Skip to main content

Review of Flash Festival 2016: Mortem Artis by Artifex Theatre Group at Hazelrigg House (Basement)

The wonderful Amber Mae was quite an enigma within some of the University shows, portraying often the silent element of proceedings, especially in Orientation where she provided a song for us but little else verbally. However she spoke perhaps like few others with her movement and facial expressions, despite often being silent, she was frequently the centre of the eyeball for the audience, busy flitting around. So for her Flash performance, a solo one was a dream ticket. One to finally get to see her in full swing to do what she chose. It is true that for much of the first few minutes as we sat watching Amber sketch and paint that I thought she was not going to speak again.

We sit in the basement of Hazelrigg House (one of two Flash shows to take place entirely there) and we learn that this is a special confinement location for people to partake in creating art. Something that has been banned in the outside world. They are however not permanently confined, this is a place that they go to by choice to be artistic. This is at its core a very political play, effected and very probably created by the currently troubling arts cuts. No matter what some people may think, art effects everyone and a world where it is not permitted to exist is unquestionably a scary one.

Over the course of this play, we develop a very real connection with this world, a world very reminiscent of that of 1984, indeed we learn that via a camera, a Big Brother type figure is always watching. It sadly does feel very believably though, including the robotic human at the end of the intercom spouting preassigned sentences with no course of thinking for their self. Amber's character exchanges a pointless exchange after being locked in her cell after missing her warning bell, which many will probably feel they have done before with a call centre or two.

It is a carefully constructed piece with unobtrusive but perfect use of tech. It gives us joy from Amber's character dancing and singing to the pirate radios offerings and moves us through to the sadness of the removal of her work. Amber is once again a spark of likability, a visually captivating performer. She also absolutely leaves nothing in the tank from her performances, which is totally evident by the explosion of emotion at the end of the play. She was always fun to watch, but with Mortem Artis, she paves her way for what I think is certain stardom. Superb.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016

Popular posts from this blog

Review of The Karate Kid - The Musical at Milton Keynes Theatre

There is no denying that the world of musical theatre is tremendously imaginative, and of all the films that could be adapted, perhaps the eighties teen drama The Karate Kid was not at the top of most people's lists for a musical adaptation. However, as our stage versions of Mr Miyagi and Daniel LaRusso arrive at Milton Keynes Theatre on a UK tour, I am happy to say that this is one of the most sensible film-to-musical decisions. Recently relocated from New Jersey to LA, Daniel becomes the target of a gang of Cobra Kai dojo students. However, unbeknownst to him, a quiet and unassuming maintenance man at his new home, Mr Miyagi, is on hand to offer a little more than some bonsai training. The first thing that ticks the box for a film-to-musical adaptation is having an original soundtrack, not an endless collection of awkwardly shoehorned music classics into the story. Here, alongside book writer Robert Mark Kamen, are some brilliantly crafted tunes by composer and lyricist Drew Gasp...

Review of Eric and Ern at Royal & Derngate (Royal), Northampton

The comedy of Eric Morecambe and Ernie Wise is carved into the very essence of Britishness, and while the years may now be distant from their domination of TV comedy, the light still shines bright on their work. This is thanks mostly to generation after generation being introduced to the shows via that near-annual appearance on TV schedules at Christmas. This will perhaps one day pass, but for now, this brilliant little show, Eric & Ern , now at Royal & Derngate, continues to honour that comedy on stage. Created and performed by Ian Ashpitel and Jonty Stephens, Eric & Ern is a show bringing the duo's most famous sketches and jokes back to the stage. Having worked together now for over twenty years, Ashpitel and Stephens have created the comedy act to perfection. Stephens brings Morecambe’s edgy, frantic energy and combines it perfectly with his timing and mannerisms; everything from the flick of the glasses to the wipe of the nose is pure Eric. Ashpital, as Wise has pe...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...