Skip to main content

Review of Flash Festival 2019: Making Their Mark by Face To Face Theatre Company at Looking Glass Theatre, Northampton

Making their Mark is created and performed by Hannah Bacon and Amy Jane Baker, otherwise here known as Face To Face Theatre Company. The "making their mark" reference in the title, here isn't about a woman becoming more relevant to society specifically, but here with the case of Baker's character, the need to bring a baby into the world. The feel that this is what a woman's role might be for some, and with her character, the inability to do so. It's a surprising approach to a female-led show, and fascinating mostly in its creation.

At only thirty minutes, it isn't particularly long, but in that time, Baker exudes great emotion from the audience, while Bacon, as a collection of other characters, helps to move the story. Both perform the piece excellently, with Bacon as a rather overplayed (in a good way) Made in Chelsea like work colleague, and onto a rather clinical doctor, and also as the slightly annoying, has it all (in the child sense), sister. They are all clear and very separate characters, nicely played.

Baker, however, other than the rather curious housewife segments from the 50s, which I don't feel add much to proceedings and feel out of place here, remains as the rather desperate and distraught Abigail. It is a very good performance, leaping from the potential joy to come and the stark realisation of losing, in an extremely convincing way. Together with Bacon, they have created a nice, concise piece of theatre.

Making their Mark ends with a collection of stark bits of information, tough hearing at times, reminding us that things still have a long way to go. There is also at the very final moment a video of some talking heads, and while it's good to hear them, personally I am not a fan of seeing a play end on recorded pieces, this moment should be the performers in my opinion.

It's a good show though, a well-performed two-hander, which teaches a little more about a different spin on the life of a female in today's society, and if we all learn something from a show, it's generally a show well done.

Performance viewed: Wednesday 3rd April 2019

The Flash Festival 2019 ran until Sunday 7th April 2019 at venues across the town.
Details here: 
Flash Festival 2019

Popular posts from this blog

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...

Review of Only Fools and Horses - The Musical at Royal & Derngate (Derngate), Northampton

The classic BBC sitcom Only Fools and Horses , created by John Sullivan and running for 22 years, holds a fond spot in the hearts of many. Even if you are not a fan, most are slightly familiar with the exploits of wheeler-dealer Del Boy and his lanky brother Rodney. However, who could think this could be the subject of a hit musical? Well, it turns out that Paul Whitehouse and Jim Sullivan, the son of the original writer, did, and it has to be said, in Del Boy lingo, it's proper lovely jubbly! Bringing iconic characters to the stage that the same actors have played for so many years presents a challenge to any performer; however, without exception, director Caroline Jay Ranger and her team have assembled a stellar cast. Leading the action is, of course, Derek "Del Boy" Trotter, played by Sam Lupton with all the energy and wideboy manner of the legendary David Jason. Lupton looks the part, sounds the part, even, of course, in song, but even manages to add his own charm to ...