Skip to main content

Review of UoN Fringe 2019: Clickbait by Flashdrive Theatre at The Platform Club, Northampton

The opening show of the 2019 Fringe Festival (dissertation performances for (BA) Acting and Creative Practice Students) was everything as bold as its predecessors in 2018. During its first year, the Fringe established an audacity to its shows immediately and with Clickbait it was already very good to be back at the festival.

Clickbait is presented by Flashdrive Theatre, made up of performers Shona Bullas and George Henry, and from the outset of the two performers standing in their underwear, we knew this was going to be bold, brave and indeed painful (for them) theatre.

Henry plays Luke and Bullas is Emma, and both run YouTube channels, Luke-ing Good and Emmazing, and while they have some individual success, they seek, like all in this area, more. After a meeting, they create crossover videos on each other's channels and a partnership is quickly formed into a dual channel, LukeandEmma (it rolls off the tongue better, Luke says).

What surprises with Clickbait is how many morals are managed to be explored within it, and it is very tricky to explain without spoilers. However, suffice to say, this exploration digs deep into how desperate some attempts at fame actually can become as Emma and Luke do increasingly desperate and "clickbait" driven projects, at their own personal detriment, both physically and emotionally.

Bullas and Henry are extremely likeable performers, willing to submit their all into the show. There is a quite brilliant Livestream section which happily epitomises this commitment, going through a series of challenges that might make you cringe and squirm a little just watching. This enthusiasm for the piece makes the whole play stronger as a result.

Unfortunately, on this opening performance, there were a few technical issues, with some video becoming crackly on the actually brilliantly put together video sequences, which was a great shame. Also, the loss of one mobile phone output on the television screens was disappointing.

However, technicals aside, Clickbait was a really clever and interesting exploration of the world of fame today. Running at 50 minutes or so, it was nicely substantial, but never boring as the pace is maintained and was an excellent introduction to the world of the Fringe Festival for anyone paying a visit for the first time (including my reviewing companion The Real Chrisparkle). Clickbait entertains and intrigues throughout. Great stuff, so get clicking on that ticket site now and book-up!

Performance viewed: Monday 29th April 2019

The Fringe Festival 2019 runs until Sunday 5th May 2019 at The Platform Club Northampton, and one show at Hazelrigg House.

Details here: Fringe Festival 2019

Popular posts from this blog

Review of Paranormal Activity at Milton Keynes Theatre

The low-budget film Paranormal Activity , first released in 2007, has since become the starting point of one of the most prolific horror series ever, with seven films now released in the franchise and another due next year. Its unique down-to-earth style of storytelling, inhabiting what is many people’s real life, with dangers within the house, has contributed greatly to its success. So, from one successful medium franchise, it is no surprise the series was developed for theatre in 2024, with a new story by Levi Holloway (though it borrows heavily from the original film). First performed at Leeds Playhouse before heading to both the West End and Broadway, and now, for 2026, a UK and Ireland tour, which this week arrives at Milton Keynes Theatre. So the question is: has the medium successfully crossed to the other side? Newly married couple, James and Lou, move from Chicago to London in an attempt to escape both of their past lives. However, as events begin to repeat themselves, they re...

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...