Skip to main content

Review of Flash Festival: Benson Theatre Company - Even Geniuses Struggle at the Looking Glass Theatre

The noticeable difference with this years Flash over last year is the large increase in solo shows. Even Geniuses Struggle was my sixth show, and it was the fourth solo (there are more to come). There are obvious advantages and disadvantages of this, you clearly miss the interaction of other players which brings energy to proceedings. However with a solo you can concentrate absolute on your interest or skills with no interference. Therefore already I had seen a storytelling style, a children's entertainment interest and a heavily personal experience angle.

Abigail Benson brings her interest in music, and more importantly her prolific skill on the violin to the show. Not that she overplays the skill however, we only hear her play properly the once during her piece. This is predominantly an acting performance telling the sad tale of a musicians battle with onset Multiple Sclerosis and its true to say that Abigail takes us through the complete gamut of emotions, from the highs of first playing to the public (including another lovely home video) and a remembered standing ovation, right down to that first shuddering moment of the disease showing its signs and the eventual sad climax. There is enough humour to get us through with the Sam Mitchell nurse arrival and the important advice of never being judgemental being a particular highlight. This is however a sad piece of theatre, but there is nothing wrong with that. You have to be sad to fully appreciate moments of shear joy said some wise man no doubt.

The set is simple yet totally functional with a bed and a makeshift kitchen sideboard. While the tech offers clever interaction with off set characters, all perfectly timed. There is again a slight bane that will keep rearing its head, slightly too loud music and also in this case I feel which also runs on too long through the speech. There was of course however one piece of music that didn't outstay its welcome and that is the wonderful live performance from Abigail herself. It was indeed perfect and in the tiny area of the Looking Glass we were in, a very intimate performance.


The Flash Festival 2015 runs between 18th-23rd May, 2015 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2015, while tickets can be booked via the Royal & Derngate. Details at: http://www.royalandderngate.co.uk/whatson/2015-2016/Other/FlashFestival15

Popular posts from this blog

Review of Of Mice And Men at Royal & Derngate (Royal), Northampton

Other than, randomly, Charlie and the Chocolate Factory and The War of the Worlds , John Steinbeck's classic Of Mice and Men is perhaps one of the most familiar of stories to me. I have seen it several times before, and while at school, we studied it, and dissected it like the work of Mr Shakespeare, but with Steinbeck, I got out the other side still liking it. This brand new version from Selladoor Productions, which opened in Canterbury last week, brings a by-the-book presentation of the trials of George and his slow, but incredibly strong friend, Lennie, to the stage. Perhaps, this is its first issue blocking a huge success from this production, in that it rarely does anything brave or different. It's clearly been expertly cast visually, with the hulking form of Matthew Wynn as Lennie, and the diminutive (in comparison) Richard Keightley and Kamran Darabi-Ford as George and Curley respectively. Darabi-Ford especially perfect in his tremendously awkward scenes wit...

Review of Northern Ballet - The Great Gatsby at Milton Keynes Theatre

This production of The Great Gatsby performed by Northern Ballet was my fifth encounter at the theatre of a full ballet production and as before, I happily share my review of the show with nearly zero knowledge of-the-art form and more of a casual theatre-goer. You could say that this is a poor direction to come in on a review, but I would say that casual audience are the ones to review this for. Over the years, Northern Ballet has set quite a high benchmark for ballet productions, and any audience member who is worth their salt as a ballet fan would no doubt have tickets for this new touring version of the 2013 version of The Great Gatsby , lovingly created by David Nixon OBE. So much is Nixon part of the very fabric of this show, that he not only provides the choreography and direction but also the initial scenario and costume design (assisted by Julie Anderson). So, discounting those ballet fans already sitting in the audience, what does this offer for the more casual theatre-goer ...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...