Skip to main content

Review of Buckets by University of Northampton BA Actors at Royal & Derngate (Royal), Northampton

The second of the two University of Northampton shows performed in the Royal for 2022 by the BA Actors was Buckets by Adam Barnard, and it was a much more entertaining, cleaner and better-performed show than The Gut Girls the day before.

Erin Jones
Barnard’s Buckets takes the form of thirty-three interconnected scenes revolving around the loose link of “buckets” be they sick buckets, bucket lists or a bit of charity bucket shaking, the scenes weave and meander with occasionally recurring characters and situations. It is very similar to other plays performed by the BA Actors of the past, including perhaps most obviously Love + Information, and as with such a format, it is also perfect for the University actors to perform.

Sam Day
It is a delightfully delivered play, with strong performances and characterisation across the board from all the performers. I particular liked Erin Jones’ loving mother, tasked with dealing with the eventual death of her daughter, and it was great to have this poignant character crossover into the much more comedic “Kiss Me” sequences, which saw Sam Day’s character in constant attempts to get ladies to kiss him. Hugely entertaining. Owain Hedd in several scenes makes a great impact, showing the best quality in comedy situations and he also has a distinctive look which might take him far.

Carly May
The contrast in scenes was excellent, weaving from full comedy to sadness and each of the scenes was really well balanced lengthwise, never outstaying their welcome. One particular scene towards the end was immensely powerful as Carly May’s character filmed on her phone on a train platform what was likely to be her final moments, were it not for the arrival Neyha Solanki as a would-be thief. While there was a huge power in the poignancy of this scene, writer Barnard also adds much subtle humour and May and Solanki are excellent in it.

Carly May
The play takes place on a set of playground equipment and a park bench and the simple set offers its pros and cons, slightly irritating is the constant head ducking under the slide for the performers, particularly for the ever-present observer and scene changer Crystal Liu. It might seem churlish to comment on this, but it interferes with the swift scene changing, and I felt, a better position of the set might have lessened this impact. The set does however provide several perfect backdrops for each of the short scenes.

However, whatever criticism is placed on Buckets, it is minor, as this is very much the BA Actors of Northampton, doing what they do best, nice stage presence, confident performances and the effective telling of a clever and very entertaining play. Excellent stuff.

Entertaining and well performed, this is every bit the BA Actors at their best.
½

Performance reviewed: Friday 13th May 2022 at the Royal & Derngate (Royal), Northampton.
Buckets ran at Royal & Derngate until Saturday 14th May 2022.

Buckets was presented by final year actors at the University of Northampton

Popular posts from this blog

Review of Flash Festival 2016: Red Inquisition by Memoir Theatre at Castle Hill URC

Red Inquisition from Memoir Theatre evolves from a theatre groups creation of a play based on the 1947 Hollywood blacklist and McCarthyism So that I can get it out the way early on and take this review in a more upbeat direction that Red Inquisition deserves, I am going to get a real bugbear done first. There was a huge negative for me from this production and one that I ended up getting negative vibes from. For me there was far too much video and audio footage in this production. Much of it was while excellently researched, surplus to requirements. The were a couple of occasions especially where we saw material repeated on screen that had already been performed. The show did not need this and for me theatre is not about watching a screen in any case, its about seeing performances. This however does need to be taken as a positive as what I am simply saying is that I wanted more acting from the trio of Daniel Hadjivarnava, Ciara Goldsberry and Jaryd Headley as they work excellently ...

Review of That Face by Polly Stenham performed by The Masque Theatre at the Playhouse Theatre, Northampton

As millions were sitting down to watch the misery of EastEnders and its big reveal of Lucy's killer, A Small Mind ventured out to the theatre for some light relief. Yeah right! That Face by Polly Stenham is generally as far from light relief as you could imagine, like the aforementioned soap being unshackled by its pre-watershed needs, this was gritty family drama in the extreme. Long before the play begins those who had made their way to their seats early get the chance to see curtain up and a girl sitting bound and masked in a chair. Moments of 50 Shades fears aside, its clear that we are seeing one of the unluckiest actresses you could imagine. Destined to be in two scenes with no lines, the first of which involves her being mauled about no end, its a thankless role, which todays actress of pain Julie Hicks plays very well. Suffering for her art indeed. Doing the mauling are boarding school "buddies" Mia (Amber Mae) and mad as a box of frogs Izzy (Clare Balbi). Mia...

Review of Theft at the Castle Theatre Studio, Wellingborough

The comedy-thriller Theft by Eric Chappell tells the story of an anniversary celebrating couple returning to the devastation of their home being ransacked in a burglary. However, this ransacking pales in comparison to the ransacking of their lives that then occurs as home truths are revealed. Anyone old enough to remember the works of Theft writer Chappell ( Rising Damp and Only When I Laugh ), could be forgiven for thinking that this 1996 play might feel a little dated for a 2021 audience. However, bar a few references much of their time now (the weaker sex and female priests for instance), Theft still feels comfortable in the 2021 world, where many of us just want both a good evening of theatre and a good bit of fun. With Theft from the highly regarded Wellingborough Technical Players, they get just that. The action starts as we find the man of the house John Miles played by Graham Breeze returning, very angry, to his home. He is a rightfully boisterous character, channelling all th...