Review of Bugsy Malone (Clyde Company) at The Royal & Derngate (Royal), Northampton

Last night I was back at Royal & Derngate to see the Youth Theatre/Young Company production of Bugsy Malone, this time seeing the almost completely different cast of Clyde Company. This second evening of the show had the fortune of running much smoother, with less of the technical issues that had beset the previous evening and restricted the success of some of the scenes.

It was most apparent in the Fat Sam's Grand Slam scene, which became a greater hive of activity, with a full dance routine taking place, which unfortunately hadn't happened the previous night. Leading this scene was a full-on performance from Morgan Charles as Tullulah, exhibiting the vocal talent, and most especially the dance skills she had shown in last years Fame.

In the lead for this second company, and taking a much different approach to the role, was Nathan Stroud. Here we had a more mature Bugsy, not just in age, but in personality. The slightly more serious style worked excellently alongside a sterner and sombre portrayal (at first) of Blousey from Mia Rista. She allowed the character to evolve gradually, and by the time we were at the lovely swing scene (nicely created from the flights), Blousey was a much different character, and playing off the more clowning now, hot dog eating Bugsy very nicely, this relationship was completed at this point in a very believable way.

Oscar White's Fat Sam lurched from almost straight acting to crazy moments. His "Tallulah" moment during the "go fix your face" scene was an inspired moment, which had the audience rightfully in hysterics. Personally, I did feel the audience interaction scene was played at too fast a pace, and much of the humour opportunity on this one occasion was lost. It's a nice fun scene, so doesn't want to be hurried.

There were talented little performances from two young ladies as Livvy Finney as Fizzy gave a sweet, gorgeous little show of Tonight, and then later a much more boisterous and showy turn from Roxy Raggio as Lena, in her front of curtain song, Show Business. Both showing an immense amount of confidence. Elsewhere hiding in the ensemble, Alfie Sanders was a highlight, oozing

confidence on stage once again and making very much the best of his opportunities.

James Clements and his nine-piece band during both company performances filled the theatre with some glorious period music, while the set from Sarah June Mills provided a solid and professional aspect to the show. Lighting, from Charlotte Burton, was also a fascinating piece of work, deliberately underlit to depict the dingy environments it worked extremely well to create the depression era and then switching to the bright lights of Fat Sam's club. I felt that there were some sound issues once again, with levels of the performers feeling wrong, however, mostly lines were generally audible.

Once again this company provided great entertainment via this favourite show with youth groups, and devoid of the few unfortunate incidents that bogged down the previous evening, made you appreciate the show a great deal more. Well worth catching either company if you are able to make it before it closes on Sunday.

Performance reviewed: Wednesday 11th July 2018 (Clyde Company) at Royal & Derngate (Royal), Northampton.

Bugsy Malone runs at the Royal & Derngate until Sunday 15th July 2018.

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Photos: Graeme Braidwood

Review of Lord Of The Dance at Royal & Derngate (Derngate), Northampton

The stage show Lord of the Dance possibly needs little introduction to most people, as it has become a legend and now, in this touring version, subtitled rather immodestly, 25 Years of Standing Ovations, it reaches a landmark anniversary. Those that do not know of the show would probably well know its spiritual fathers Michael Flatley, and even more likely Riverdance , from which Lord of the Dance sprung with a proper spring in its step. During the interval of the 1994 Eurovision Song Contest, Riverdance hit the world by storm as Michael Flatley and his troop of dancers possibly presented the most famous part of Eurovision ever, certainly of the non-singing variety at least. Here, this touring show brings that same style Flatley created from traditional Irish dancing across the country once again and it is truly something special to see. The concept of the show is simply a battle between good and evil told through dance, and some captivating and stunning songs performed by Celyn Cartw...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though, Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of My Mother's Funeral: The Show at Royal & Derngate (Royal), Northampton

The title My Mother's Funeral: The Show is perhaps not the most attractive title for a theatre show, however, this show had great success at the Edinburgh Fringe and now arriving at Royal & Derngate, one of its co-producing theatres, so, let's look beyond the unusual title and see what lies beneath. Abigail is a theatre dramatist pursuing plays that the theatres no longer want. Her "gay bugs in space" saga falls foul of being fiction for a start, something a theatre director states audiences no longer want stating they want gritty, real experiences, theatre with painful truths. So, after Abigail devastatingly loses her mother and finds no money to pay the funeral fees, she pursues the creation of a very personal theatre show. My Mother's Funeral: The Show is gritty and sad, but, also in many ways very funny, if in a dark way. Writer Kelly Jones digs deep into the world of poverty in Dagenham and countless estates across the country. A world of people born in...

A Small Mind At The Theatre

Search This Blog