Skip to main content

Review of Flash Festival 2019: The Cost Of Freedom by Grapevine Theatre Company at Castle Hill URC

Grapevine Theatre Company's rather spectacular opening to their production The Cost Of Freedom rather sets the scene for potentially one of the best Flash Festival productions ever. A stirring piece of physical theatre, high in risk at times, and performed under a sustained period of strobe lighting.

What is happening during this sequence is that the white man (a harrowingly performed, uncredited appearance) is pursuing the six characters of the play, in an attempt to capture them to make slaves of them. We are in 1853, in America, a time when slavery is still dominant. A barbaric and cruel time and The Cost of Freedom tells its story in a harrowing, but an immensely watchable way.

The Cost Of Freedom contains perhaps the actor with the greatest stage presence of this year group, that of Michael Gukas, here as Noah, the effective leader of the group, he is at his best. The perfect demonstration of raising your voice, without raising your voice. The best actors can say the power of words without the need to increase volume, and here Gukas proves that he will, without any shadow of doubt become a stage performer of regard in the future.

However, this production is, without doubt, a team game and the rest of the cast are superb creating their collection of characters. The young Zeke played by Kieran James is the warm character of innocence that you love because of his awkwardness. His moments of attempting to talk to his wannabe girl are sweetly delightful.

Sisters Jo and Jess are played with a lovely connected style by Sarah Awojobi and Lyric Impraim, so supportive of one another, combined they pack an emotional punch as events get worse.


D'angelo Mitchell is superb as Cato, forced into terrible decisions, and showing every trauma upon his face. The moments during the fireside song are particularly well played. Finally, Nigel played by Nafetalai Tuifua is perhaps the character tasked with the greatest change to his life, with small shades of the character within the movie Green Book, but in a very different time. Tuifua brings a nice poise to his character which you cannot help but feel for.

The Cost of Freedom is simply superb, powerful drama, crisp and extremely solid accents, and some stunning physical theatre. At all times stunningly and believably performed, it is without a doubt one of the best. Powerful stuff!

Performance viewed: Thursday 4th April 2019

The Flash Festival 2019 ran until Sunday 7th April 2019 at venues across the town.
Details here: 
Flash Festival 2019

Popular posts from this blog

Review of Legally Blonde - The Musical at Milton Keynes Theatre

It is now a quarter of a century since Legally Blonde first hit the screens, featuring Reese Witherspoon in the iconic role of Elle Woods, and now 19 years since the film became a Broadway musical. Legally Blonde is back on tour and now at Milton Keynes for a fresh take on the show. So, in the hands of director Nikolai Foster, who often likes to shake things up, is this pink spectacle as relevant and enjoyable as it has been in the past? Legally Blonde tells the story of Elle Woods, a UCLA sorority sister who tries to get into Harvard Law School to win back her boyfriend, Warner. During her time at Harvard, Elle begins to realise that things beyond Warner are becoming increasingly more relevant to her progress in life. The role of Elle Woods is in the hands of Amber Davies, a now very big name beyond theatre, thanks to her appearance on Strictly Come Dancing . However, more significantly here, is being fresh from victory at the WhatsOnStage Awards for her performance in The Great Ga...

Review of Friends - The Musical Parody at Milton Keynes Theatre

The One Where 2026 starts in a world of confusion. And so, 2026 is upon us and for my first trip to the theatre this year, one of my most significant reviewing challenges was to occur. Touring to Milton Keynes Theatre is Friends - The Musical Parody , based, unsurprisingly, on that little American show that ran to a few audience members for ten years. However, I confess that I was not, and have never been in that audience, never having seen a single episode of the show. However, always up for a review challenge and doing my due diligence by having a Friends superfan as my plus one, I headed to Milton Keynes with anticipation. For those unfamiliar with the show, I could say I can’t help; however, a quick review of some of the information you might need (thanks, Google and my plus one). Running for ten years between 1994 and 2004 with 236 episodes (quiz question, you are welcome), the main characters consisted of Phoebe (ditzy, writer of sad songs), Monica (in possession of an unfeasibly...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...