky premise (Splurge Guns and custard pie deaths), that doesn't have the strength for a whole show, especially when you discover that Paul Williams book isn't quite strong enough to keep the interest, and certainly not as strong as some of his music.

It helps though that the cast is clearly all having fun, much more than in a previous production youth production I saw a couple of years ago. Owen Howard as the lead continues to grow as a performer on the stage in his turn here as the lead. He has a confident stage presence and more especially, a charm which makes Mr Malone here work on all levels. His partnership with Emily Abraham as Blousey Brown is captivating and sweet, as Abraham herself continues to grow as a performer. I said last year in my Fame review that she was already one to watch, and I am glad to see that she continues that upward curve here and she has one of the very best voices in the production. Also with brilliant vocals, Robyn Wilson makes a stirring Tallulah and is especially brilliant in the performance of My Name Is Tallulah. She is another who has shone before and part of the thrill of following the Youth Theatre is seeing them expand, with some of these performers I have had the pleasure of seeing them for five years now. Perhaps the scene-stealing performance though must go to William Phillips' Fat Sam, bringing so much more comedy out of the role than I have seen before. It's a gloriously wacky performance, and thrills with every appearance. Fabulous stuff!

There are some lovely touches incorporated from the director and team that make the slightly less exciting moments into more of a thrill, including creating a nice atmosphere during the overture at the very beginning with the characters introductions. The song Down & Out is given a vibrant feel and full of movement with it's staging. Also, one of the greatest bits of the fun comes from the nicely ambitious car chase sequence, staged really well and excellently handled by the cast, and really funny as well to boot.

The evening wasn't free from a few technical issues going on, the sound was a little unclear early on (but definitely did improve), and some bits of the set were managing to misbehave. In particular, one potentially awkward incident during Fat Sam's Grand Slam was really professionally handled by the young cast. Live theatre always creates these incidents, they cannot be avoided, it's how it is dealt with that is key, and here they were excellent, and very much working together.

There are some bold moves going on which generally work, scenes are well brought together and the Grand Slam scene is brilliant and very visually appealing. I have to say that I was disappointed by the staging of So You Wanna Be A Boxer, it seemed unnecessarily crowded and many of the requirements for performance went beyond some of the skills of the individuals, making it often a distraction. I am undecided on the introduction of the dance during two of the solos, while nicely performed, for me, it went on too long and as a result, with the limited choreography of it, became repetitive. The scenes involving audience participation though were brilliant, bringing a nice unexpected depth to the much better second half as well.

There is no question that I enjoyed Bugsy Malone, and certainly more than a previous incarnation, however, it is a limited show in some areas, and with the slightly flimsy material of Fame last year, I feel next year the Youth Theatre need to go bold again and get back to the astronomic days of Oliver! and the simply incredible Sweeney Todd. The talent is still there in the group, all it needs is a much more meaty production to show it.

As it is, Bugsy Malone is everything you would expect, big and silly and the cast and team get everything possible out of the material.

Performance reviewed: Tuesday 10th July 2018 (Bonnie Company) at Royal & Derngate (Royal), Northampton.

Bugsy Malone runs at the Royal & Derngate until Sunday 15th July 2018.

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Photos: Graeme Braidwood

Popular posts from this blog

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...