Skip to main content

Review of Flash Festival 2016: Mortem Artis by Artifex Theatre Group at Hazelrigg House (Basement)

The wonderful Amber Mae was quite an enigma within some of the University shows, portraying often the silent element of proceedings, especially in Orientation where she provided a song for us but little else verbally. However she spoke perhaps like few others with her movement and facial expressions, despite often being silent, she was frequently the centre of the eyeball for the audience, busy flitting around. So for her Flash performance, a solo one was a dream ticket. One to finally get to see her in full swing to do what she chose. It is true that for much of the first few minutes as we sat watching Amber sketch and paint that I thought she was not going to speak again.

We sit in the basement of Hazelrigg House (one of two Flash shows to take place entirely there) and we learn that this is a special confinement location for people to partake in creating art. Something that has been banned in the outside world. They are however not permanently confined, this is a place that they go to by choice to be artistic. This is at its core a very political play, effected and very probably created by the currently troubling arts cuts. No matter what some people may think, art effects everyone and a world where it is not permitted to exist is unquestionably a scary one.

Over the course of this play, we develop a very real connection with this world, a world very reminiscent of that of 1984, indeed we learn that via a camera, a Big Brother type figure is always watching. It sadly does feel very believably though, including the robotic human at the end of the intercom spouting preassigned sentences with no course of thinking for their self. Amber's character exchanges a pointless exchange after being locked in her cell after missing her warning bell, which many will probably feel they have done before with a call centre or two.

It is a carefully constructed piece with unobtrusive but perfect use of tech. It gives us joy from Amber's character dancing and singing to the pirate radios offerings and moves us through to the sadness of the removal of her work. Amber is once again a spark of likability, a visually captivating performer. She also absolutely leaves nothing in the tank from her performances, which is totally evident by the explosion of emotion at the end of the play. She was always fun to watch, but with Mortem Artis, she paves her way for what I think is certain stardom. Superb.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016

Popular posts from this blog

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...