Skip to main content

Review of National Theatre Connections - Day Two at Royal & Derngate, Northampton

After a slightly mixed first day of productions of the 2015 Connections plays, the second contained two absolutely glorious ones.

*

"Drama, Baby" by Jamie Brittain and performed by Barnwell School was an absolute delight from start to finish. Funny, fresh and superbly performed by the young cast, led by a hysterical star turn by the young chap who played Neil (devoid of a programme again, so sadly no names). While I try not to single out a single person in these shows, he made it quite impossible not to in his performance of the socially awkward and occasionally offensive individual. A slightly abhorrent character that you could not help love because of his performance. However there were many other lovely individual performances from the large cast and all got their moments of glory.
The play itself starts at the final rehearsals of two Theatre Studies groups, and proceeds via a collection of relatively shorts scenes to their final results, and culminates in a reaping what you sow poignant final scene. Throughout it remains likable despite some occasionally tough dialogue and despite being relatively short (like many of these plays), you really get to love and hate the simply drawn characters.

One of the best of the Connections plays I have seen so far and one of the best group performances. I shall see a second interpretation of the play on Sunday and it will be interesting to see if it is as wonderfully performed.

*

The second play of day two was "The Accordion Shop" written by actress Cush Jumbo. Performed by The King's Theatre Company, this was a snappy, clinically performed play. Every section of dialogue is presented after a short sharp section of music where the cast members relocate on stage, always presenting  themselves direct to the audience. It is a nice style and tells a sad tale of Mister Ellody and his shop of the title superbly, although it is never really about the shop to be fair. This is more about a rather random text message and its tragic consequences. I don't mind a rather ambiguous title and I will not say more than that, so that if you are lucky enough to see it, it will come as a surprise to you as well.

Once again we have a generally solid group of performances, with only a couple of slightly weaker performances, mainly on projection to the audience. My couple of picks though have to be the right cockney rebels Rhys Clark and Toby Platt as the "boys". Whenever they were on stage, me old mince pies were nowhere else. A delight, as were both plays of day two. I look forward to three more on Saturday!



Performances reviewed: Thursday 30th April, 2015 at the Royal & Derngate (Royal), Northampton.

The National Theatre Connections continue at Royal & Derngate until Sunday 3rd May, 2015. For details go here: http://www.royalandderngate.co.uk/whatson/2015-2016/Royal/Connections15

For further details about the National Theatre Connections visit their website at: http://connections.nationaltheatre.org.uk/

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Lord Of The Dance at Royal & Derngate (Derngate), Northampton

The stage show Lord of the Dance possibly needs little introduction to most people, as it has become a legend and now, in this touring version, subtitled rather immodestly, 25 Years of Standing Ovations, it reaches a landmark anniversary. Those that do not know of the show would probably well know its spiritual fathers Michael Flatley, and even more likely Riverdance , from which Lord of the Dance sprung with a proper spring in its step. During the interval of the 1994 Eurovision Song Contest, Riverdance hit the world by storm as Michael Flatley and his troop of dancers possibly presented the most famous part of Eurovision ever, certainly of the non-singing variety at least. Here, this touring show brings that same style Flatley created from traditional Irish dancing across the country once again and it is truly something special to see. The concept of the show is simply a battle between good and evil told through dance, and some captivating and stunning songs performed by Celyn Cartw...