Skip to main content

Review of 2:22 A Ghost Story at Royal & Derngate (Derngate), Northampton

2:22 A Ghost Story A Small Mind at the Theatre
2:22 A Ghost Story continues an endless rise and run of success on the stage. This play by Danny Robins was first staged as recently as August 2021 at the Noel Coward Theatre and since then the show continued to run in London for two years, moving to four further London theatres, before eventually closing in the city to embark on this tour, which began in September last year. During these runs, the cast has constantly been updated with often populist actors, and some, which are not even associated with acting. As this reaches Royal & Derngate, now even the touring cast has been swept clean and four further performers take on the incredible success of a show.

This is the second time I have seen 2:22 A Ghost Story, and it is safe to say that on that first viewing, with the previous tour cast, I was not as blown away by the play as the success seemed to warrant. The aforementioned populist casting seemed to have driven a so-so ghostly tale into success beyond its quality, and with this new group of stars of TV and music, that casting still goes on.

2:22 A Ghost Story A Small Mind at the Theatre
Not to say that there is anything wrong with the performances of Vera Chok, Jay McGuiness, George Rainsford, and Fiona Wade. In fact all four work much better as a group than the previous touring cast, which was championed then by an excellent performance by Joe Absolom as Ben. Playing this role now, is McGuiness, more familiar to most no doubt as a member of The Wanted, or maybe even more by winning Strictly Come Dancing. Having been mostly seen on stage to date in musicals, here he shows a nice ability to create the often uncomfortable in his environment, but likable builder. The girlfriend of Lauren (Chok), Ben is first to complain about being called "mate" and more believing than most of the tales of ghostly encounters. Chok as Ben's girlfriend is played effectively, plowing the course of alcohol and pills and descending coherance as the night goes on. She, sometimes, sides against the ghostly tales, but as events develop, she and all, can deny the situation no more.

2:22 A Ghost Story A Small Mind at the Theatre
Completing the characters are the married couple, owners of the house, Jenny and Sam played by Fiona Wade and George Rainsford respectively. Rainsford is edgy, dynamic, and often a constantly moving character, set in his ways, and a strong disbeliever of the tales that his wife keeps peddling. This often results in a confrontation, and it is often very believable between Rainsford and Wade and much less, dare I say, shouty, than my previous encounter with the characters. Wade even manages to give Jenny a great deal of depth and you feel, genuinely her despair and concern at her lack of control over events, which constantly spiral to that 2:22AM moment in time.

2:22 A Ghost Story A Small Mind at the Theatre
Production and technicals are generally excellent, with Anna Fleischle's set a feast on the eyes with many things dotted around to revel in. It does, however, get enveloped a little on the stage of the Derngate, and would have suited the Royal stage so much more, for both size and the beautiful atmosphere that theatre would create for the play. However, looking around at the packed audience, sadly the little old Royal would not have provided the number of seats for such a show.

The lighting design from Lucy Carter is perfect and offers some good moments of moodiness, and this coupled with some effective sound design from Ian Dickinson does create a great deal of atmosphere. Sadly however the constant inclusion of shock tactics in both sound and lighting at the scene ends sweeps away at that ambiance that had been built. Subtlety is perfect when it comes to a ghost story, and sadly 2:22 does not have any of that.

2:22 A Ghost Story A Small Mind at the Theatre
As perhaps expected, the play has a nice little twist which is very much guessable for those keeping an eye on things, and oddly enough, improved my enjoyment of the play on the second viewing as a result of knowing the twist.

2:22 A Ghost Story does enough in this incarnation to warrant its continued success. There is some atmosphere and nice performances, but, those expecting a creepy evening of theatre, may come away thinking they have got more of a kitchen sink drama than a ghostly encounter.

Lacking in ghostly atmosphere, but still an entertaining couple of hours of theatre.


Performance reviewed: Wednesday 10th January 2024 at the Royal & Derngate (Derngate), Northampton.

2:22 A Ghost Story runs at Royal & Derngate until Saturday 13th January 2024.

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

Photos: Johan Persson
2:22 A Ghost Story A Small Mind at the Theatre


Popular posts from this blog

Review of Death on the Nile at Royal & Derngate (Derngate), Northampton

Agatha Christie is a name synonymous with crime fiction, perhaps the most famous, and her 1937 novel Death on the Nile is among her most notable. Adapted often for the screen and previously also as a stage play back in the forties, here Ken Ludwig brings a new adaptation to the stage, first performed in 2024 and arriving now at Royal & Derngate as part of an extensive UK tour. For this production from Fiery Angel, we return very much to the team that brought Ludwig's Murder on the Orient Express recently to the stage, including director Lucy Bailey. That was a solid adaptation, so, as we cruise the Nile, is it more of the same standard? Heiress Linnet Ridgeway and her new husband, Simon, are on honeymoon aboard a luxurious boat cruising the Nile, their journey shadowed by a priceless Egyptian sarcophagus. Tension simmers among the eclectic mix of guests, including Simon's vengeful ex-fiancée, a watchful MI5 agent, the British Museum's enigmatic Egyptology curator, and P...

Review of Mary Poppins at Milton Keynes Theatre

The 1964 Disney film Mary Poppins is one of the most fondly remembered family films and has been a staple of many children's childhoods ever since its release. Adapted from P. L. Travers's book series featuring the famous nanny, it took until 2004 for the show to reach the stage, with this musical adaptation featuring a book by Julian Fellowes. The stage musical used the familiar songs from the film by Richard M. Sherman and Robert B. Sherman and added new ones by George Stiles and Anthony Drewe, all under the watchful eye of co-creator Cameron Mackintosh. It is safe to say that many people were involved in bringing this show to the stage. The story, of course, tells of the family Banks—father George, mother Winifred, and the tricky-to-handle children Michael and Jane. Following a job advertisement thrown into the fireplace, a nanny named Mary Poppins arrives at their home, and the Banks' family experiences a very different world than they have ever before. Touring to sele...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...