Skip to main content

Review of Wonderland by Spotlight Dance School at Cripps Hall Theatre, Northampton

Dance shows have not exactly been at the top of my theatre going despite the fact that when I have gone, I have generally enjoyed them (we shall not mention that ballet). The first dance performance I actually saw was a few years ago when I was invited to Isham Dark at the University of Northampton by Mary O'Brien to see the then students there. It was a little out of my usual interest, however, the skill during the show was quite something. So a call out of whether I could fit this show into my schedule from Mary was difficult to ignore, and it was on my one free night that week, I took a little trip to Wonderland.

Wonderland was created through the students of Spotlight Dance School and if plays are described as herding cats, this was very much of the herding kiddies flavour as 93 performers took to the stage from 3-21 and quite frankly with incredible success. Even when something sort of went wrong (a young diva refusing to go on stage for instance), it was all received with just a wonderfully relaxed attitude.

The first half of the evening was the Wonderland of the title as we were told the classic Alice in Wonderland through dance, it was all so incredible coherent as a telling of the story. As Alice, Ellie Lancaster had amazing presence and ability taking us across her tale. All of the characters are brilliantly distinctive and there were some wonderful eyecatching costumes on display. The returning characters of Tweedle Dee (Georgie Wild) and Tweedle Dum (Imogen Masters) were perhaps the most entertaining, while Olivia Geddes made a very striking and statuesque Queen of Hearts.

The second half leaves the storytelling behind a little to a collection of group and solo pieces of ballet and contemporary. The latter for myself was my my favourite offering some superb pieces. Loop from guest choreographer Leah Waterfield was a striking, brilliantly performed piece, while there was clearly a great deal of love put into the tribute piece All I Ask created by Jessica Pegg.

The only possible criticism that I might lay at the show was that perhaps it was a little long. However there was no question Wonderland was a brilliant evening of dance, very well received and appreciated by the audience on the night. Some great talent on display and some mischievous kids on stage as well. A great night brilliantly brought together by lead choreographer Mary O'Brien and her team.

Performance reviewed: Friday 26th May, 2017 at the Cripps Hall Theatre, Northampton.

Wonderland was performed on Friday 26th and Saturday 27th May, 2017 only at the Cripps Hall Theatre.
Details of Spotlight Dance School can be found at http://www.spotlightdance.co.uk/

Popular posts from this blog

Review of Treasure Island at Royal & Derngate (Royal), Northampton

Everyone knows the famous story of Treasure Island , either in detail or in the basic knowledge of Long John Silver, Captain Flint, the parrot, and young Jack Hawkins, as well as his treasure map. However, physical and riotous theatre group Le Navet Bete's adaptation of that same story, docked at Royal & Derngate now, spins a slightly more bizarre version. Le Navet Bete (which translates as The Daft Turnip) is not a French group but was formed in 2008 in Plymouth when the members met while studying. Now based in Exeter, they have made a name for themselves with their shows, which combine clowning, physical slapstick, pantomime, and general buffoonery. Treasure Island was my first encounter with the group, and based on this, I can't wait to see more. Four actors perform in this show: Al Dunn, Matt Freeman, Nick Bunt, and Simon Sebastian Burbage. All play different characters from the story, although Bunt stays as Hawkins throughout much of the show. As expected, they are al...

Review of Picture You Dead at Milton Keynes Theatre

The Peter James franchise featuring the detective Roy Grace has become quite the juggernaut of success since his first appearance in 2005 in James's novel Dead Simple . With 21 published books, a popular TV series starring John Simm, now in its fifth series, and this, Picture You Dead , the seventh stage play adaptation, now running at Milton Keynes Theatre, there appears to be no stopping him. The plot of Picture You Dead begins with a down-on-their-luck couple, Harry and Freya Kipling, discovering a potential 200-year-old masterpiece at a car boot sale. The discovery leads them into the path of both a reformed forger, Dave Hegarty, an unscrupulous collector, Oliver De Souza and his assistant Roberta Kilgore and of course, detectives Roy Grace and Bella Moy in pursuit of a cold case which may link them all? Having seen two previous adaptations, I wanted to see if they had gotten beyond the slightly simplistic and television-style of telling the story, now that they were reaching ...

Review of The Brittas Empire at Stantonbury Theatre, Milton Keynes

Those old enough to remember may have recollections of the nineties sitcom The Brittas Empire , written by Richard Fegen and Andrew Norriss. Starring Chris Barrie, the wacky series follows the exploits of Gordon Brittas, the man with a dream and a leisure centre in Whitbury New Town to fulfil it, despite the numerous consequences that result. I loved it, and when I heard that MKTOC (Milton Keynes Theatre of Comedy) were to produce the world premiere of the stage show at Stantonbury Theatre, I had to be there to see it. Adapted by Steve Clark (who also directs) and Emma Dell (who also plays the neurotic Helen Brittas), they have put together a loving and fully understanding script based on stories and situations from many episodes, which are ideally suited for the stage. Taking on such a unique show is dangerous for both adapters and cast. Still, the group has perfectly pitched the characters so that they are instantly recognisable from those we remember on screen. Rob Simpson takes on ...