Skip to main content

Preview of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

Coming the Milton Keynes Theatre next week is a return to the stage for the hit production The Great Gatsby brought to the stage by Northern Ballet. The production reaches Milton Keynes as part of its UK spring tour for 2022 which culminates in Cardiff in June. The production based on the novel by F. Scott Fitzgerald brings all the glamour and seduction of the roaring twenties to life and premiered in 2013 and which has now had three UK tours.

Set on New York’s Long Island, in the heady, indulgent days of the 1920s, Nick Carraway comes to know his infamous neighbour Jay Gatsby – a mysterious millionaire with a secret past and a penchant for lavish parties. As the sparkling façade of Gatsby’s world slips, Carraway comes to see the loneliness, obsession, and tragedy that lie beneath.

The Great Gatsby was nominated for a UK Theatre Award for Achievement in Dance. David Nixon OBE choreographed The Great Gatsby and earned a nomination for Best Classical Choreography in the 2014 National Dance Awards. Performed to the unforgettable music of Sir Richard Rodney Bennett CBE, which is played live by the Northern Ballet Sinfonia, The Great Gatsby also features a lavish set designed by Jérôme Kaplan, complemented by the dazzling colourful costumes designed by Nixon.

David Nixon said: “I’m delighted to be bringing The Great Gatsby, one of the Company’s most beloved productions back to the stage this Spring. Like many, I fell in love with Fitzgerald’s timeless novel at a young age and it continues to capture my imagination to this day. As a choreographer, I had always wanted to depict Gatsby’s tale of passion and obsession through ballet and in 2013, with the help of Patricia Doyle, it was a thrill to bring The Great Gatsby to life. The glamour of the 1920s lends itself beautifully to the stage with stunning costumes and JĂ©rĂ´me Kaplan’s expertly designed set that conjures an America as painted by Edward Hopper. Music by the late Sir Rodney Richard Bennett CBE completes the backdrop and transports the audience to an elusive time of lavish parties and prohibition. So much has changed since the ballet was last performed in 2019 including the addition of many new young dancers to the Company so I am looking forward to seeing them flourish with this repertoire.”

The Great Gatsby performs at Milton Keynes from Tuesday 24 to Saturday 28 May.

Prices: Tickets from£13.

General bookings: 0844 871 7615*

Access bookings: 0800 912 6971

Group bookings: 0207 206 1174

Online Booking: ATGTICKETS.COM/MiltonKeynes*

*Fees may apply. Calls cost up to 7p per minute, plus your phone company’s access charge

Production photos: Caroline Holden and Emily Nuttall





 

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of The Strange Tale of Charlie Chaplin and Stan Laurel at Royal & Derngate (Royal), Northampton

The Strange Tale of Charlie Chaplin and Stan Laurel is perhaps the perfect antidote to the troubled times we are in, harking back to when things were perhaps simpler and mass media and the press were less in your face. Not to say that bigshot Charlie Chaplin didn't make a name for himself in more than just the movies he made. This though is a warm show, filled with love. This show is based on the very real tale of the 1910 ship heading course for New York, which aboard were Charlie Chaplin and Stan Laurel, unknown, but part of Fred Karno’s music hall troupe, and destined for different, but very major futures. Told by an Idiot's production with Theatre Royal Plymouth (and Royal & Derngate and Unity Theatre) breaks down the tale of the voyage of the SS Cairnrona with intriguingly created flashbacks of the life, generally of Charlie Chaplin. Therefore along the course of the voyage, we see Laurel's moment as understudy to Chaplin, the birth of Chaplin (brilliantly...

Review of The Pillowman at The Playhouse Theatre, Northampton

The Pillowman sounds such a friendly title, and to be fair, his story is one of the lighter aspects of Martin McDonagh's script. It still involves dead children though, if you want to get a clear vision of how dark this play is. Set in a police state of the future, Katurian (Toby Pugh) is taken in for the content of his often violent stories and a similarity to a spate of recent child killings. Here in detention cell 13, his police captors, Tupolski (Adrian Wyman) and Ariel (Steve While) play good cop, bad cop while holding over the threat of violence against Katurian's mentally disabled brother Michal (Patrick Morgan), being held in another cell. The Pillowman is clearly a very warped story, with the blackest of black comedy, and often also very offensive with it's racial stereotyping and disability. In fact, it is no surprise that a couple left in the interval, as I would happily admit that this play is far from everyone. I like a good black comedy though, and ...