Skip to main content

Review of The Crucible at Royal & Derngate (Underground), Northampton

A few weeks ago I headed down to London to see this years graduating University of Northampton BA Actors perform Arthur Miller's classic The Crucible, and while it was generally spotlessly performed, as expected, the staging of it was tremendously dull, offering little stimulation beyond just the words being said. It made a classic, quite dull as a result. There was no such issue with The Actors Company production, staged in the atmospheric Underground space, and directed with such style and flair by Fay Lomas, to make Miller's play unrecognisable from that London version.

Based around the Salem Witch Trials in Massachusetts, Reverend Parris (a tough uncompromising performance from Steve While) comes across a group of girls dancing in the forest. When one of the girls, Betty (Laura Green), falls into a coma, events spiral out of control for many of the residents of the town, as accusations fly. Soon, Judge Danforth (Sue Whyte) is on the scene, and the lives of the residents are destined to change forever.

While Miller's play is without question superbly written, it's long and extremely wordy, and for modern audiences a potentially tough watch. Here though in the dank Underground, the environment is right, the performances gell, to frankly make The Crucible really rather entertaining, and that was a phrase I never felt I would ever write.

It helps that there are some simply incredible performances from this quality amateur group. Leading the way, not for the first time, is an amazing one from Davin Eadie, up there easily with a professional performance, he inhabits the iconic and soon to be broken character of John Proctor in an amazing way. Never switched off in his performance, I loved the non-verbal glances and exchanges going on during the courtroom scenes, for instance, it's a performance to savour.

Elsewhere, Sue Whyte as the gender-switched character of Judge Danforth brings a stunningly clear and calculated performance to the role. There is no swaying this Judge, this is the court, her court, against all against it Salem, a stunning performance. Corina Mann brings the leader of the "witches", Abigail Williams, to life brilliantly, her power over her "coven" in the court scenes is amazing, and so brilliantly staged, with some stunning movement work created by Natasha Harrison.

There is an unremitting amount of emotion absorbed into Jo Watts portrayal of Mary Warren, creating a quietly powerful execution of the character very much stuck between a rock and a hard place and driven beyond anything anyone could take. In a perfect balance, Helen Gibb brings a calmer approach to Elizabeth Proctor, wronged, but strong enough to somehow be dealing with the situation. Both are brilliant in their own way.

The quality performances go right through the cast, Mark Farey makes much of the relatively standard character of court official Cheever, while Erica Mynard as Ann Putnam puts in the best performance I have seen from her. Indeed, it works so well, that you feel at ease with all of the scenes, despite the obvious differences in acting a group like this always has, as a team it works at all times.

The set design from Anna Kezia Williams, while simple in theory, absorbs us into the whole piece, striking wooden posts, and later the simple use of benches brings us the audience into the courtroom. There is also tremendous us of lighting from Jonathan Blunsdon, working so well in the cramped space. Blackout, dull colours, and gradual transitions, it is a thing of beauty in itself.

This wasn't the best I have ever seen from The Actors Company, I doubt Market Boy will ever be matched, but it was so close. Stirring, dynamic, the most perfect environment. It's a bold statement, but this is the best that I have ever seen of an Arthur Miller play live, not perhaps because of performances, but because of commitment of the cast, and such stunning direction from Fay Lomas. Making something now so traditional like The Crucible into a piece so captivating for the modern audience. It had a large school group enthralled, and silent at the performance I saw, and I am frankly not surprised. If you missed it, you missed an incredible treat.

Performance reviewed: Friday 20 July 2018 (matinee) at the Royal & Derngate (Royal), Northampton.
The Crucible by the Royal & Derngate Actors Company was performed between Friday 20 and Sunday 22 July 2018.
For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Photos: Graeme Braidwood
Labels:

Popular posts from this blog

Review of The Strange Tale of Charlie Chaplin and Stan Laurel at Royal & Derngate (Royal), Northampton

The Strange Tale of Charlie Chaplin and Stan Laurel is perhaps the perfect antidote to the troubled times we are in, harking back to when things were perhaps simpler and mass media and the press were less in your face. Not to say that bigshot Charlie Chaplin didn't make a name for himself in more than just the movies he made. This though is a warm show, filled with love. This show is based on the very real tale of the 1910 ship heading course for New York, which aboard were Charlie Chaplin and Stan Laurel, unknown, but part of Fred Karno’s music hall troupe, and destined for different, but very major futures. Told by an Idiot's production with Theatre Royal Plymouth (and Royal & Derngate and Unity Theatre) breaks down the tale of the voyage of the SS Cairnrona with intriguingly created flashbacks of the life, generally of Charlie Chaplin. Therefore along the course of the voyage, we see Laurel's moment as understudy to Chaplin, the birth of Chaplin (brilliantly...
Read more

Review of The Pillowman at The Playhouse Theatre, Northampton

The Pillowman sounds such a friendly title, and to be fair, his story is one of the lighter aspects of Martin McDonagh's script. It still involves dead children though, if you want to get a clear vision of how dark this play is. Set in a police state of the future, Katurian (Toby Pugh) is taken in for the content of his often violent stories and a similarity to a spate of recent child killings. Here in detention cell 13, his police captors, Tupolski (Adrian Wyman) and Ariel (Steve While) play good cop, bad cop while holding over the threat of violence against Katurian's mentally disabled brother Michal (Patrick Morgan), being held in another cell. The Pillowman is clearly a very warped story, with the blackest of black comedy, and often also very offensive with it's racial stereotyping and disability. In fact, it is no surprise that a couple left in the interval, as I would happily admit that this play is far from everyone. I like a good black comedy though, and ...
Read more

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...
Read more