Skip to main content

Review of The Gut Girls by University of Northampton BA Actors at Royal & Derngate (Royal), Northampton

After over two years away from seeing the BA Actors of the University of Northampton on stage, it was a delight to be back to see the final year students in their two performances on the Royal stage at Royal & Derngate.

The first of the two plays I got to see was The Gut Girls by Sarah Daniels, and I genuinely wish that after that gap in attendance I had a much better show to return with. During The Gut Girls, I continued to hope that more of a spark would appear on stage. Sadly, after over two and a half hours, that spark struggled to show.

Ro Kelly
Even now as I write this review, I can’t quite put my finger on why that spark isn’t there, whether it is the play itself from Daniels (unlikely, as it is a well-regarded play), or whether the cast for whatever reason did not jell and enthuse over the material. What occurred however was something that felt a little under-rehearsed even if maybe in reality it wasn’t. Either way, the scenes did not flow, there wasn’t a constant move of dialogue that you would expect in conversation with these work colleagues.

The play itself tells the story of a group of female workers in Deptford Foreign Cattle Market and their camaraderie over long hours and a hard-working environment. Added to the mix is Lady Helena, who, through her setting up of a group, hopes to better the prospects and social abilities of those workers.

Lauren Akkaker-Toms
The Gut Girls, while in a very different setting, reminded me often of another University show of a previous year, Blue Stockings, in its telling, very much of a female perspective and the issues they suffered. As a performance though it was a significantly lesser quality affair.

There was, despite all my negatives, much to like. I really enjoyed Ro Kelly as the jocular Polly, her winning style brightening the stage whenever present. Also, Lauren Akkaker-Toms was an excellent, spirited Kate, who performed the progression of her character nicely, from being one of the girls, and to someone who doesn’t wish to be seen with them. Also enjoyable was Aaron Mackenzie in his quartet of characters and was clearly having a lot of fun performing them which translated to the audience.

Aaron Mackenzie
Elsewhere, I just felt many of the roles were not as confidently performed and many were simply performed in such a stereotypical way, to make depth and feeling for the characters' plights worthless.

Sure, this is all extremely tough reviewing, and I really hate having to do so, and actually, to give some leverage, I know that this year group, graduating this year, has been the most challenged with training, study, and of course, the chance to shine in front of an audience because of covid. For that, this is an incredible shame.

However, I can only comment on what I see, and sadly, as a performance, The Gut Girls was lacking in the style, sharpness and brilliance of BA Actors shows of the past.

Missing the sharpness of old, despite a few strong performances.
⭐
⭐⭐

Performance reviewed: Thursday 12th May 2022 at the Royal & Derngate (Royal), Northampton.
The Gut Girls ran at Royal & Derngate until Saturday 14th May 2022.

The Gut Girls was presented by final year actors at the University of Northampton

Popular posts from this blog

Review of Matilda at Milton Keynes Theatre

Roald Dahl is perhaps one of the most famous children’s authors of any generation, and his work has inspired an exceptional number of film, television, and theatre adaptations. Fifteen years ago, this musical of Matilda , one of his most fondly remembered stories, took to the stage and has not looked back since. Adapted from the original book by Dennis Kelly, with lyrics and music by Tim Minchin, the show has been a fixture at the Cambridge Theatre in London since 2011, has performed on Broadway, and is now reaching Milton Keynes Theatre as part of its second UK and Ireland Tour. Inspired by the Roald Dahl book of the same name, this Royal Shakespeare Company’s multi-award-winning musical tells the story of an extraordinary little girl with a vivid imagination and the courage to change her own destiny. Matilda is of course the centre of attention in this production, and on this extensive tour, the role is shared by Felicity Brown, Petra Hutchings, Mollie Hutton, and Caroline Ravansari ...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Elf the Musical (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

Christmas has come early this year thanks to the Northampton Musical Theatre Company and their annual performance at Royal & Derngate; this year, they bring Elf the Musical to the stage. First staged in 2010, this musical version of the 2003 Will Ferrell comedy features music by Matthew Sklar and Chad Beguelin and is based on the book by Bob Martin and Thomas Meehan, from David Berenbaum's original screenplay. Elf tells the tale of Buddy, a human raised by Santa's elves, who eventually learns that his origins are less North Pole and more the skyscraper streets of New York City. So, for Buddy, it’s time to travel to the Big Apple and finally meet his biological father. Matt Clarke's lead performance in Elf is strong. Clarke brings Buddy to life with all the childish manners and silly behaviour that make the character an endearing lead. He also has the vocal ability and movement to match, and he effortlessly entertains, especially the young kids, with his zany antics. Han...