Review of Flash Festival 2019: The Nubian Sky at Looking Glass Theatre, Northampton

The Nubian Sky starring Shemelia Lewis was one of only two solo performances at this year's Flash Festival, and this exploration of what it is like to be a black woman now generally was a success, but in need of just a little more tightening up, and indeed exploration.

There are some strong moments here, from a youngster watching a quite remarkable cartoon from 1941 (Scrub Me Mama With A Boogie Beat), onto a schoolgirl in trouble for her hairstyle being distracting, and then the most bizarre TV show centring around whether a domestically abused housewife should get justice or not, we of course say yes, the show says no. It's a surreal and quite stunning collection of observations which are tough viewing of course.

Unfortunately, The Nubian Sky doesn't really take anything anywhere, there is, no exploration, it's just generally a basic collection of anecdotes of shocking occurrences, with no depth given.

Despite this, and most vitally though, Lewis is an excellent performer, making all the characters breathe differently. We quickly know who we should find endearing, and who we should be repulsed by, often just by initial and very clever body language.

It can at times get a little picky and bogged down with costume changes, all in view, which often spoils the flow of the piece, and because of the strength of Lewis' performance, are not really needed.

The Nubian Sky though is an interesting show, mostly because of its performer and her obvious dedication to the theme, it just needed a little more substance to actually become a great show.

Performance viewed: Friday 5th April 2019

The Flash Festival 2019 ran until Sunday 7th April 2019 at venues across the town.
Details here: Flash Festival 2019

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...

Review of Immune by R&D Youth Theatre at Royal & Derngate (Royal), Northampton

The cover note for the script of Oladipo Agboluaje's Immune describes it as "a challenging science fiction play with a large cast", and the word challenging in this case is not a lie. This is a fast paced, multi-cast changing script which leaves little room for error for its young cast in the performance. If the script isn't enough to handle for the young performers, director Christopher Elmer-Gorry and designer Carl Davies have made the situation even more complex for the actors with the set and stage work. Having to manhandle great panels on wheels and a huge cube, which also splits in two occasionally, during scene changes requires skill, coordination and cooperation of a high level. As if all this is not enough, the actual story is epic enough for the relatively small stage of the Royal. Attempting to form an apocalyptic world (albeit only happening in Plymouth) offers challenges in itself, but Agboluaje's script does that in a sort of apocalypse in the teac...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

A Small Mind At The Theatre

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