Review of Flash Festival 2019: The Way by Cosmos Theatre Company at Looking Glass Theatre, Northampton

Solo pieces at Flash have quite a checkered history, one of the very best Flash shows I have seen was a solo one, however, many of the worst also were. They have the balance of either a performer getting everything right, for both the audience and themselves or as sometimes happens, a single person running wild with limited reasoning and it ending in a crash. The Way from Louise Akroyd and her Cosmos Theatre Company gets, fortunately, everything pretty much right.

We meet her character Vicky strewn across her bed, after a very heavy night. Her makeup still on, mostly in the right place. After a distraught and comical search for her phone, she discovers news from her mother that her childhood friend has cancer. A rift has been between them for years, but is now the time right to seal it?

The Way is simple in every way, but that is how it works so well. This is about whether you deal with something that probably wasn't anything in the first place to rebuild bridges before it is too late. It's a gently emotional tale, performed with an incredibly soulful performance by Akroyd. There is no glamour in her initial appearance, and her total belief in the material makes us believe every moment.

I was unsure to the very end whether Vicky was just talking to herself or addressing us directly, but, it mattered not. This story was something we could all understand, we all have someone, or maybe more, who we have drifted away from, most likely for very petty reasons, so The Way is something that works on all levels, and it is just a gloriously little piece of theatre as a result.

Performance viewed: Thursday 4th April 2019

The Flash Festival 2019 ran until Sunday 7th April 2019 at venues across the town.
Details here: Flash Festival 2019

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Benidorm Live at Milton Keynes Theatre, Milton Keynes

I arrived at Milton Keynes Theatre to see this touring stage version of ITV comedy hit Benidorm with a distinct lack of knowledge. Having never seen the show, my information stretched as far as knowing it was set in a holiday resort in Spain (the title helps there), and that the humour generally resorted to the cruder end of the spectrum. However, having graced the screens for ten years, it was clear that Derren Litten's show had garnered quite a following, and indeed it was clear from the reception of the audience on the night, that this following was pretty much filling the theatre. The plot, such as it is for this stage show, is very much drafted from an episode of Fawlty Towers , and made a great deal more adult with its humour. The hotel manager, Joyce Temple-Savage (a sharp performance by Sherrie Hewson) gets wind that a hotel inspector is in, and the scene is set for seeking them out and all the obvious cases of mistaken identity. It's thin and doesn't fill ...

Review of Hi-De-Hi at The Deco, Northampton

I was a fan of Hi-De-Hi in the eighties and in actual fact a fan of many of those very much of their time comedies. Hi-De-Hi was a bright and breezy and overly familiar show having ended up at many a holiday in the Maplins equivalent of Butlins, albeit not the fifties setting, but with very little changed in the decades anyway. However, we have moved on a bit since these eighties days, so does Croft and Perry's comedy still cut the mustard now? The answer is yes and no, a lot of the humour is still fun and there are many a chuckle moments, the characters also are still bold and fun enough to provide some great entertainment. However, with these characters lie the first problem with an acting group doing a show like this. Anyone familiar with the show and its nine series run will have the characters so indelibly marked in their head and this offers no freedom for a performer to make that character their own, they are just setting out to copy someone. Yes, a challenge, and w...

A Small Mind At The Theatre

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