Skip to main content

Review of Flash Festival 2016: Altered by Faux Pas Theatre at Castle Hill URC

Altered from Faux Pas Theatre takes memory as its theme and the possibility that you could be tricked and coerced into a false memory. Its case study comes from the true story of Beth Rutherford and her battle with what she remembers of her past is actually true.

Altered is classic Flash fodder, take a very serious subject, treat with care and delicacy in exploration scenes of quietness. Then all of a sudden throw in some classic and over the top buffoonery. I have seen it done before in Flash many times and for most of the time Faux Pas' quintuple of ladies hit the nail on the head with the balance.

There are quite a few brilliant individual scenes of entertainment, with my favourite the hypnosis one as we switch with perfect timing between the character of Beth (Sophie Rose-Darby) and her taped off council room and the three other actors completing and adding words to sentences in increasingly comic ways. Often including singing in these parts also highlights some very good use of music throughout. This whole scene was delivered perfectly timed.

The story of Beth Rutherford really is quite eye opening and throughout the piece you almost become aware yourself that the old phrase "memory can play tricks on us" is surprisingly accurate. Through coercion, we perhaps could all believe something that never truly happened.

The cast of this group is particularly strong, and from previous shows clearly featuring a number of the best performers from the whole year. Sophie gets the bulk of the substantial serious material to cover and at no point does she disappoint. It is an emotional and very naturalistic performance and the scene towards the end where she doubles as Beth and her father is particularly well played, although while watching I have to admit I was unsure of how well the scene worked. In hindsight, though at my classic day after reviewing time and a mulling over, I now think it did work perfectly well. It was also actually quite a brave decision for a group of five to give such an important and quite long scene just to a single performer and shows that this group really were working together.

Megan Burda had the equally challenging role of being mostly quite serious during the show with little opportunity to join in with the silly antics of the rest. She is mostly solid in the role of the councillor with just a few stumbles at times, which are understandable with the wordy lines. She does however hold the serious nature of the character very well despite some of the antics that are going on behind her at times.

Those antics are performed by the rest of the cast; Aoife Smythe, Ellen Shersby-Wignall and Lucy Kitson; who spend most of their performance in that of a comic role, creating the surround for the serious counselling scenes. Ellen was impressive as the over the top host, all classic shouty and boldness addressing us the audience. Lucy was quite brilliant in her little scene lampooning a piece from "That Morning" helping to cultivate a false memory. Finally Aoife's magic moment came with her surprisingly skilled posh accent, use especially in that fabulous scene where she attempts to implant a memory into Lucy's character, plenty of leg cocking action going on.

The Faux Pas group really have worked well together to create a performance which features much that you expect from a Flash show. Stimulating thoughts in its audience while entertaining with frankly silly antics in equal measure, it is a very entertaining piece. Also where else in theatre would you get to see someone dressed up as a bacon rasher?


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016

Popular posts from this blog

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of The House She Built at The Black Diamond, Northampton

Independent theatre company Nerve Theatre was founded in January 2025, when its first original production, Broken Party , took to the stage at Benn Hall in Rugby. That was followed the same year by a modern retelling of Frankenstein . Now, for 2026, Nerve Theatre founder Mia Ballard has written and directed The House She Built , staged for three nights at The Black Diamond, Northampton. The House She Built , set in 1950s Hollywood, is a dark thriller influenced by the lives of Marilyn Monroe, Judy Garland, Elizabeth Taylor and Audrey Hepburn and their treatment as women within the cogs of Hollywood. Our leading lady here is Nancy Carlton, who returns to Mellor Brothers Productions to make one final film. But something awaits her, and the scene is set for a period thriller that explores the grimy world behind Hollywood's apparently glamorous days. Michaela Clement-Hayes leads the cast as Nancy Carlton, the star troubled by her past, but returning to her old studio for that final mov...

Review of a A Taste of Honey at Stantonbury Theatre, Milton Keynes

Written by Shelagh Delaney in 1958 at just nineteen, A Taste of Honey was a ground-breaking depiction of modern society, falling very much into the "kitchen-sink" genre, fast developing with writers within the world of British theatre during the fifties. Dealing with a multitude of themes including class, race, age of sexual consent, gender, sexual orientation and illegitimacy, it has rightfully become a legend of theatre. However, almost seventy years later, does this play still resonate with audiences and have a place in modern theatres? The play, set in 1950s Salford, tells of teenager Jo and her mother Helen moving from one rough lodge to another as either rent becomes due or Helen needs to escape another failing relationship. With Jo approaching school leaving age, Helen sees the time is right to abandon her to the world and move on with her own life. When watching A Taste of Honey , you can imagine the controversy surrounding its original release. The content is provoc...