Skip to main content

Review of Flash Festival: Whiplash Theatre Company - Do Gentlemen Prefer Blondes? at the Looking Glass Theatre

Following the tough subject nature of I Forget What I've Forgotten, the perfect antidote came with Do Gentlemen Prefer Blondes? from Whiplash Theatre Company. It also highlighted at the end of the first day the huge contrast and therefore delight in the different pieces. From storytelling to children's entertainment, from technologies impact to tough health issues, I proceeded to high humour and a little pathos with this one. I love the fact that an hour after the tenderness of one show I witness two grown men running around a stage pretending to be apes. Only at Flash maybe?

Our introduction to the show comes in the form of Ashlee Sopher attempting to wear away a pub bar. For five minutes as we await the start of the show as people take their seats, a glass is polished, but mostly the bar is polished. This is presented with perfect showmanship and heralds the delights that are to come. The aforementioned apes are played by Dale Endacott and John Shelley and complete the male part of this quintuple group. They look to have spent much time on perfecting their ape behavior and movement as it is without doubt very realistic. The purpose of this scene is to see how far we have progressed from our animal nature and when introducing lady ape, Chloe Brown (apologies for how insulting this sounds), frictions cascade into chaos and we witness true nature as our lady ape chooses which male she wants to pick the nits from.

Apart from the monkeys, we are treated to a tale of a masturbator, some wonderful heartfelt singing from Chloe in her role as a 45 year old singleton and some superb comic antics to the tune of Fly Me To The Moon. Laying a table will never be the same again. Our final cast member is Riley Stephen who for the most part is aghast at the previously mentioned masturbation. She does however take part in one of the best choreographed scenes. This is one of many scattered through the play, these are both tender and sometimes very humourous to boot.

Overall this is a lovely constructed play and reminded me greatly of The Show Must Go On from last years Flash in its structure and performances and there is no bigger a praise I can give it than that.


The Flash Festival 2015 runs between 18th-23rd May, 2015 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2015, while tickets can be booked via the Royal & Derngate. Details at: http://www.royalandderngate.co.uk/whatson/2015-2016/Other/FlashFestival15

Popular posts from this blog

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...