Skip to main content

Review of Flash Festival 2019: A Splice Of Life by Ripple Ensemble at Castle Hill URC

Ripple Ensemble's A Splice of Life opens very traditionally and innocently, a couple coming together, moving in, setting out on their life adventure. It's all very cosy, and of course, we know this isn't destined to continue like this. Our couple Kate and Mark are struggling to have children, so much so they end up on rounds of IVF. With this failing to work before the money runs out, a rather intriguing proposition is put to them via a medical trial into genetics.

This results in Kate and Mark building a baby, years later to become the grown-up Sophie. Added to the family is adopted Luke, and the slightly less nimble Kate with creaking bones, and the now greyed Mark now appear to have the perfect family. Sophie is heading towards the Olympics, and Luke has followed the artistic nature of Kate. All is well until a chance discovery changes events dramatically.

A Splice of Life's brilliant theatre, always intriguing, with never a dull moment. Kit Wiles and Ryan Greendale are exceptional as Kate and Mark, this is a real relationship depicted, believable and heartbreaking at times. It is just so brilliantly conceived and written, with some stunning silent moments of just physical interaction.

The children at times take a backseat, and Tim Medcalf's Luke is never really given enough to do other than to be wisecracking. However, his sparring with sister Sophie (Meredith Barnett) is always great fun.

However, there is one single scene that sets A Splice Of Life apart from many a Flash show, and that is the confrontation between Sophie and her father. Here, Greendale and Barnett are at their very best, performing an almost perfectly scripted piece. A bitterness running through them both, but still, love showing the most. This is a cruel scene of emotions that is truly affecting, I know I was, some tremendous power of acting here on show. It also is dissipated in an incredibly brilliant moment of comedy. A rollercoaster scene indeed, and here Barnett is particularly stunning.

There is a lot of moral stuff going on in A Splice of Life, again as always with a Flash show, much to think about. However, most important of all, while it was happening, it was just tremendously entertaining. A real cracker!

Performance viewed: Thursday 4th April 2019

The Flash Festival 2019 ran until Sunday 7th April 2019 at venues across the town.
Details here: 
Flash Festival 2019

Popular posts from this blog

Review of Sunny Afternoon at Milton Keynes Theatre

Sunny Afternoon , the Kinks-inspired jukebox musical, debuted on stage in 2014. Featuring Ray Davies' music and a book by Joe Penhall, it first found success in London before a UK tour in 2016/17. Now arriving at Milton Keynes Theatre with a new 2025/6 tour, the question remains: with some songs now over 60 years old, is Sunny Afternoon still relevant to today's audiences? While this is a jukebox musical, this show follows, via this system, the story of the formation and eventual success of The Kinks rather than creating a random story from the songs. Opening with the band The Ravens, the group is safe and sophisticated, with their prim-and-proper lead singer. However, the true band of the future, Ray Davies, Dave Davies, Mick Avory and Pete Quaife, are itching for freedom, to break away, especially writer Ray, who wants to create songs that mean something to people. Enter the suits of management, and the rocky creation of The Kinks begins. I had the pleasure of seeing Sunny A...

Review of Dear Evan Hansen at Royal & Derngate (Derngate), Northampton

First performed in 2015, Dear Evan Hansen remains the musical of the modern teen's life, showcasing all the troubles in that generation of popularity and social media. And as this long UK tour of the West End and before that Broadway smash hits the Royal & Derngate, it offers a troubling mirror on modern society. Before seeing this show, I had avoided all knowledge of the story Dear Evan Hansen tells, and with that came a joyful voyage of discovery as the captivating story evolved. Therefore, if you have also managed to avoid the story, skip the next paragraph and enjoy a new story to be found. Evan Hansen is a troubled teen who struggles to fit into society and cannot find friends. As a result, his therapist has suggested that he write letters to himself, "Dear Evan Hansen." When one of these letters is found on the body of an equally troubled teen, Evan finds himself spiralling into a world of fictitious friendship, which gets increasingly out of control. The stor...

My review of Jesus Christ Superstar (2000 Stage Version), My Living Room

Regular readers (I keep apologising, but you will keep reading) may remember that a short time ago I got into minor shenanigans on Twitter over my review of the currently touring version of Jesus Christ Superstar. In my review I explained that it was my first time seeing the show and that I was far from impressed by the whole thing. I even described it as "noise". Well my certain friends on Twitter thought I was unqualified to write a critique of the show as I had little (well no experience, but don't tell them) and condemned me for writing such a review that might bring down the establishment (or maybe slightly less severe, but I like to build my role). So, on the most suitable of days, Easter Day, I sat down and gave Jesus Christ Superstar another chance with the 2000 filmed version on super deluxe BLU-RAY. It was an epiphany indeed. Like the touring version, Jesus was played by (a much younger) Glenn Carter, very much the age perhaps that we recognise Jesus to be...