Skip to main content

Review of Flash Festival 2016: Altered by Faux Pas Theatre at Castle Hill URC

Altered from Faux Pas Theatre takes memory as its theme and the possibility that you could be tricked and coerced into a false memory. Its case study comes from the true story of Beth Rutherford and her battle with what she remembers of her past is actually true.

Altered is classic Flash fodder, take a very serious subject, treat with care and delicacy in exploration scenes of quietness. Then all of a sudden throw in some classic and over the top buffoonery. I have seen it done before in Flash many times and for most of the time Faux Pas' quintuple of ladies hit the nail on the head with the balance.

There are quite a few brilliant individual scenes of entertainment, with my favourite the hypnosis one as we switch with perfect timing between the character of Beth (Sophie Rose-Darby) and her taped off council room and the three other actors completing and adding words to sentences in increasingly comic ways. Often including singing in these parts also highlights some very good use of music throughout. This whole scene was delivered perfectly timed.

The story of Beth Rutherford really is quite eye opening and throughout the piece you almost become aware yourself that the old phrase "memory can play tricks on us" is surprisingly accurate. Through coercion, we perhaps could all believe something that never truly happened.

The cast of this group is particularly strong, and from previous shows clearly featuring a number of the best performers from the whole year. Sophie gets the bulk of the substantial serious material to cover and at no point does she disappoint. It is an emotional and very naturalistic performance and the scene towards the end where she doubles as Beth and her father is particularly well played, although while watching I have to admit I was unsure of how well the scene worked. In hindsight, though at my classic day after reviewing time and a mulling over, I now think it did work perfectly well. It was also actually quite a brave decision for a group of five to give such an important and quite long scene just to a single performer and shows that this group really were working together.

Megan Burda had the equally challenging role of being mostly quite serious during the show with little opportunity to join in with the silly antics of the rest. She is mostly solid in the role of the councillor with just a few stumbles at times, which are understandable with the wordy lines. She does however hold the serious nature of the character very well despite some of the antics that are going on behind her at times.

Those antics are performed by the rest of the cast; Aoife Smythe, Ellen Shersby-Wignall and Lucy Kitson; who spend most of their performance in that of a comic role, creating the surround for the serious counselling scenes. Ellen was impressive as the over the top host, all classic shouty and boldness addressing us the audience. Lucy was quite brilliant in her little scene lampooning a piece from "That Morning" helping to cultivate a false memory. Finally Aoife's magic moment came with her surprisingly skilled posh accent, use especially in that fabulous scene where she attempts to implant a memory into Lucy's character, plenty of leg cocking action going on.

The Faux Pas group really have worked well together to create a performance which features much that you expect from a Flash show. Stimulating thoughts in its audience while entertaining with frankly silly antics in equal measure, it is a very entertaining piece. Also where else in theatre would you get to see someone dressed up as a bacon rasher?


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016

Popular posts from this blog

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of The All New Adventures of Peter Pan at Royal & Derngate (Derngate), Northampton

For theatres across the land, it's that time of year again. The time when the theatres fill with screaming children and a ridiculous amount of sugar intake and trips to the toilet. Yes, it is panto time, and before you say it, oh yes it is. This year, for the Royal & Derngate, it is time for a trip to Neverland (or Forever Land, that is, but more on that later) and a magical adventure with Peter Pan and the dastardly Captain Hook. Once again, following hugely successful previous runs, Evolution Productions brings this tale to the stage in 2025. And it has to be said, once again, they strike panto gold with The All New Adventures of Peter Pan , with a constantly lively, brilliantly colourful and awkwardly funny production that, as always with Evolution, is totally family friendly. Over the years here, Evolution and writer Paul Hendy have created the essence of pantomime (which just so happens to link to the tale within this story). Keeping all the traditions intact, a ghostly be...