Skip to main content

Review of Buckets by University of Northampton BA Actors at Royal & Derngate (Royal), Northampton

The second of the two University of Northampton shows performed in the Royal for 2022 by the BA Actors was Buckets by Adam Barnard, and it was a much more entertaining, cleaner and better-performed show than The Gut Girls the day before.

Erin Jones
Barnard’s Buckets takes the form of thirty-three interconnected scenes revolving around the loose link of “buckets” be they sick buckets, bucket lists or a bit of charity bucket shaking, the scenes weave and meander with occasionally recurring characters and situations. It is very similar to other plays performed by the BA Actors of the past, including perhaps most obviously Love + Information, and as with such a format, it is also perfect for the University actors to perform.

Sam Day
It is a delightfully delivered play, with strong performances and characterisation across the board from all the performers. I particular liked Erin Jones’ loving mother, tasked with dealing with the eventual death of her daughter, and it was great to have this poignant character crossover into the much more comedic “Kiss Me” sequences, which saw Sam Day’s character in constant attempts to get ladies to kiss him. Hugely entertaining. Owain Hedd in several scenes makes a great impact, showing the best quality in comedy situations and he also has a distinctive look which might take him far.

Carly May
The contrast in scenes was excellent, weaving from full comedy to sadness and each of the scenes was really well balanced lengthwise, never outstaying their welcome. One particular scene towards the end was immensely powerful as Carly May’s character filmed on her phone on a train platform what was likely to be her final moments, were it not for the arrival Neyha Solanki as a would-be thief. While there was a huge power in the poignancy of this scene, writer Barnard also adds much subtle humour and May and Solanki are excellent in it.

Carly May
The play takes place on a set of playground equipment and a park bench and the simple set offers its pros and cons, slightly irritating is the constant head ducking under the slide for the performers, particularly for the ever-present observer and scene changer Crystal Liu. It might seem churlish to comment on this, but it interferes with the swift scene changing, and I felt, a better position of the set might have lessened this impact. The set does however provide several perfect backdrops for each of the short scenes.

However, whatever criticism is placed on Buckets, it is minor, as this is very much the BA Actors of Northampton, doing what they do best, nice stage presence, confident performances and the effective telling of a clever and very entertaining play. Excellent stuff.

Entertaining and well performed, this is every bit the BA Actors at their best.
½

Performance reviewed: Friday 13th May 2022 at the Royal & Derngate (Royal), Northampton.
Buckets ran at Royal & Derngate until Saturday 14th May 2022.

Buckets was presented by final year actors at the University of Northampton

Popular posts from this blog

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Matthew Bourne's The Car Man at Milton Keynes Theatre

Matthew Bourne has been the accessible end of stage ballet and contemporary dance for decades now, and first imagined for the stage back in 2000, his interpretation and loose adaptation of Bizet’s Carmen , as The Car Man , is perhaps his most accessible to the general public. So, as it drives into Milton Keynes Theatre this week, is it still the masterly piece first seen 26 years ago? Luca is a man on the move; however, as he heads into Harmony, a town of 375 people, he sees a sign reading “Man Wanted” and decides to stop over to try to settle in and take some work at Dino’s Garage. After setting his eyes on the proprietor's wife, Lana, turmoil begins to infect the inhabitants of this harmonious town. The Car Man is a dazzling spectacle by Matthew Bourne and his New Adventures company, filled, as expected, with stunning dancing from the immensely dedicated and talented team of dancers. Led by Will Bozier as Luca, "The Car Man", his strength and confidence drive through h...

Review of Of Mice And Men at Royal & Derngate (Royal), Northampton

Other than, randomly, Charlie and the Chocolate Factory and The War of the Worlds , John Steinbeck's classic Of Mice and Men is perhaps one of the most familiar of stories to me. I have seen it several times before, and while at school, we studied it, and dissected it like the work of Mr Shakespeare, but with Steinbeck, I got out the other side still liking it. This brand new version from Selladoor Productions, which opened in Canterbury last week, brings a by-the-book presentation of the trials of George and his slow, but incredibly strong friend, Lennie, to the stage. Perhaps, this is its first issue blocking a huge success from this production, in that it rarely does anything brave or different. It's clearly been expertly cast visually, with the hulking form of Matthew Wynn as Lennie, and the diminutive (in comparison) Richard Keightley and Kamran Darabi-Ford as George and Curley respectively. Darabi-Ford especially perfect in his tremendously awkward scenes wit...