Skip to main content

Review of Flash Festival: Headcase Theatre Company - Under The Hat at the Looking Glass Theatre

I had already felt I knew quite a bit about Under The Hat by Headcase. They had via Twitter been the most active in teasing about their mysterious play in the lead up to performance. It was all about what was under the hat and it wasn't a rabbit. I don't think I still know what was under the hat after watching the show. I do however know that a hat is not a mug.

Based on case studies from 'The Man who Mistook his Wife for a Hat' by Oliver Sacks, Under The Hat explores the effects of different neurological disorders. They do this in an extremely clever and entertaining way, perhaps teaching the audience more through a lighthearted way than laying the subject matter on thickly. We therefore see a character who has no perception of things to their left who misses that moment of love from another character because of it. We have a character who is unable to stand upright and his doctors have to catch him from an endless spiral. Then there is Jimmy who is unable to live past the year of 1945. Finally we have most devastating of all the young woman who as we progress through time loses more and more of her ability to move.

Each of these characters are played by a different member of the four strong group consisting of Kate Fenwick, Michael Whelbourne, Steve Banks and Nikki Murray. These also in turn get a personal monologue after passing through the picture frame and breaking the fourth wall. This frame is stunningly used throughout the piece with them arriving at the start of the play and leaving through it as well to end the play. I particularly liked the movement of slow into the frame and quick once through it. A neat touch which worked perfectly. The monologues themselves are all excellent with Steve's the most powerful in content, while Michael's lack of one, the most funny. They all however are wonderful in their very different styles.

There is also wonderful activity of the stages and playing with the audience, especially the 50 shades granny handing out "stale" popcorn and sitting on the lap of an innocent audience member. One of a number of occasions where the audience feels part of the play.

I also thought that the use of music was superb throughout particularly through the first Oliver Sacks scene (Scissor Sisters I believe) and the final breakthrough scene of music coupled with excellent lighting made it a stunning scene. However no scene was as stunning as that moment featuring Nikki trying to break from the picture frame. Staggering, powerful and wonderfully played. A magic and at turns truly sad moment.

Heavily worked on and prepared is obvious from every moment of this superb play, and I think for the first time this week a group this large had truly given each of the performers a fair share of the material to perform. Unbelievably excellent.



The Flash Festival 2015 is all over! It ran between 18th-23rd May, 2015 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2015, while tickets cannot now be booked via the Royal & Derngate. Details at: http://www.royalandderngate.co.uk/whatson/2015-2016/Other/FlashFestival15

Popular posts from this blog

Review of Paranormal Activity at Milton Keynes Theatre

The low-budget film Paranormal Activity , first released in 2007, has since become the starting point of one of the most prolific horror series ever, with seven films now released in the franchise and another due next year. Its unique down-to-earth style of storytelling, inhabiting what is many people’s real life, with dangers within the house, has contributed greatly to its success. So, from one successful medium franchise, it is no surprise the series was developed for theatre in 2024, with a new story by Levi Holloway (though it borrows heavily from the original film). First performed at Leeds Playhouse before heading to both the West End and Broadway, and now, for 2026, a UK and Ireland tour, which this week arrives at Milton Keynes Theatre. So the question is: has the medium successfully crossed to the other side? Newly married couple, James and Lou, move from Chicago to London in an attempt to escape both of their past lives. However, as events begin to repeat themselves, they re...

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...