Skip to main content

Review of Flash Festival 2019: Nine More Lives by Ellipsis Ensemble at Castle Hill URC

As is so often the case, Flash Festival performances have a strong emotional theme running through them, they are so very rarely lightweight, and Nine More Lives from Ellipsis Ensemble is no different. Here as this plays central point is organ donation, and it's spin here, spin used with political context as well, is an idea by high flying politician Emily of making people only eligible for organs if they themselves are on the organ donation list, known as Give to Get, and the play title coming from the nine lives that each person can potentially save.

Emily, played by Izzy Weaver, is a highly driven politician, and Weaver's performance carefully calculates what her two personas represent. We have the clear, business-like character standing at the podium taking increasingly difficult questions, and then we have the more relaxed Emily, having her diary and biscuit quota handled by her ever-reliable PA Molly (Beth HĂ¢f Jones). The two faces of a politician are extremely well created by Weaver here.

Emily's world is about to be turned on its head though, and in a very relevant way as her brother, taken seriously ill, is all of a sudden in need of a donor himself. Her brother Darren is played with a deft style by Moses Gale, it is low key, and because of this all the more realistic as his character faces a staggeringly difficult decision, it is perfectly pitched. Gale also has a collection of other characters in this, all distinctly different, without question my favourite being as Emily's father, is a fabulous little scene, and benefits from a tiny moment of simple physical theatre.

Beth HĂ¢f Jones's PA is a reassuring presence, all organised and proficient at keeping things in order, and she also plays the doctor charged with giving bad news and advising on solutions with crisp integrity.

The play is well created visually, crisp clever scene changes, some simple, but excellent video, and a very well used table. The whole thing is smooth and professionally created as a piece of theatre.

Nine More Lives is a controlled emotional rollercoaster, it brings you through the wringer and spits you out at the end with a bit of hope. If you are already a donor as you watch this, you feel happy to be prepared to help, if you are not, you just might take home one of Molly's flyers and use it. Who knew that a little bit of theatre might save lives.

Performance viewed: Tuesday 2nd April 2019

The Flash Festival 2019 runs until Sunday 7th April 2019 at venues across the town.
Details here: 
Flash Festival 2019

Popular posts from this blog

Review of Sweeney Todd: The Demon Barber of Fleet Street at Birmingham Rep

Sweeney Todd: The Demon Barber of Fleet Street first appeared in this musical form in 1979. Adapted from an original play by Christopher Bond, the work was set to music and lyrics by Stephen Sondheim, with a book by Hugh Wheeler. It quickly became a huge success, opening on both Broadway and the West End within a year. Following Tony and Olivier wins, the show has seen revival after revival over the years, as well as a musical film starring Johnny Depp. Now, Birmingham Rep presents its own pared-back version of the show, featuring some big stars of the theatre world. So, the question is, is Sweeney Todd as razor-sharp as it once was? What is clear to all at the outset is that director Joe Murphy, also artistic director at Birmingham Rep, has assembled a remarkable and bold cast for the show. Leading as Sweeney is Ramin Karimloo, whose bio speaks for itself and is the biggest draw for this show, especially for theatres outside London. His Sweeney is a perfectly brooding affair, broken...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of The Spy Who Came in From the Cold at Milton Keynes Theatre

The Spy Who Came in From the Cold is one of John Le CarrĂ©’s more well-known titles in his world of spy fiction, and having been adapted into a highly rated 1965 film with Richard Burton, it is perhaps surprising that it took until 2024 for this stage adaptation to appear, adapted by David Eldridge, and now at Milton Keynes Theatre. In many ways, it feels like a ripe story for a stage play, with locations and theatre folk often liking the cerebral storytelling it offers, so this should be perfect for the stage? The Spy Who Came in From the Cold depicts Alec Leamas, a British intelligence officer, being sent to East Germany as a faux defector to sow disinformation about Hans-Dieter Mundt, a powerful East German intelligence officer. However, as expected in the spy world, all is not as it seems, and with the lurking figure of the supposedly retired spy George Smiley in the background, Leamas finds things moving far from his control. It has to be said that Eldridge’s adaptation struggles...