Skip to main content

Review of Buckets by University of Northampton BA Actors at Royal & Derngate (Royal), Northampton

The second of the two University of Northampton shows performed in the Royal for 2022 by the BA Actors was Buckets by Adam Barnard, and it was a much more entertaining, cleaner and better-performed show than The Gut Girls the day before.

Erin Jones
Barnard’s Buckets takes the form of thirty-three interconnected scenes revolving around the loose link of “buckets” be they sick buckets, bucket lists or a bit of charity bucket shaking, the scenes weave and meander with occasionally recurring characters and situations. It is very similar to other plays performed by the BA Actors of the past, including perhaps most obviously Love + Information, and as with such a format, it is also perfect for the University actors to perform.

Sam Day
It is a delightfully delivered play, with strong performances and characterisation across the board from all the performers. I particular liked Erin Jones’ loving mother, tasked with dealing with the eventual death of her daughter, and it was great to have this poignant character crossover into the much more comedic “Kiss Me” sequences, which saw Sam Day’s character in constant attempts to get ladies to kiss him. Hugely entertaining. Owain Hedd in several scenes makes a great impact, showing the best quality in comedy situations and he also has a distinctive look which might take him far.

Carly May
The contrast in scenes was excellent, weaving from full comedy to sadness and each of the scenes was really well balanced lengthwise, never outstaying their welcome. One particular scene towards the end was immensely powerful as Carly May’s character filmed on her phone on a train platform what was likely to be her final moments, were it not for the arrival Neyha Solanki as a would-be thief. While there was a huge power in the poignancy of this scene, writer Barnard also adds much subtle humour and May and Solanki are excellent in it.

Carly May
The play takes place on a set of playground equipment and a park bench and the simple set offers its pros and cons, slightly irritating is the constant head ducking under the slide for the performers, particularly for the ever-present observer and scene changer Crystal Liu. It might seem churlish to comment on this, but it interferes with the swift scene changing, and I felt, a better position of the set might have lessened this impact. The set does however provide several perfect backdrops for each of the short scenes.

However, whatever criticism is placed on Buckets, it is minor, as this is very much the BA Actors of Northampton, doing what they do best, nice stage presence, confident performances and the effective telling of a clever and very entertaining play. Excellent stuff.

Entertaining and well performed, this is every bit the BA Actors at their best.
½

Performance reviewed: Friday 13th May 2022 at the Royal & Derngate (Royal), Northampton.
Buckets ran at Royal & Derngate until Saturday 14th May 2022.

Buckets was presented by final year actors at the University of Northampton

Popular posts from this blog

Review of War Horse at Milton Keynes Theatre

Michael Morpurgo's novel War Horse was published in 1982. While it was highly regarded and thought to be his best work, perhaps it eventually came to most people's attention when this striking play stormed the stage, thanks to the National Theatre, back in 2007. Now, War Horse arrives at Milton Keynes Theatre as part of another vast UK tour. Adapted by Nick Stafford in association with the award-winning Handspring Puppet Company, War Horse tells the story of the First World War through the eyes of one horse, Joey, sold for a record price from a family battle but eventually shipped off to war-torn France much to the distress of his original owner, 16-year old Albert. The sprawling and epic story should take some staging, but the vast cast, beautiful structure, stunning folk music and, of course, what this play has become known for, magnificent puppetry, all bring the story to life. This production, directed by Tom Morris and revival director Katie Henry, is a magnificent thin...

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...