Skip to main content

Review of Flash Festival 2016: Forever Looking Up by Illicit Theatre at Castle Hill URC

For the first ten minutes of Forever Looking Up from Illicit Theatre, I have to admit I wasn't really enjoying it. It was admittedly bold and clever to have us enter in near darkness and the truly superb set did create a wonderful atmosphere. However much of the early part of the story of these fives journey to Mars One to colonise was attempted to be told through physical theatre. Now anyone who has read my reviews in the past will know absolutely that I love it, these are the moments in theatre where the hairs on my neck truly stand up. For me though, a lot of the early part of this in Forever Looking Up feels unnecessary and added simply because they can do it (and this group sure can). I would never have suggested that it be gone altogether though, just toned down a bit.

However when the story is allowed to evolve a little more relaxed in movement, this play for me becomes something really very special. It helps that this cast features a few of the best from the year group. We have in charge of the group Harvey Arlington (Charlie Clee) and Jessica Bromstein (Sharni Topako-Brown), both controlling yet also subtly weak in this alien world they are so unfamiliar with.

I have long been a fan of Charlie's work and he was one of a few that even twenty five months ago in that first year performance who was very noticeable. Here he is more quiet a character than those recently seen, here there is little comedy or viciousness that we have seen him do so well before and while I prefer his performance in that area more. He does still manage to carry off this role quite impressively.

Sharni however for me in this is a revelation once again and is quite simply superb. Until Welcome to Thebes, I personally had not noticed her work that much in the shows, but if Thebes was for me, and maybe Sharni, the breakthrough point, Forever Looking Up pushes that break even further. She commands this show and those moments of tense and emotional significance were outstanding.

Sophie Guiver also brings a greater depth as well to her cold and manipulative role of Zoe Blackwell, very much the story initiator and a character of many layers, mostly sinister, that Sophie brilliantly leaks out. Those repeating scenes as they look out at Earth far away are quite creepy and so, so coldly played.

Last but not least are Lily Haywood (Yolanda Lake) and Kaseem X (Vandreas Marc), also holding characters of depth, both victims of false accusations from Zoe, with Kaseem in particular victim of an evil suggestion. They are, as are all the cast great.

So this is very much a show that grew considerably on me once it had got over its slightly obsessive movement based ideas and got deep into the characters and the story. It is a very strong story with clever ideas and rounded characters. It is from conversation a little ambiguous over its story resolution if you happen to miss something vital at the end. However I don't believe I missed anything myself and am very glad that I didn't miss the magnificent Forever Looking Up.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016

Popular posts from this blog

Review of Eric and Ern at Royal & Derngate (Royal), Northampton

The comedy of Eric Morecambe and Ernie Wise is carved into the very essence of Britishness, and while the years may now be distant from their domination of TV comedy, the light still shines bright on their work. This is thanks mostly to generation after generation being introduced to the shows via that near-annual appearance on TV schedules at Christmas. This will perhaps one day pass, but for now, this brilliant little show, Eric & Ern , now at Royal & Derngate, continues to honour that comedy on stage. Created and performed by Ian Ashpitel and Jonty Stephens, Eric & Ern is a show bringing the duo's most famous sketches and jokes back to the stage. Having worked together now for over twenty years, Ashpitel and Stephens have created the comedy act to perfection. Stephens brings Morecambe’s edgy, frantic energy and combines it perfectly with his timing and mannerisms; everything from the flick of the glasses to the wipe of the nose is pure Eric. Ashpital, as Wise has pe...

Review of The Karate Kid - The Musical at Milton Keynes Theatre

There is no denying that the world of musical theatre is tremendously imaginative, and of all the films that could be adapted, perhaps the eighties teen drama The Karate Kid was not at the top of most people's lists for a musical adaptation. However, as our stage versions of Mr Miyagi and Daniel LaRusso arrive at Milton Keynes Theatre on a UK tour, I am happy to say that this is one of the most sensible film-to-musical decisions. Recently relocated from New Jersey to LA, Daniel becomes the target of a gang of Cobra Kai dojo students. However, unbeknownst to him, a quiet and unassuming maintenance man at his new home, Mr Miyagi, is on hand to offer a little more than some bonsai training. The first thing that ticks the box for a film-to-musical adaptation is having an original soundtrack, not an endless collection of awkwardly shoehorned music classics into the story. Here, alongside book writer Robert Mark Kamen, are some brilliantly crafted tunes by composer and lyricist Drew Gasp...

Review of The (Almost) Complete History Of Britain by The Pantaloons at The Castle Theatre, Wellingborough

It became very apparent quite quickly during History Of Britain that to get full value from the experience, it would be worth regressing to childhood. Targeted at all, but with quite a lean towards the younger members of the audience, I switched off thirty years of life and found it much easier to chortle at The Pantaloons. Dressed in paint speckled dungarees, the four performers are present in the theatre long before the show is ready to begin. Running through the foyer and mingling with the audience in the stalls selling their programmes, this is already a pretty entertainingly silly night before it begins. Our four performers Edward Ferrow, Kelly Griffiths, Neil Jennings and Alex Rivers have infectiously exuberant personalities and no matter how bad the jokes they throw at us get, you often can't help but have a little chuckle. The writers responsible are Mark Hayward and Stephen Purcell, who also direct. They drag us through the history of Britain missing out vast amounts of...