Skip to main content

Review of Flash Festival 2016: Altered by Faux Pas Theatre at Castle Hill URC

Altered from Faux Pas Theatre takes memory as its theme and the possibility that you could be tricked and coerced into a false memory. Its case study comes from the true story of Beth Rutherford and her battle with what she remembers of her past is actually true.

Altered is classic Flash fodder, take a very serious subject, treat with care and delicacy in exploration scenes of quietness. Then all of a sudden throw in some classic and over the top buffoonery. I have seen it done before in Flash many times and for most of the time Faux Pas' quintuple of ladies hit the nail on the head with the balance.

There are quite a few brilliant individual scenes of entertainment, with my favourite the hypnosis one as we switch with perfect timing between the character of Beth (Sophie Rose-Darby) and her taped off council room and the three other actors completing and adding words to sentences in increasingly comic ways. Often including singing in these parts also highlights some very good use of music throughout. This whole scene was delivered perfectly timed.

The story of Beth Rutherford really is quite eye opening and throughout the piece you almost become aware yourself that the old phrase "memory can play tricks on us" is surprisingly accurate. Through coercion, we perhaps could all believe something that never truly happened.

The cast of this group is particularly strong, and from previous shows clearly featuring a number of the best performers from the whole year. Sophie gets the bulk of the substantial serious material to cover and at no point does she disappoint. It is an emotional and very naturalistic performance and the scene towards the end where she doubles as Beth and her father is particularly well played, although while watching I have to admit I was unsure of how well the scene worked. In hindsight, though at my classic day after reviewing time and a mulling over, I now think it did work perfectly well. It was also actually quite a brave decision for a group of five to give such an important and quite long scene just to a single performer and shows that this group really were working together.

Megan Burda had the equally challenging role of being mostly quite serious during the show with little opportunity to join in with the silly antics of the rest. She is mostly solid in the role of the councillor with just a few stumbles at times, which are understandable with the wordy lines. She does however hold the serious nature of the character very well despite some of the antics that are going on behind her at times.

Those antics are performed by the rest of the cast; Aoife Smythe, Ellen Shersby-Wignall and Lucy Kitson; who spend most of their performance in that of a comic role, creating the surround for the serious counselling scenes. Ellen was impressive as the over the top host, all classic shouty and boldness addressing us the audience. Lucy was quite brilliant in her little scene lampooning a piece from "That Morning" helping to cultivate a false memory. Finally Aoife's magic moment came with her surprisingly skilled posh accent, use especially in that fabulous scene where she attempts to implant a memory into Lucy's character, plenty of leg cocking action going on.

The Faux Pas group really have worked well together to create a performance which features much that you expect from a Flash show. Stimulating thoughts in its audience while entertaining with frankly silly antics in equal measure, it is a very entertaining piece. Also where else in theatre would you get to see someone dressed up as a bacon rasher?


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016

Popular posts from this blog

Review of Cluedo 2 at Milton Keynes Theatre

Back in 2022, the original Cluedo stage play, based on a 1985 play by Sandy Rustin, itself based on the cult US film Clue , journeyed to Milton Keynes Theatre as part of a UK tour. It was, it has to be said, an average affair, made good by some excellent staging and at times a very fair tribute to the original board game. Now two years later, the success of that tour clearly warranted a return to the franchise and we find Cluedo 2 now on stage at Milton Keynes Theatre. So, is a follow-up warranted, and does it address many of the issues of the original? Let's find out. Unlike the original and with no film source material to create a second play from, legendary TV comedy writers Maurice Gran and Lawrence Mark have taken the helm to provide the script for this production. Sadly, the legendary writers have for the best part plowed through their archives of extremely dated, and tiresome comedy. Much of the script is heavy on the obvious, high on the cringe, and while at times it can

Review of UoN Fringe 2019: Unveiled by Myriad Theatre at The Platform Club, Northampton

It is safe to say I think that reviewer and show maker alike never set out to deliberately write a bad review or create a bad show. There is simply no logic in it really for the latter, I mean why would you? However when the latter occurs and the former is there in the audience, things will end badly, and for me, it gives me no enjoyment. For my penultimate show, Unveiled , at this year's University of Northampton Fringe Festival, Myriad Theatre performer Isabella Hunt explores what marriage means to her in what ends up being just 18 minutes of a show that sadly goes nowhere. Marriage to Hunt it seems involves intermittently putting on and taking off a succession of dresses, amongst a collection of anguished thoughts mostly that mainly involves an outrageously over repeated physical piece. There is some very brief interaction with the audience among the lines of "how many of you are married?" and other light thoughts, where the answers are written onto a dress, the

Review of UoN Fringe 2019: Working For The Man by Naked Truth Theatre at The Platform Club, Northampton

When looking at the prospect of the Fringe performance Working For The Man , it is slightly difficult to work out who is the bravest person involved in this remarkable one performer, one audience member show set totally within or around the edges of a car. I guess I would in my case, say myself, but it takes some daring for performer Ellie Lomas of Naked Truth Theatre to also create a piece that offers the boldness that it does. Working for the Man is perhaps unsurprisingly about the sex trade, and explores exploitation and how, or if, prostitution is taken as a serious profession. It involves no live audio dialogue from performer Ellie Lomas, instead, she inhabits a purely physical performance, that is progressed by the use of a pair of headphones which you are given at the start. Across this audio are instructions of what to do. "Get in the car", "sit in the middle seat in the back", "open the glove compartment" etc, as you move to different areas