Skip to main content

Review of Flash Festival 2019: Nine More Lives by Ellipsis Ensemble at Castle Hill URC

As is so often the case, Flash Festival performances have a strong emotional theme running through them, they are so very rarely lightweight, and Nine More Lives from Ellipsis Ensemble is no different. Here as this plays central point is organ donation, and it's spin here, spin used with political context as well, is an idea by high flying politician Emily of making people only eligible for organs if they themselves are on the organ donation list, known as Give to Get, and the play title coming from the nine lives that each person can potentially save.

Emily, played by Izzy Weaver, is a highly driven politician, and Weaver's performance carefully calculates what her two personas represent. We have the clear, business-like character standing at the podium taking increasingly difficult questions, and then we have the more relaxed Emily, having her diary and biscuit quota handled by her ever-reliable PA Molly (Beth HĂ¢f Jones). The two faces of a politician are extremely well created by Weaver here.

Emily's world is about to be turned on its head though, and in a very relevant way as her brother, taken seriously ill, is all of a sudden in need of a donor himself. Her brother Darren is played with a deft style by Moses Gale, it is low key, and because of this all the more realistic as his character faces a staggeringly difficult decision, it is perfectly pitched. Gale also has a collection of other characters in this, all distinctly different, without question my favourite being as Emily's father, is a fabulous little scene, and benefits from a tiny moment of simple physical theatre.

Beth HĂ¢f Jones's PA is a reassuring presence, all organised and proficient at keeping things in order, and she also plays the doctor charged with giving bad news and advising on solutions with crisp integrity.

The play is well created visually, crisp clever scene changes, some simple, but excellent video, and a very well used table. The whole thing is smooth and professionally created as a piece of theatre.

Nine More Lives is a controlled emotional rollercoaster, it brings you through the wringer and spits you out at the end with a bit of hope. If you are already a donor as you watch this, you feel happy to be prepared to help, if you are not, you just might take home one of Molly's flyers and use it. Who knew that a little bit of theatre might save lives.

Performance viewed: Tuesday 2nd April 2019

The Flash Festival 2019 runs until Sunday 7th April 2019 at venues across the town.
Details here: 
Flash Festival 2019

Popular posts from this blog

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...