Skip to main content

Review of A Servant To Two Masters by University of Northampton BA Actors at Jacksons Lane Theatre, Highgate, London

The third and final of the three plays presented by the third year University of Northampton BA Actors was wacky with a capital W interpretation of the already crazy Carlo Goldoni play A Servant to Two Masters. This play is very much more familiar to modern audiences in the guise of Richard Bean's extremely successful reworking One Man, Two Guvnors', but here Lee Hall's slightly more traditional set version is given a box of frogs working over by director Frank Wurzinger.

I have to be honest, this entire setup should have been so good, many of the cast had worked so well in other roles of similar style, outrageous comedy, playing to the audience, many were clearly so adept at this from their previous shows. So, why did A Servant To Masters fall down so badly?

I think, for me, one word sums it up, control. The craziness is not controlled, the cast appears to be often just having too much fun themselves, which doesn't translate the audience (well this one anyway). The control idea, as in the lack of it, also comes from the surprising sloppiness of some of the performances. Lines are missed, fluffed, a general lack of the style of performance seems to have been missed. It all makes it a mess of a play in general.

Not to say that all is bad, there are a few in this show that just get it, Emilia Owen as Clarice is at her very best in the course, finally given a good meaty role to perform, and her performance along with Terell Oswald as Pantoloon (a physically perfect and comic timed delivery), just make the show watchable.

I feel the need, unfortunately, to blame the director for many of the problems, leaving the brilliant Bryony Ditchburn overegging the two apples and sock situation for the entire play was frankly ridiculous, a good initial joke ends up just being a tiresome situation. The idea of trampolines also either side for stage entry, potentially had some mileage for a few scenes, but with only very little chance of variety, this also became tiresome very quickly, and if they had vanished by the second half (after an incredibly long first half), I and I doubt many others would have been disappointed.

There were so many of the performers off the ball on this that it left an overwhelming sadness that this was the last memory I have of them on this course, as I know they are all so much better than this show let them be.

It didn't help the show that it had a slightly odd audience during the performance I saw, with a couple of rows of schoolkids who were clearly not adept at how to behave at the theatre (and likewise very disappointingly, under little control from their teachers).

They loved the show, many of the rest of the audience loved the show, I didn't gell with it from the outset and ended up resenting it the more as the laughs grew louder. I stand by the assertion that it was very disappointing, but many of the audience, and no doubt the performers will not agree on that one. Fortunately, I have had ample opportunity to have already told many of them how good they are already, as A Servant to Two Masters didn't let them show their finest work.

Performance reviewed: Thursday 7th June 2018 at Jacksons Lane Theatre, Highgate, London

A Servant To Two Master was one of three shows performed at Jacksons Lane Theatre by the University Of Northampton BA (Hons) Actors from Thursday 7th to Saturday 9th June 2018.

Details of Jacksons Lane can be found by visiting their website at https://www.jacksonslane.org.uk/

Popular posts from this blog

Review of Of Mice and Men at The Playhouse Theatre Northampton

John Steinbeck’s classic novella Of Mice and Men has been a staple of many young people's education, and it is relatively common in curricula; as such, it is a popular choice for theatre groups, both professional and amateur, to bring to the stage. Therefore, this week, The Playhouse Theatre Northampton has brought its own version to the stage at Christ Church Hall as its latest offering. So, after close to ninety years since the first publication, is this still worth a trip to the theatre? For those unfamiliar with the story, published in 1937, Steinbeck’s tale, here adapted for the stage by the author, chronicles a moment in the lives of George Milton and Lennie Small, an unlikely pair of migrant workers, as they move from ranch to ranch. Constantly moving due to the mentally unstable Lennies' constant leaning towards doing something bad, they find themselves at a new farm where they hope to make the coin to pursue the dream of their own piece of land. However, as always for...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...

Review of Tina: The Tina Turner Musical at Milton Keynes Theatre

Music artist Tina Turner was a staple of the music network for a remarkable time, active as an artist for eight decades; her work is, or at the very least should be, familiar to every generation. Therefore, it was little surprise that in 2018, a stage musical of her work and life arrived upon the stage. You could say that for such an artist, it actually took longer than it should have to appear. Now, as part of its first UK & Ireland tour, Tina: The Tina Turner Musical , it arrives at Milton Keynes Theatre for a two-week run. So, the question is, is it worthy of the legendary artist? For those unfamiliar with any part of Tina Turner's life, the content of this stage musical telling her life story might be a surprise to an audience that grew up just listening to her music. It is an early commendation of the show that the show does not shy away from the themes of domestic abuse, racism and parental abandonment that Turner suffered through her life. With all that rich and startlin...