Skip to main content

Review of Flash Festival 2019: Confiding In Frank by POP Theatre at Castle Hill URC

So, for the sixth consecutive year, I once again returned to see the University of Northampton BA Actors perform their final dissertation pieces in the Flash Festival before they embark off into the big wide and scary world of acting.

My opening performance and the first of the week was Pop Theatre's Confiding In Frank, a witty, slightly emotional offering featuring Charlie Mackenzie and Melissa Knott, with more than a little help from Elliot Murray.

Gary is a nerd of the ultimate level, and we meet him having a lightsaber battle with an unseen opponent. A physical battle so much so, that said lightsaber gives up the ghost during the scene. It's the start of a brilliant, if at times over the top caricature of prize nerd material, complete with constant adjustment of spectacles, and overly awkward movement. This awkwardness escalates to new levels when attractive new house-sharer Chloe arrives, innocently bringing with her a goldfish that is going to oddly, very oddly, change events.

There is little way of avoiding the spoiler that offers a nice surprise early in this play, but stop now if you really want to.

So, the rather interesting set piece of this play, is that the said goldfish, named on a spur of the moment by Chloe, as Frank, can talk, and what follows is our characters reluctance to say what they really feel to each other, but willing to share with the dry humoured Frank.

It is a great little idea and allows us to see the hidden depth of the characters as their emotional connection emerges. These two don't, on paper suit each other, but as Chloe happily states to Frank, and only Frank, she really rather enjoys Gary's company, she feels happy together and just, well, likes him. This allows us the viewer to understand her characters' feelings, leaving her in the play an outwardly rather cold person and not really nice at all. Franks presence tells us otherwise, that she and indeed Gary, just can't express their own feelings to one another.

Knott is good value eventually, despite her first encounter with Frank being far too overplayed. Sure, it's a talking fish, but the exaggeration of shock is a little too much. Fortunately, she quickly becomes more assured in the role, making it work really well in the end.

Mackenzie has the interesting task of making a cartoonish character believable, and he walks a fine line of getting it right and getting it very wrong. For me, it is the former, ridiculously crazy, definitely endearing, yes, people like this are a little weird, but they also have hearts of gold most of the time. For me, Mackenzie exhibits that and makes Gary a delight as a result, and when he is left holding the mistletoe, you feel really sad for him.

Frank though, voiced by Murray, gets most of the best lines, and are nicely delivered deadpan. There is, in particular, a gloriously rude chocolate selection box joke, that you will no doubt steal for an occasion, with specifically the right kind of people.

Confiding in Frank is nice storytelling from writer-performers Knott and Mackenzie, it isn't big or clever, just entertaining, and allows them to show their skills for creating characters. I wonder whether it ticks all the very important dissertation boxes, hopefully, it does, however as a piece of theatre in its own right, it is a fabulous forty minutes of entertainment, and for me as an audience member, that is just right!

Performance viewed: Monday 1st April 2019

The Flash Festival 2019 runs until Sunday 7th April 2019 at three venues across the town.
Details here: 
Flash Festival 2019

Popular posts from this blog

Review of Inspector Morse: House of Ghosts at Milton Keynes Theatre

The intellectually leaning Inspector Morse first appeared in print in the works of Colin Dexter in 1975 and became even more prominent in popular culture in 1987 when John Thaw took on the role in a series that would run for fourteen years. As well as generating a couple of spin-off TV series, Melting Pot and Birmingham Rep have now finally taken the detective to the stage in Inspector Morse: House of Ghosts , an original story written by TV series contributor Alma Cullen. So, as the play arrives at Milton Keynes Theatre this week with Tom Chambers now taking the eponymous role, does the Oxford intellectual make a smooth transition to the stage? Our story opens with Morse enjoying a stage production of Hamlet with a would-be love interest, Ellen. As expected, things quickly turn towards the need for a detective in the house as one of the players mysteriously collapses and dies live on stage. House of Ghosts opens excellently, drawing the audience in as a classic Hamlet scene suddenly ...

Review of Chitty Chitty Bang Bang at Royal & Derngate (Derngate), Northampton

I have seen a few touring shows of extremely well known shows like Chitty Chitty Bang Bang and a few have been quite a disappointment. Producers sitting back happy to sell the tickets on the name of a show, and deliver on stage not necessarily a terrible production, but one that sometimes never really leaves you feeling you have got value for your money. Music & Lyrics/West Yorkshire Playhouse's  Chitty Chitty Bang Bang is far from one of them. An exemplary and large cast, costumes both in multitude and wonderful to look at, a set of infinite invention and a hidden but quality and large orchestra. Jason Manford as Caractacus Potts Perhaps more importantly this show also doesn't fail on its casting of "stars" over stage talent, for in the lead is Jason Manford as Caractacus Potts, an artist known for his comedy more than his acting history, and certainly little known for his singing ability, is a revelation. Likable, dominant on stage with clear chara...

Review of It's A Wonderful Life by Masque Theatre at the Holy Sepulchre, Northampton

Remarkably I only saw the classic film It's A Wonderful Life last Christmas, this was thanks to spotting it lurking on my subscription of Netflix. A glorious heartwarming film perfect for Christmas? That must be why I was a blubbering mess at the end of it then. There was hope that in public, The Masque Theatre's performance of the radio version of the story didn't leave me in the same situation. As it happened it did a little as that final scene in the Bailey household played out again, but it didn't matter as there were members of the cast in the same broken state as many of us audience members. Left to right: Jo Molyneux, John Myhill, Lisa Wright, Michael Street, Lisa Shepherd and Jof Davies This was the first radio play that I had seen performed and on the evidence of this, I sure would like to see some more. While not having the drama of standard plays in their creation of moment and places, they do have a rather striking drive towards character creation. The ...