Skip to main content

Review of The Crucible at Royal & Derngate (Underground), Northampton

A few weeks ago I headed down to London to see this years graduating University of Northampton BA Actors perform Arthur Miller's classic The Crucible, and while it was generally spotlessly performed, as expected, the staging of it was tremendously dull, offering little stimulation beyond just the words being said. It made a classic, quite dull as a result. There was no such issue with The Actors Company production, staged in the atmospheric Underground space, and directed with such style and flair by Fay Lomas, to make Miller's play unrecognisable from that London version.

Based around the Salem Witch Trials in Massachusetts, Reverend Parris (a tough uncompromising performance from Steve While) comes across a group of girls dancing in the forest. When one of the girls, Betty (Laura Green), falls into a coma, events spiral out of control for many of the residents of the town, as accusations fly. Soon, Judge Danforth (Sue Whyte) is on the scene, and the lives of the residents are destined to change forever.

While Miller's play is without question superbly written, it's long and extremely wordy, and for modern audiences a potentially tough watch. Here though in the dank Underground, the environment is right, the performances gell, to frankly make The Crucible really rather entertaining, and that was a phrase I never felt I would ever write.

It helps that there are some simply incredible performances from this quality amateur group. Leading the way, not for the first time, is an amazing one from Davin Eadie, up there easily with a professional performance, he inhabits the iconic and soon to be broken character of John Proctor in an amazing way. Never switched off in his performance, I loved the non-verbal glances and exchanges going on during the courtroom scenes, for instance, it's a performance to savour.

Elsewhere, Sue Whyte as the gender-switched character of Judge Danforth brings a stunningly clear and calculated performance to the role. There is no swaying this Judge, this is the court, her court, against all against it Salem, a stunning performance. Corina Mann brings the leader of the "witches", Abigail Williams, to life brilliantly, her power over her "coven" in the court scenes is amazing, and so brilliantly staged, with some stunning movement work created by Natasha Harrison.

There is an unremitting amount of emotion absorbed into Jo Watts portrayal of Mary Warren, creating a quietly powerful execution of the character very much stuck between a rock and a hard place and driven beyond anything anyone could take. In a perfect balance, Helen Gibb brings a calmer approach to Elizabeth Proctor, wronged, but strong enough to somehow be dealing with the situation. Both are brilliant in their own way.

The quality performances go right through the cast, Mark Farey makes much of the relatively standard character of court official Cheever, while Erica Mynard as Ann Putnam puts in the best performance I have seen from her. Indeed, it works so well, that you feel at ease with all of the scenes, despite the obvious differences in acting a group like this always has, as a team it works at all times.

The set design from Anna Kezia Williams, while simple in theory, absorbs us into the whole piece, striking wooden posts, and later the simple use of benches brings us the audience into the courtroom. There is also tremendous us of lighting from Jonathan Blunsdon, working so well in the cramped space. Blackout, dull colours, and gradual transitions, it is a thing of beauty in itself.

This wasn't the best I have ever seen from The Actors Company, I doubt Market Boy will ever be matched, but it was so close. Stirring, dynamic, the most perfect environment. It's a bold statement, but this is the best that I have ever seen of an Arthur Miller play live, not perhaps because of performances, but because of commitment of the cast, and such stunning direction from Fay Lomas. Making something now so traditional like The Crucible into a piece so captivating for the modern audience. It had a large school group enthralled, and silent at the performance I saw, and I am frankly not surprised. If you missed it, you missed an incredible treat.

Performance reviewed: Friday 20 July 2018 (matinee) at the Royal & Derngate (Royal), Northampton.
The Crucible by the Royal & Derngate Actors Company was performed between Friday 20 and Sunday 22 July 2018.
For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Photos: Graeme Braidwood

Popular posts from this blog

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Paranormal Activity at Milton Keynes Theatre

The low-budget film Paranormal Activity , first released in 2007, has since become the starting point of one of the most prolific horror series ever, with seven films now released in the franchise and another due next year. Its unique down-to-earth style of storytelling, inhabiting what is many people’s real life, with dangers within the house, has contributed greatly to its success. So, from one successful medium franchise, it is no surprise the series was developed for theatre in 2024, with a new story by Levi Holloway (though it borrows heavily from the original film). First performed at Leeds Playhouse before heading to both the West End and Broadway, and now, for 2026, a UK and Ireland tour, which this week arrives at Milton Keynes Theatre. So the question is: has the medium successfully crossed to the other side? Newly married couple, James and Lou, move from Chicago to London in an attempt to escape both of their past lives. However, as events begin to repeat themselves, they re...

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...