Skip to main content

Review of Buckets by University of Northampton BA Actors at Royal & Derngate (Royal), Northampton

The second of the two University of Northampton shows performed in the Royal for 2022 by the BA Actors was Buckets by Adam Barnard, and it was a much more entertaining, cleaner and better-performed show than The Gut Girls the day before.

Erin Jones
Barnard’s Buckets takes the form of thirty-three interconnected scenes revolving around the loose link of “buckets” be they sick buckets, bucket lists or a bit of charity bucket shaking, the scenes weave and meander with occasionally recurring characters and situations. It is very similar to other plays performed by the BA Actors of the past, including perhaps most obviously Love + Information, and as with such a format, it is also perfect for the University actors to perform.

Sam Day
It is a delightfully delivered play, with strong performances and characterisation across the board from all the performers. I particular liked Erin Jones’ loving mother, tasked with dealing with the eventual death of her daughter, and it was great to have this poignant character crossover into the much more comedic “Kiss Me” sequences, which saw Sam Day’s character in constant attempts to get ladies to kiss him. Hugely entertaining. Owain Hedd in several scenes makes a great impact, showing the best quality in comedy situations and he also has a distinctive look which might take him far.

Carly May
The contrast in scenes was excellent, weaving from full comedy to sadness and each of the scenes was really well balanced lengthwise, never outstaying their welcome. One particular scene towards the end was immensely powerful as Carly May’s character filmed on her phone on a train platform what was likely to be her final moments, were it not for the arrival Neyha Solanki as a would-be thief. While there was a huge power in the poignancy of this scene, writer Barnard also adds much subtle humour and May and Solanki are excellent in it.

Carly May
The play takes place on a set of playground equipment and a park bench and the simple set offers its pros and cons, slightly irritating is the constant head ducking under the slide for the performers, particularly for the ever-present observer and scene changer Crystal Liu. It might seem churlish to comment on this, but it interferes with the swift scene changing, and I felt, a better position of the set might have lessened this impact. The set does however provide several perfect backdrops for each of the short scenes.

However, whatever criticism is placed on Buckets, it is minor, as this is very much the BA Actors of Northampton, doing what they do best, nice stage presence, confident performances and the effective telling of a clever and very entertaining play. Excellent stuff.

Entertaining and well performed, this is every bit the BA Actors at their best.
½

Performance reviewed: Friday 13th May 2022 at the Royal & Derngate (Royal), Northampton.
Buckets ran at Royal & Derngate until Saturday 14th May 2022.

Buckets was presented by final year actors at the University of Northampton

Popular posts from this blog

Review of Top Gs Like Me at Royal & Derngate (Derngate), Northampton

Long before this brand new play by local playwright Samson Hawkins opened at Royal & Derngate Northampton, Top Gs Like Me had garnered a vast amount of media attention, especially regarding the staging within the Derngate theatre on a remarkable conversion into a skatepark, a theatre version of real-life Radlands skatepark in Northampton. So, delving deep below the remarkable site within the theatre, does Hawkins' play of seething toxic masculinity, misogyny and questions around consent strike all the right marks for a perfect landing? Top Gs Like Me follows the life, as he feels it is, of Aiden. Lost in the modern world, his best mate is heading to Uni, his mum is permanently in bed, and Aiden himself is drifting into some nefarious activities. His world is really often little more than stacking shelves in the supermarket, his scooter at his side and his mobile phone and all that entails for a youth of today. Into this world comes the mysterious Hugo Bang, who leads him some...

Review of Horrible Histories - The Concert at Milton Keynes Theatre

The first Horrible Histories book, written by Terry Deary, first hit the shelves a remarkable 33 years ago and has since become a historic event in its own right, with the franchise growing and growing. There have now been 23 books, several TV series, a game show and a film. Also, of course, it is now a stage show, with both Terrible Tudors and Awful Egyptians on a current tour around the country. However, here, now briefly at Milton Keynes Theatre, as part of its own tour, is Horrible Histories - The Concert . So, given the franchise's past success, what is this concert version adding to the franchise? The quick answer is bundles of fun with lashings of subliminal education, as Horrible Histories is very much known for. The cast, created from a collection of mainstays of the original series or tours and a few extras, are as enthusiastic as possible for a production, very much initially aimed at an audience of children. Bold, big in character and overplaying everything, you canno...

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...