Skip to main content

Review of Romeo And Juliet performed by University Of Northampton BA Actors at Isham Dark (Avenue Campus), Northampton

The one thing about the University of Northampton BA Actors and their Shakespeare productions is that you always get something different. Therefore I have learnt to fully expect a transposed version of shows and this version of the classic tragedy Romeo and Juliet brings us into the nineties, rife with shell suits and a soundtrack including Fat Boy Slim. Each end of the theatre space has a wall strewn with graffiti, "I f**ked Lady M" being one particular boast. Above one end, a bit of scaffold and a basketball net lies in wait as a sort of balcony. I wonder what that might be used for? We also have gym benches which will be used in many inventive ways during the show. The scene is very much set for family war and love to play out on.

I haven't seen Romeo and Juliet before, however I knew it didn't end well and I knew of that aforementioned balcony scene. However much like the previous days The Comedy of Errors, I got it, I really did. Whether it is the wonderful presentation or talent, or my growing understanding of the bard. Either way these two Shakespeare shows worked for me unlike any I had seen previously.

At the helm with two really wonderful performances as the leads are Jack Baylis and Jessica Bichard. Romeo played by Jack Baylis looks every inch the heart breaker and conveys the emotional turmoil with great care. He also has the physical action much required for these shows now, highlighted in the particularly horrific taking apart of Tybalt (Liam Faik). Really really brutal, but quite brilliantly executed. Bichard plays Juliet with equal skill. Her strong Scottish accent bringing a tremendous amount to the play, giving a new appreciation the Shakespeare's language. They form a terrific duo and you can every bit believe their love for each other.

There were many other performances I enjoyed from the nineteen strong cast. Picking a few absolutely has to include Steven Croydon's flowery and flimsy Peter. Quite a scene stealer even when just sitting on the bench eating biscuits. A really strong comic performance. Also quite brilliant despite only really having one scene is Jamal Franklin's hip and cool Friar John. Playing to the audience with knowing winks and taking every moment of his scene with his swaggering off the stage. I also enjoyed Florence Rees-Waite's Nurse, often frivolous but later distraught by events. It was a performance of surprising depth in the sporadic appearances.

My two favourite performances though other than the two fabulous leads were Lewis Hodson's Friar Laurence and Lee Hancock's Mercutio. Hodson simply is the Friar, right from his comical first appearance sitting smoking dope, he never falls from the vitally important story driving character. Hancock meanwhile is simply outstanding. Really one of the most mature performances I have seen at the second year stage so far. He also has a tremendously powerful voice, which I simply cannot wait to hear projected from the Royal stage next year.

In addition to all the wonderful performances in the show, there are some tremendous dance routines from Karen Esaya-Chiwembu and Jamal Franklin, particular the final uplifting one. Although it is a tad surreal to see the dead up and grooving again. It does let everyone leave with a smile on the face though, which might have been strained with the usual corpse ridden floor.

So yet another brilliant reinterpretation of Shakespeare from the BA actors. I cannot help but feel these are the best bard ones I have seen and this coupled with the fact that this group of actors seems to be every bit as strong as the previous ones, gives great hope that the next year is going to be every bit as good as my previous three. I very much await what they will have for us with their end of year shows.


Performance viewed: Friday 13th May, 2016 (matinee) at Isham Dark, University Of Northampton (Avenue Campus).

Romeo And Juliet ran between Thursday 12th and Saturday 14th May, 2016
Twitter feed for the University actors is @BA_Actors



Popular posts from this blog

Review of Dear Evan Hansen at Royal & Derngate (Derngate), Northampton

First performed in 2015, Dear Evan Hansen remains the musical of the modern teen's life, showcasing all the troubles in that generation of popularity and social media. And as this long UK tour of the West End and before that Broadway smash hits the Royal & Derngate, it offers a troubling mirror on modern society. Before seeing this show, I had avoided all knowledge of the story Dear Evan Hansen tells, and with that came a joyful voyage of discovery as the captivating story evolved. Therefore, if you have also managed to avoid the story, skip the next paragraph and enjoy a new story to be found. Evan Hansen is a troubled teen who struggles to fit into society and cannot find friends. As a result, his therapist has suggested that he write letters to himself, "Dear Evan Hansen." When one of these letters is found on the body of an equally troubled teen, Evan finds himself spiralling into a world of fictitious friendship, which gets increasingly out of control. The stor...

Review of To Kill A Mockingbird at Milton Keynes Theatre

Harper Lee’s 1960 novel To Kill a Mockingbird has been a staple on countless best-of lists since its publication and remains a book of immense power and relevance, despite being set nearly 100 years ago, in the early 1930s. Whether you have read the book or seen the groundbreaking film with Gregory Peck, most are familiar with the story. Here, in an extensive UK and Ireland tour, and arriving now at Milton Keynes Theatre, Aaron Sorkin’s adaptation takes to the stage with all the power and relevance of the original. Sorkin, famous for his ground-breaking TV series The West Wing , and also perhaps more relevant here, the legal film A Few Good Men , takes Lee’s classic and adapts the story to primarily be based around the court case of a certain Tom Robinson, charged with the assault and rape of local girl Mayella Ewell. Leading his defence is Atticus Finch, the kindly man who sees good in everyone. Lee’s book has Finch's daughter as the narrator; Sorkin cleverly develops this by add...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...