Skip to main content

Review of Summer Holiday by the Northampton Musical Theatre Company at Cripps Hall Theatre, Northampton

It is safe to say that I love the Northampton Musical Theatre Company, while there are many other amateur groups in the town, they for me hold the mantle of being the most professional. Much of this is because of the absolute belief needed to make their shows work at all, these productions don't just require acting like most of the other groups, this little group has to throw singing and dancing as well into the mix for its performers. Perhaps because of this and the fact that performers of this ilk are not finite, it can't always work and areas have to be cut where you can't get a whole cast that can do the full gamut. However, this is where the amateurs own neat trick comes to the forefront, over professional actors sometimes, enthusiasm. The very real reason these people do these things is not through monetary gain, it's because they first and foremost want to, and that always shows on stage, as it does through this latest production, Summer Holiday.

I had a bit of a downer on their previous show Grease. While it was well performed, its selection was a bit questionable, and it is a pretty poor stage show, nowhere near like the film. Therefore I was a tad concerned that Summer Holiday, a slightly generic film might not translate to the stage too well either. The film as much as I remember of it is simple popcorn fodder built around a few good tunes and a star name, and the stage show it turns out is pretty much the same without the sunny filming locations.

Katy McNaughtan (Barbara) and George Johnston (Don)
More than willing to take on the challenge of iconic people following his stint as John Travolta in Grease, George Johnston is back onstage as the Cliff Richard lead Don. While I felt he missed the Zuko swagger in Grease, here he feels much more relaxed and is definite building leading man material. Some of the lighter songs he can't quite nail, but when he can, with songs like We Say Yeah (ironically not in the original film, but in The Young Ones) he is not only an excellent performer but a great stage presence.

Clearly, the best vocal performer of the show is Katy McNaughtan as Barbara, who makes an immediate impact with Constantly, but perhaps is at her very best in her songs in the second act after her evolution of the character. There is great fun and entertainment to be had from Mimsie (Helen Kennedy), Angie (Ella Styles) and Alma (Hannah Taylor) as the travelling singers both in their brilliant vocal performances but also the fun to be had from their comic scenes, including their deliberately clumsy Gee Whizz, It's You. There's high value also from Barbara's pursuing mother Stella (Eleanor Digby) and her agent Jerry (a really terrific comic turn from Brett Hanson and his uncomfortably large maracas). There is also a brief but gorgeous solo performance of Lei Vuole Ballare by Katy Bachelor, which offers a nice moment of very different music.

Centre: Helen Kennedy (Charley, I mean Mimsie) andleft Harvey Morris (Steve).
The star of the show though is Ben Stanton and his brilliant Edwin, tagging along for the ride, Ben plays the role with a sort of Eric Morecambe mannerisms and maintains a great dialect which he carries brilliantly into the singing numbers, where he is confident and strong with his highlight being Move It which brings him into Buddy Holly territory. It really is a brilliant performance and one which steals many a scene.

The famous bus of the show is brought to life on the stage with an emphasis on cute rather than realistic in its very cartoony aspect, as is Shady the car, which also has a perfect comic book moment of its own where you can imagine the sound balloons in your head. I mustn't mention the point where the bus appears to be driving sideways though, so I won't. The bus also dared to fight back during the evening I saw the show but there was a hero stage hand to the rescue and the audience genuinely loved it for that perfect "this is live" moment. Kudos also for Ben Stanton's brilliant recovery "this trip is taking a long time" moment, makes you want it to happen every show. Adding to the cartoon moments is a truly magic moment featuring the ferry which I don't want spoil, but safe to say it was an audience favourite of the night.

Ben Stanton (Edwin) and cast.
At the further mention of the audience, its pretty safe to say that my evening they were a seriously comatose affair, totally not active in any way and the show deserved better reception through many of the scenes. The age old thought that every audience is different was really prominent with this lot. I feel certain that the audience will be more responsive for the rest of the performances.

So, if you enjoyed Grease last year you are sure to enjoy Summer Holiday. It is a much better structured play for one and full of some great songs, including a huge number of especially good ones not in the original film, fleshing it out and making the show better for it. This coupled with some great comic moments makes this a show that you will not leave disappointed from.

Performance reviewed: Thursday 1st June 2017 at the Cripps Hall Theatre.

The Northampton Musical Theatre Company performs Summer until Saturday 3rd June 2017 (with a matinee on Saturday).

They have a website which can be found at http://www.nmtc.me.uk/, while they are also on Twitter @theNMTC and Facebook at https://www.facebook.com/NorthamptonMusicalTheatreCompany



Popular posts from this blog

Review of Shrek the Musical at Royal & Derngate (Derngate), Northampton

Once upon a time, there was a splendidly green ogre who went by the name of Shrek. For many years, Shrek starred in a captivating and thrilling adventure set upon a theatre stage. This came to pass following a tale told in a Dream(works) in a cinematic spectacle. His tale was told in a truly fun way, with staging sublime, and endless mirth from a nefarious baddie who in many ways came up short.  However, around the corner, there was greater evil afoot as our green friend's show was undergoing a transformation for further adventures on stage. What possible way could this evil be stopped?  Sadly, for all, it could not and the evil reigned for a full UK tour which journeys most recently to the magical kingdom of the Royal & Derngate after a long adventure across the land. So, dear reader, forgive my fairy tale preamble, and perhaps, from that you might imagine this show isn't up to much and sadly you would be right. Shrek when it toured before to Northampton was a little ligh

Review of Disney's Aladdin at Milton Keynes Theatre

Back in 1992, Disney took the age-old tale of Aladdin and did their classic Disneyfying of the story and with the genius of Robin Williams in the role of the Genie, the film remains an immensely popular one to this day. Forward to 2011 and Disney took the show to the stage for the first time and with it the classic songs from Alan Menken with lyrics by Howard Ashman, Tim Rice and Chad Beguelin with a few additions. Since then it has continued to have huge success across the world. Having now arrived at Milton Keynes Theatre on a new tour of the UK & Ireland, it is easy to see why that success continues. This is a truly epic and spectacular show, perhaps the largest that you could find outside of the streets and avenues of the West End. From the opening number as the Genie welcomes us to the streets of the fictional Arabian city of Agrabah, the show simply oozes quality. Performances are top-notch with a large cast of leads and an ensemble at the top of their game. As Aladdin, Gavin

Review of Shrek (NMTC) at Royal & Derngate (Derngate), Northampton

Three and a half years ago, in a land far far away, in a world very different to the one we are now in, I saw the touring professional production of Shrek The Musical , it was a mixed bag of quality, tilted extremely heavily in favour of one particular character (not the one you might expect) and not firing on all cylinders much of the time. One and a half years after my last visit to the Derngate theatre, I return to see the homegrown Northampton Musical Theatre Company's own take on the very same show. Would they be able to breathe more life into the show than the professionals did in that distant land? It is a bit of a yes and no really. Pretty much all of this is done to the best possible standard, and at times, with being an amateur show you could easily forget, they all have normal day jobs. The show oozes professional quality at times. The set looks magnificent, the costumes (from Molly Limpet's Theatrical Emporium) are superb, and as ever with NMTC, the backstage team c