Skip to main content

Review of Iconic The Show at Royal & Derngate (Derngate), Northampton

Settling down to write this review and knowing what it is to contain makes it clear to me that the majority of those at Royal & Derngate last night are not going to agree with me. Howeever, I went to Iconic The Show based on good reviews so I think the record needs setting the other way a little to protect the few.

Iconic The Show is an evening "celebrating the most iconic movie tracks of all time", and it tries to do this it really does, but sometimes try as you might, Iconic ends up being the result.

The first enormous showbreaking problem is how just one technical decision can pretty much destroy a production. For whatever reason, Iconic's sound engineers choose to drive the volume of the show up beyond sensible levels. So you have a vastly uncomfortable volume, which while I am sure many people loved, is clearly destroying the sound quality with the distortion is creates. The singers themselves are I am pretty sure excellent and the quieter numbers appear to suggest this, however quiet this show does rarely and we are never far from a high-octane number which rattles the building and leaves the speakers with no give to create quality audio. The level is so high that even some of the speech is broken.

I left at the interval from my seat in the stalls with a headache (which however you look at isn't clever) and returned from it having sneaked up to a back seat in the circle. It was much quieter here and therefore more comfortable, but it did tend to highlight even more the clarity that was being lost in the audio as lyrics were often left unheard.

So if this show is all about noise, so be it. It gets it right and the audience appeared to be lapping it up, However, then we have the structure of the show itself. It is built around a flimsy and pretty pointless tale of a future where cinemas are non-existant and this is a secret den to see films of old come to life. Creating this story are the kind of comedy sketches and material that any reputable end of pier show would discard into the sea. This is really a poor effort, with dialogue created via the sledgehammering of film titles and classic quotes into it. It is poor and no matter how many times you say to the audience that "it don't get any better than this" after each groan is going to make the situation better.

Another weird decision is for a show which has the opportunity to mine decades of classic films songs, it then chooses to spend its first forty minutes just on James Bond themes. A totally lazy decision, which as it developed truly made me wonder if I had come to the wrong show. Then there is the family show theory, a joke early on suggests that Steve struggles to understand this and yes I can see that. Moments don't fit into a family friendly show and to be honest most of the songs origins don't either, with many coming from 18 certificate films, and even if is comically done, the reenactment of the ear removal scene from Reservoir Dogs doesn't make it good wholesome entertainment. Then there is the fact that it is more than a tad misogynistic, with an early scene depicting two ladies ripping the clothes of another down to her underwear and then spending most of the show gyrating in various forms of limited clothing make it generally not one for little Johnny to attend.

Then there is the fact that I don't need to hear a fellow performer state that the creator of this show is a "genius" at the finale as I can't help but think this is either scripted (by the genius), sycophantically simpering on the part of the performer, or just really sickenly egocentric. I also don't need that star to go outside the theme of a show he has created and perform a song simply because he is famous for performing it. Is he that shallow that he thinks it can't work without it?

Steve said in (a likely) scripted aside to the audience early on during one of those "comedy" scenes that "for anyone who hasn't seen me before they are going to think this is s**t. However they'll get it later". Well sorry, Steve I didn't and whether 600 or whatever are raving about this and dancing out their seats, you can't disguise the fact that at a standard ticket price of £26, this is pretty poorly constructed and cheap entertainment. However for those that are Steinman fans, and there appear to be plenty, I am sure you loved it. For me, I think this is extremely poorly produced material and let that be a warning to you.

«½


Performance reviewed: Saturday 3rd June 2017 at the Royal & Derngate (Derngate), Northampton.

Iconic The Show was at the Royal & Derngate Saturday 3rd June 2017 only 
and continues its tour throughout 2017 and with dates in 2018. Details of dates and locations can be found at http://www.iconictheshow.com/

For further details visit the Royal & Derngate website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Top Gs Like Me at Royal & Derngate (Derngate), Northampton

Long before this brand new play by local playwright Samson Hawkins opened at Royal & Derngate Northampton, Top Gs Like Me had garnered a vast amount of media attention, especially regarding the staging within the Derngate theatre on a remarkable conversion into a skatepark, a theatre version of real-life Radlands skatepark in Northampton. So, delving deep below the remarkable site within the theatre, does Hawkins' play of seething toxic masculinity, misogyny and questions around consent strike all the right marks for a perfect landing? Top Gs Like Me follows the life, as he feels it is, of Aiden. Lost in the modern world, his best mate is heading to Uni, his mum is permanently in bed, and Aiden himself is drifting into some nefarious activities. His world is really often little more than stacking shelves in the supermarket, his scooter at his side and his mobile phone and all that entails for a youth of today. Into this world comes the mysterious Hugo Bang, who leads him some...

Review of Horrible Histories - The Concert at Milton Keynes Theatre

The first Horrible Histories book, written by Terry Deary, first hit the shelves a remarkable 33 years ago and has since become a historic event in its own right, with the franchise growing and growing. There have now been 23 books, several TV series, a game show and a film. Also, of course, it is now a stage show, with both Terrible Tudors and Awful Egyptians on a current tour around the country. However, here, now briefly at Milton Keynes Theatre, as part of its own tour, is Horrible Histories - The Concert . So, given the franchise's past success, what is this concert version adding to the franchise? The quick answer is bundles of fun with lashings of subliminal education, as Horrible Histories is very much known for. The cast, created from a collection of mainstays of the original series or tours and a few extras, are as enthusiastic as possible for a production, very much initially aimed at an audience of children. Bold, big in character and overplaying everything, you canno...

Review of The Battle at Birmingham Rep

The Battle is a brand-new play by John Niven, set firmly in the nineties, that focuses on the Britpop fight between chart rivals Blur and Oasis. Opening at Birmingham Rep before transferring to the spiritual Oasis home of Manchester, the question is: is this worth donning your bucket hat, heading to the theatre, and enjoying the show to the end, or will you look back in anger when you leave? It is London, 1995. The infamous Britpop battle begins when both Blur and Oasis release singles on the same day. On one side, clean-cut, art-school intellectuals from the South. On the other hand, raw and unapologetic lads from the North. Let battle commence! The Battle is John Niven's first stage play, and he doesn't take the easy route. Deciding to bring both known people, detailed and multiple scenes and ambitious storytelling to proceedings. And for the most part, it all comes together to create a coherent whole. The casting director Claire Bleasdale has assembled a talented group of ...