Skip to main content

Review of Flash Festival 2019: Oh Arthur by Framed Ensemble at Looking Glass Theatre, Northampton

At some point, a regular audience member of Flash Festival needs a show that lightens the mood completely, as the trauma of themed issue shows can take its toll no matter how good they are. So, step forward Oh Arthur, a combination of some of the best moments of comedy and setpieces perhaps yet seen on the Flash Festival. I might have to hark back to the exceptional Sell-By-Date in 2014 to find a more consistently funny offering.

Arthur is a layabout, a generally useless creature, bringing nothing to the world. In his wake are the victims of his inability to even attempt life in a good way, so, here is his mother, his girlfriend, his best mate, and others, dealing with him and his horrible behaviour.

So, what's to like about a show with a person with no endearing features. Oddly enough, the superb performance of Simon Roseman and the intricate scripting make him likeable, sort of, in a way we like David Brent, well a little. It makes the unlikeable likeable in a devilish way. Roseman truly is amazing as Arthur, on stage for virtually the whole play, he makes the character his own in every deadpan moment and knowing look to the audience, as this show plays with the audience in a carefully calculated way for ultimate effect.

While Roseman is Arthur, his co-star Tyler Reece is everyone else. Quick changing into everyone from his socially awkward mate, his mother in a crazy giant wig and the red-dressed girlfriend Daisy, Reece perhaps performs the best single comedy performance of my six years at Flash. With exceptional timing, vocals, and mannerisms, you believe every larger than life character. There is almost the most perfect moment of theatre as well when a reveal creates a show-stopping moment, made only possible by the talent of Reece to create such a dramatically different collection of characters.

Oh Arthur at its core does have a serious heart, but it is not really what the show is about. We all know people like Arthur, and while the concept of Therapy with a Push is an interesting one, it is less important than the comedy plundered here, it lets you think a little, but mostly it just makes you laugh. Endlessly.

The team of Roseman and Reece are a force to be reckoned with, perfect working together, creating one of the ultimate Flash shows, and they should most definitely work together again beyond this. Huge performance talent, exemptional writing skills, and they know just what their audience wants. In the top five shows at Flash for me, and I have had the pleasure to see nearly 70 of them now, so, yes, this is very, very good.

Performance viewed: Tuesday 2nd April 2019

The Flash Festival 2019 runs until Sunday 7th April 2019 at venues across the town.
Details here: 
Flash Festival 2019

Popular posts from this blog

Review of Beauty and the Beast at Castle Theatre, Wellingborough

The Castle Theatre Wellingborough this year sees the home of Beauty and the Beast as its seasonal pantomime, and what a fabulously entertaining show it is. Hiding away from the big star names, Parkwood Theatres & Castle Theatre has assembled a talented bunch of performers to bring this tale “as old as time” to the stage. Produced and directed by Martin Cleverley once again, back from previous years' pantos, the show relies very much on characters rather than showy visuals. Taking full advantage of a French setting, the puns flow freely, including to the characters, with names such as Danon and Djon thrown into the mustard pot (very much intended) of puns. Aura Mitchell and Kaysee Craine lead our cast of characters as the title characters of Beauty and the Beast (also known as Prince Pierre). While they do play second fiddle, as is the norm for a panto, to the additional comic characters, they form a charming partnership. Returning to the role of panto dame from last year'...

Review of Mog's Christmas at Royal & Derngate (Royal), Northampton

Back in 2022, the theatre group The Wardrobe Ensemble created a sweet and adventurous staging of Judith Kerr's classic children's character, Mog - The Forgetful Cat . For this Christmas season at Royal & Derngate, Mog returns with, suitably enough, Mog's Christmas . The show, just a crisp, action-packed hour, retells two past adventures alongside a Christmas vignette. Kerr's Mog first appeared in 1970, and it launched a remarkable run of books over 50 years featuring the puzzled feline, culminating in the final book released in 2020, following Kerr's death at 95 in 2019. Kerr is most famous for one of her other tales, The Tiger Who Came to Tea . However, in Mog's Christmas , the show presents three entertaining little stories featuring her other, slightly lesser-known feline character. Over the course of the hour, we see Mog successfully foil a burglar, survive a trip to the V.E.T., and then, in the brand-new stage story, a Christmas adventure where Mog gets...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...