Skip to main content

Review of Buckets by University of Northampton BA Actors at Royal & Derngate (Royal), Northampton

The second of the two University of Northampton shows performed in the Royal for 2022 by the BA Actors was Buckets by Adam Barnard, and it was a much more entertaining, cleaner and better-performed show than The Gut Girls the day before.

Erin Jones
Barnard’s Buckets takes the form of thirty-three interconnected scenes revolving around the loose link of “buckets” be they sick buckets, bucket lists or a bit of charity bucket shaking, the scenes weave and meander with occasionally recurring characters and situations. It is very similar to other plays performed by the BA Actors of the past, including perhaps most obviously Love + Information, and as with such a format, it is also perfect for the University actors to perform.

Sam Day
It is a delightfully delivered play, with strong performances and characterisation across the board from all the performers. I particular liked Erin Jones’ loving mother, tasked with dealing with the eventual death of her daughter, and it was great to have this poignant character crossover into the much more comedic “Kiss Me” sequences, which saw Sam Day’s character in constant attempts to get ladies to kiss him. Hugely entertaining. Owain Hedd in several scenes makes a great impact, showing the best quality in comedy situations and he also has a distinctive look which might take him far.

Carly May
The contrast in scenes was excellent, weaving from full comedy to sadness and each of the scenes was really well balanced lengthwise, never outstaying their welcome. One particular scene towards the end was immensely powerful as Carly May’s character filmed on her phone on a train platform what was likely to be her final moments, were it not for the arrival Neyha Solanki as a would-be thief. While there was a huge power in the poignancy of this scene, writer Barnard also adds much subtle humour and May and Solanki are excellent in it.

Carly May
The play takes place on a set of playground equipment and a park bench and the simple set offers its pros and cons, slightly irritating is the constant head ducking under the slide for the performers, particularly for the ever-present observer and scene changer Crystal Liu. It might seem churlish to comment on this, but it interferes with the swift scene changing, and I felt, a better position of the set might have lessened this impact. The set does however provide several perfect backdrops for each of the short scenes.

However, whatever criticism is placed on Buckets, it is minor, as this is very much the BA Actors of Northampton, doing what they do best, nice stage presence, confident performances and the effective telling of a clever and very entertaining play. Excellent stuff.

Entertaining and well performed, this is every bit the BA Actors at their best.
½

Performance reviewed: Friday 13th May 2022 at the Royal & Derngate (Royal), Northampton.
Buckets ran at Royal & Derngate until Saturday 14th May 2022.

Buckets was presented by final year actors at the University of Northampton

Popular posts from this blog

Review of Dear Evan Hansen at Royal & Derngate (Derngate), Northampton

First performed in 2015, Dear Evan Hansen remains the musical of the modern teen's life, showcasing all the troubles in that generation of popularity and social media. And as this long UK tour of the West End and before that Broadway smash hits the Royal & Derngate, it offers a troubling mirror on modern society. Before seeing this show, I had avoided all knowledge of the story Dear Evan Hansen tells, and with that came a joyful voyage of discovery as the captivating story evolved. Therefore, if you have also managed to avoid the story, skip the next paragraph and enjoy a new story to be found. Evan Hansen is a troubled teen who struggles to fit into society and cannot find friends. As a result, his therapist has suggested that he write letters to himself, "Dear Evan Hansen." When one of these letters is found on the body of an equally troubled teen, Evan finds himself spiralling into a world of fictitious friendship, which gets increasingly out of control. The stor...

Review of To Kill A Mockingbird at Milton Keynes Theatre

Harper Lee’s 1960 novel To Kill a Mockingbird has been a staple on countless best-of lists since its publication and remains a book of immense power and relevance, despite being set nearly 100 years ago, in the early 1930s. Whether you have read the book or seen the groundbreaking film with Gregory Peck, most are familiar with the story. Here, in an extensive UK and Ireland tour, and arriving now at Milton Keynes Theatre, Aaron Sorkin’s adaptation takes to the stage with all the power and relevance of the original. Sorkin, famous for his ground-breaking TV series The West Wing , and also perhaps more relevant here, the legal film A Few Good Men , takes Lee’s classic and adapts the story to primarily be based around the court case of a certain Tom Robinson, charged with the assault and rape of local girl Mayella Ewell. Leading his defence is Atticus Finch, the kindly man who sees good in everyone. Lee’s book has Finch's daughter as the narrator; Sorkin cleverly develops this by add...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...