Skip to main content

Review of Green Day's American Idiot at Milton Keynes Theatre, Milton Keynes

As the audience take their seats for Green Day's American Idiot, a television screen drip feeds snippets of media coverage of both the 9/11 terrorist attacks and President Bush's subsequent war on terror. It's a significant part of the storyline that follows, although the story of disillusioned youths attempting to find themselves is nothing new.

These three particular disillusioned friends are Johnny (Tom Milner), Will (Samuel Pope) and Tunny (Joshua Dowen). Johnny and Tunny drop their homes in pursuit of "finding themselves" in the city, while Will has more homely issues dealing with his now pregnant girlfriend Heather (Siobhan O'Driscoll).


It's a strong enough story to create a show around, and with Green Day's remarkable lyrics on American Idiot (and a few extra choice songs in the second act), it proves affecting sometimes in a surprising way. The first act is unquestionably the strongest, the best first act I have had the pleasure to see at Milton Keynes actually, the best songs are here, and the best pieces of choreography are also. This is often where the strength is on this show, in the musical set pieces.

Racky Plews, who both directs and leads choreography has created some vibrant pieces full of energy and it's amazing at times that the cast can maintain it for the entire show. The choreography is neat in that it feels perfectly in keeping with how these people would dance, full on rugged, and almost possessed at times, and weaving sexual acts into them at times, it both amusing and at turns probably leaving you grateful you are not sitting next to your gran.

The three leads Milner, Pope and Dowen are all equally strong, capturing their characters' emotions extremely well. It is all broad and exaggerated in its style as is keeping with the power of the music itself, so, there is little room for calm, and indeed when calm does come in the second act, as Milner's Johnny totally stops the pace of the show with his hard-hitting drug scene, it comes as so much more of a shock.

Dowen deals with Tunny's story with as much emotion as he can muster from what is virtually devoid of dialogue, he and the other leads force their actions through the lyrics of the songs as much as they can, and much of the time it is very effective. So, while more dialogue might have been beneficial at times, it also, as a result, would have broken the drive of the show, so, perhaps here the writers have got it about right.

Luke Friend as St Jimmy, is one of the pre-requisite nowadays it seems, an ex-X-Factor contestant, and he is both strong and weak, he has huge strength in the powerful numbers, but the softer moments of the songs he performs are lost within the music at times. Another X-Factor contestant though is much stronger, Sam Lavery as Whatsername is tremendous, remarkably powerful voice, one of the strongest in the show, and so incredibly effective in putting raw emotion into her performance.

The collections of songs are at their best in act one, the weaving Jesus of Suburbia is a stunning piece of evolving music over nine minutes, and the style changes put into the musical arrangement are amazing, including the haunting moment from O'Driscoll. Milner's delivery of Boulevard of Broken Dreams is also another highlight, as is Wake Me Up in September, the best moment of act two.

Sara Perks has designed a typically dowdy and dingy stage, which never moves through the show, with scene changes from props and windows of opportunity, a neat Rupenzel like appearance of Whatshername is extremely clever staging. The band occupy the upper tier and bring tremendous music to the entire show, and while you might expect it to be too loud, it never is. It's nicely balanced.

American Idiot was a surprise, I don't think it is for everyone, despite the surprising fact of how varied the audience was. It's perhaps one to chose your companion carefully with, but in equal turns, it's also maybe for all generations. It's rude, crude, abrasive throughout, but it's also tremendously good. It's more than just a rock concert bolted onto a thin storyline that you might be led to be believed by some, and from me, there is no question it comes highly recommended, if only for that quite stunning first act.

A stunning sensory overload of both brilliant music and choreography create an amazingly strong show.
⭐⭐⭐⭐½

Performance reviewed: Tuesday 23rd April 2019 at Milton Keynes Theatre, Milton Keynes.
American Idiot runs at Milton Keynes Theatre until Saturday 27th April 2019 before continuing its tour.
Further details about Milton Keynes Theatre can be found at http://www.atgtickets.com/venues/milton-keynes-theatre/

Photos: Mark Dawson Photography
Labels:

Popular posts from this blog

Review of Frankie Goes To Bollywood at Royal & Derngate (Royal), Northampton

There is no question that Rifco Theatre Company, the producers of Frankie Goes To Bollywood , now running at Royal & Derngate as part of a UK Tour, have come up with a cracking title for their show. However, as Bollywood descends upon Northampton, the question is, is this a gimmick title attached to a shallow show, or are we heading for Bollywood dreams? The show, unsurprisingly, follows a character named Frankie and tells the story of her dream to become a Bollywood star, a dream she shares with her best friend, Goldy. Following an opportune encounter with a famous Bollywood director, Frankie is invited to audition for his next movie, and her adventures begin. However, will the dream be the one she truly imagined? What is evident with Frankie Goes To Bollywood on stage is the love for creating a big, bold production. The staging is colourful and tries very hard to be epic, just like the Bollywood movies that it tells its story through. Unfortunately for all the boldness on offer,...
Read more

Review of Mean Girls - The Musical at Milton Keynes Theatre

The iconic 2004 teen movie Mean Girls has, despite 22 years passing, maintained relevance in modern youth culture; its “cautionary tale” still resonates. Therefore, back in 2017, original screenwriter Tina Fey created her musical adaptation of the story, maintaining the original's female empowerment and recognition of individuality while adding a little sprinkling of modernity, such as the arrival of mobile phones. It was such a success in London following a US debut that this UK Tour, now reaching Milton Keynes, was inevitable. Cady Heron, a teenager who has been home-schooled in Kenya, relocates to Chicago and confronts the fiercely competitive world at her new high school. Guided by the outcasts Janis and Damian, she strives for belonging but is soon drawn into the superficial "Plastics," ruled over by Regina George. Cady’s attempts to navigate both social circles spiral into rivalry, manipulation, and payback. While Mean Girls  may miss its target audience for this m...
Read more

Review of Single White Female at Milton Keynes Theatre

The 1990s movie Single White Female was a classic pulp fiction offering of the time, off the back of films such as Fatal Attraction and released in the same year as the legendary Basic Instinct , these were the ultimate times for erotic thrillers/bunny boiler films. So, the question is: is such a genre still relevant today, and, even more so, can a theatre play succeed in transferring the theme to a new medium altogether? Allie is a recently divorced mother trying to juggle single parenting with starting her own tech company. To help with expenses, she looks for a lodger and finds Hedy, who seems like the perfect solution. However, as they get to know each other, the lines between their lives start to blur, and what seemed like an ideal setup begins to fall apart. For those familiar with the original film, there will be immediate observations of changes that adaptor Rebecca Reid has made. While lifting the entire plot from the US to the UK is obvious, developing Allie into Bella's...
Read more