Skip to main content

Review of Flash Festival 2019: Confiding In Frank by POP Theatre at Castle Hill URC

So, for the sixth consecutive year, I once again returned to see the University of Northampton BA Actors perform their final dissertation pieces in the Flash Festival before they embark off into the big wide and scary world of acting.

My opening performance and the first of the week was Pop Theatre's Confiding In Frank, a witty, slightly emotional offering featuring Charlie Mackenzie and Melissa Knott, with more than a little help from Elliot Murray.

Gary is a nerd of the ultimate level, and we meet him having a lightsaber battle with an unseen opponent. A physical battle so much so, that said lightsaber gives up the ghost during the scene. It's the start of a brilliant, if at times over the top caricature of prize nerd material, complete with constant adjustment of spectacles, and overly awkward movement. This awkwardness escalates to new levels when attractive new house-sharer Chloe arrives, innocently bringing with her a goldfish that is going to oddly, very oddly, change events.

There is little way of avoiding the spoiler that offers a nice surprise early in this play, but stop now if you really want to.

So, the rather interesting set piece of this play, is that the said goldfish, named on a spur of the moment by Chloe, as Frank, can talk, and what follows is our characters reluctance to say what they really feel to each other, but willing to share with the dry humoured Frank.

It is a great little idea and allows us to see the hidden depth of the characters as their emotional connection emerges. These two don't, on paper suit each other, but as Chloe happily states to Frank, and only Frank, she really rather enjoys Gary's company, she feels happy together and just, well, likes him. This allows us the viewer to understand her characters' feelings, leaving her in the play an outwardly rather cold person and not really nice at all. Franks presence tells us otherwise, that she and indeed Gary, just can't express their own feelings to one another.

Knott is good value eventually, despite her first encounter with Frank being far too overplayed. Sure, it's a talking fish, but the exaggeration of shock is a little too much. Fortunately, she quickly becomes more assured in the role, making it work really well in the end.

Mackenzie has the interesting task of making a cartoonish character believable, and he walks a fine line of getting it right and getting it very wrong. For me, it is the former, ridiculously crazy, definitely endearing, yes, people like this are a little weird, but they also have hearts of gold most of the time. For me, Mackenzie exhibits that and makes Gary a delight as a result, and when he is left holding the mistletoe, you feel really sad for him.

Frank though, voiced by Murray, gets most of the best lines, and are nicely delivered deadpan. There is, in particular, a gloriously rude chocolate selection box joke, that you will no doubt steal for an occasion, with specifically the right kind of people.

Confiding in Frank is nice storytelling from writer-performers Knott and Mackenzie, it isn't big or clever, just entertaining, and allows them to show their skills for creating characters. I wonder whether it ticks all the very important dissertation boxes, hopefully, it does, however as a piece of theatre in its own right, it is a fabulous forty minutes of entertainment, and for me as an audience member, that is just right!

Performance viewed: Monday 1st April 2019

The Flash Festival 2019 runs until Sunday 7th April 2019 at three venues across the town.
Details here: 
Flash Festival 2019

Popular posts from this blog

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...

Review of 2:22 A Ghost Story at Royal & Derngate (Derngate), Northampton

2:22 A Ghost Story continues an endless rise and run of success on the stage. This play by Danny Robins was first staged as recently as August 2021 at the Noel Coward Theatre and since then the show continued to run in London for two years, moving to four further London theatres, before eventually closing in the city to embark on this tour, which began in September last year. During these runs, the cast has constantly been updated with often populist actors, and some, which are not even associated with acting. As this reaches Royal & Derngate, now even the touring cast has been swept clean and four further performers take on the incredible success of a show. This is the second time I have seen 2:22 A Ghost Story , and it is safe to say that on that first viewing, with the previous tour cast, I was not as blown away by the play as the success seemed to warrant. The aforementioned populist casting seemed to have driven a so-so ghostly tale into success beyond its quality, and with th...