Skip to main content

Review of Romeo And Juliet performed by University Of Northampton BA Actors at Isham Dark (Avenue Campus), Northampton

The one thing about the University of Northampton BA Actors and their Shakespeare productions is that you always get something different. Therefore I have learnt to fully expect a transposed version of shows and this version of the classic tragedy Romeo and Juliet brings us into the nineties, rife with shell suits and a soundtrack including Fat Boy Slim. Each end of the theatre space has a wall strewn with graffiti, "I f**ked Lady M" being one particular boast. Above one end, a bit of scaffold and a basketball net lies in wait as a sort of balcony. I wonder what that might be used for? We also have gym benches which will be used in many inventive ways during the show. The scene is very much set for family war and love to play out on.

I haven't seen Romeo and Juliet before, however I knew it didn't end well and I knew of that aforementioned balcony scene. However much like the previous days The Comedy of Errors, I got it, I really did. Whether it is the wonderful presentation or talent, or my growing understanding of the bard. Either way these two Shakespeare shows worked for me unlike any I had seen previously.

At the helm with two really wonderful performances as the leads are Jack Baylis and Jessica Bichard. Romeo played by Jack Baylis looks every inch the heart breaker and conveys the emotional turmoil with great care. He also has the physical action much required for these shows now, highlighted in the particularly horrific taking apart of Tybalt (Liam Faik). Really really brutal, but quite brilliantly executed. Bichard plays Juliet with equal skill. Her strong Scottish accent bringing a tremendous amount to the play, giving a new appreciation the Shakespeare's language. They form a terrific duo and you can every bit believe their love for each other.

There were many other performances I enjoyed from the nineteen strong cast. Picking a few absolutely has to include Steven Croydon's flowery and flimsy Peter. Quite a scene stealer even when just sitting on the bench eating biscuits. A really strong comic performance. Also quite brilliant despite only really having one scene is Jamal Franklin's hip and cool Friar John. Playing to the audience with knowing winks and taking every moment of his scene with his swaggering off the stage. I also enjoyed Florence Rees-Waite's Nurse, often frivolous but later distraught by events. It was a performance of surprising depth in the sporadic appearances.

My two favourite performances though other than the two fabulous leads were Lewis Hodson's Friar Laurence and Lee Hancock's Mercutio. Hodson simply is the Friar, right from his comical first appearance sitting smoking dope, he never falls from the vitally important story driving character. Hancock meanwhile is simply outstanding. Really one of the most mature performances I have seen at the second year stage so far. He also has a tremendously powerful voice, which I simply cannot wait to hear projected from the Royal stage next year.

In addition to all the wonderful performances in the show, there are some tremendous dance routines from Karen Esaya-Chiwembu and Jamal Franklin, particular the final uplifting one. Although it is a tad surreal to see the dead up and grooving again. It does let everyone leave with a smile on the face though, which might have been strained with the usual corpse ridden floor.

So yet another brilliant reinterpretation of Shakespeare from the BA actors. I cannot help but feel these are the best bard ones I have seen and this coupled with the fact that this group of actors seems to be every bit as strong as the previous ones, gives great hope that the next year is going to be every bit as good as my previous three. I very much await what they will have for us with their end of year shows.


Performance viewed: Friday 13th May, 2016 (matinee) at Isham Dark, University Of Northampton (Avenue Campus).

Romeo And Juliet ran between Thursday 12th and Saturday 14th May, 2016
Twitter feed for the University actors is @BA_Actors



Popular posts from this blog

Review of A View from the Bridge at Royal & Derngate (Royal), Northampton

Although writer Arthur Miller died 15 years ago, and last published a play almost 30, he remains a force to be reckoned with, and you are probably still never far from production of one of his works, albeit one of probably just four from his back catalogue of 33 plays. If you pressed someone to choose his best, they would probably more often than not say The Crucible , because A: they studied it, or B: they have actually seen it. As for best though, maybe not. Perhaps that lies with the simpler format of A View from a Bridge , the gritty tale of immigration in the fifties. So, does this new version, a co-production between Royal & Derngate and York Theatre Royal, do it justice? In 1950s New York, hardworking longshoreman Eddie Carbone lives a simple life with his wife and niece deep in an immigrant community. When two of her Sicilian cousins arrives, slowly Eddie's life begins to change forever. In a theatre world where life is rarely simple anymore and directors of...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of UoN Fringe 2019: Working For The Man by Naked Truth Theatre at The Platform Club, Northampton

When looking at the prospect of the Fringe performance Working For The Man , it is slightly difficult to work out who is the bravest person involved in this remarkable one performer, one audience member show set totally within or around the edges of a car. I guess I would in my case, say myself, but it takes some daring for performer Ellie Lomas of Naked Truth Theatre to also create a piece that offers the boldness that it does. Working for the Man is perhaps unsurprisingly about the sex trade, and explores exploitation and how, or if, prostitution is taken as a serious profession. It involves no live audio dialogue from performer Ellie Lomas, instead, she inhabits a purely physical performance, that is progressed by the use of a pair of headphones which you are given at the start. Across this audio are instructions of what to do. "Get in the car", "sit in the middle seat in the back", "open the glove compartment" etc, as you move to different areas ...