Skip to main content

Review of Bugsy Malone (Bonnie Company) at The Royal & Derngate (Royal), Northampton

The enduring favourite with youth theatre groups gets the Royal & Derngate Youth Theatre/Young Company treatment under the directorship of the Youth Theatre Manager, Ashley Elbourne, and between them, they do as much as they can with the show. With this, my second viewing of Bugsy Malone, it is becoming more apparent to me that the show itself is a little flimsy in some areas. It has a fabulous, single wacky premise (Splurge Guns and custard pie deaths), that doesn't have the strength for a whole show, especially when you discover that Paul Williams book isn't quite strong enough to keep the interest, and certainly not as strong as some of his music.

It helps though that the cast is clearly all having fun, much more than in a previous production youth production I saw a couple of years ago. Owen Howard as the lead continues to grow as a performer on the stage in his turn here as the lead. He has a confident stage presence and more especially, a charm which makes Mr Malone here work on all levels. His partnership with Emily Abraham as Blousey Brown is captivating and sweet, as Abraham herself continues to grow as a performer. I said last year in my Fame review that she was already one to watch, and I am glad to see that she continues that upward curve here and she has one of the very best voices in the production. Also with brilliant vocals, Robyn Wilson makes a stirring Tallulah and is especially brilliant in the performance of My Name Is Tallulah. She is another who has shone before and part of the thrill of following the Youth Theatre is seeing them expand, with some of these performers I have had the pleasure of seeing them for five years now. Perhaps the scene-stealing performance though must go to William Phillips' Fat Sam, bringing so much more comedy out of the role than I have seen before. It's a gloriously wacky performance, and thrills with every appearance. Fabulous stuff!

There are some lovely touches incorporated from the director and team that make the slightly less exciting moments into more of a thrill, including creating a nice atmosphere during the overture at the very beginning with the characters introductions. The song Down & Out is given a vibrant feel and full of movement with it's staging. Also, one of the greatest bits of the fun comes from the nicely ambitious car chase sequence, staged really well and excellently handled by the cast, and really funny as well to boot.

The evening wasn't free from a few technical issues going on, the sound was a little unclear early on (but definitely did improve), and some bits of the set were managing to misbehave. In particular, one potentially awkward incident during Fat Sam's Grand Slam was really professionally handled by the young cast. Live theatre always creates these incidents, they cannot be avoided, it's how it is dealt with that is key, and here they were excellent, and very much working together.

There are some bold moves going on which generally work, scenes are well brought together and the Grand Slam scene is brilliant and very visually appealing. I have to say that I was disappointed by the staging of So You Wanna Be A Boxer, it seemed unnecessarily crowded and many of the requirements for performance went beyond some of the skills of the individuals, making it often a distraction. I am undecided on the introduction of the dance during two of the solos, while nicely performed, for me, it went on too long and as a result, with the limited choreography of it, became repetitive. The scenes involving audience participation though were brilliant, bringing a nice unexpected depth to the much better second half as well.

There is no question that I enjoyed Bugsy Malone, and certainly more than a previous incarnation, however, it is a limited show in some areas, and with the slightly flimsy material of Fame last year, I feel next year the Youth Theatre need to go bold again and get back to the astronomic days of Oliver! and the simply incredible Sweeney Todd. The talent is still there in the group, all it needs is a much more meaty production to show it.

As it is, Bugsy Malone is everything you would expect, big and silly and the cast and team get everything possible out of the material.

Performance reviewed: Tuesday 10th July 2018 (Bonnie Company) at Royal & Derngate (Royal), Northampton.

Bugsy Malone runs at the Royal & Derngate until Sunday 15th July 2018.

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Photos: Graeme Braidwood

Popular posts from this blog

Review of Blood Brothers at Royal & Derngate (Derngate), Northampton

A theatre in the east midlands, a thousand people stand applauding and cheering towards a stage where fourteen people stand. There on the stage, they bow, and bow, an inordinate number of times. They depart after a time and the lights come up over the capacity audience. So did you hear the story of the Blood Brothers show, how people flocked and came to see them play? Did you never hear about how we came to be, standing applauding the brightly lit stage this November day? Come judge for yourselves how this night did come to be. Blood Brothers was a significant show for me back in 2014, being the first musical that I saw live. Hiding up in the upper circle of the Derngate back then, not really sure what to expect, it was it turned out perhaps the perfect show to graduate me from play to musical that I could choose as Willy Russell's gritty and solid story is as confident as a straight play that perhaps any musical is. So strong is the story of the Johnstone's twins, tha...

Review of Sunny Afternoon at Milton Keynes Theatre

Sunny Afternoon , the Kinks-inspired jukebox musical, debuted on stage in 2014. Featuring Ray Davies' music and a book by Joe Penhall, it first found success in London before a UK tour in 2016/17. Now arriving at Milton Keynes Theatre with a new 2025/6 tour, the question remains: with some songs now over 60 years old, is Sunny Afternoon still relevant to today's audiences? While this is a jukebox musical, this show follows, via this system, the story of the formation and eventual success of The Kinks rather than creating a random story from the songs. Opening with the band The Ravens, the group is safe and sophisticated, with their prim-and-proper lead singer. However, the true band of the future, Ray Davies, Dave Davies, Mick Avory and Pete Quaife, are itching for freedom, to break away, especially writer Ray, who wants to create songs that mean something to people. Enter the suits of management, and the rocky creation of The Kinks begins. I had the pleasure of seeing Sunny A...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...