Skip to main content

Flash Festival 2017: Dispensible by March Theatre Company at Hazelrigg House, Northampton

Dispensible from March Theatre Company concluded my packed five-day charge through this year's Flash Festival and if I was at all jaded by the sheer amount, this fifteenth one-man show would have revitalised me back to life with its intensity.

Ruark Gould presents us with three soldiers through time, like Dickens' ghosts, the past, the present and yet to come. Via this sharp neatly performed show we see that no matter when the traumas of warfare are the same. Sure the future is imaginary, but it is believable in every way, and to quote a game franchise, it's true that "war never changes".

This was the only Flash this year in the vault space of Hazelrigg House with its compact 10-15 seating space, and perhaps it truly is perfect for this play. Allowing us to experience the claustrophobic nature of encampments and dugouts like those the character lives through. We are absolutely in the environment of this play and with its clever use of lighting and indeed absolute darkness, not possible anywhere else, this becomes a rightfully traumatic affair at times.

Ruark brings the characters to life well, although they are a little similar at times by their nature and I have to be honest I didn't fully live the path of the storyline much, just feeling that we had crashed into their lives for a brief period and then the play stops.

So Dispensible was interesting but never the high point of this year's Flash (but far from the bottom point), it was excellently performed but just a little lacking in the material at times.

Performance viewed: Friday, 26th May 2017

The Flash Festival 2017 ran between Monday 22nd and Saturday 27th May 2017 at three venues across the town.

Popular posts from this blog

Review of a A Taste of Honey at Stantonbury Theatre, Milton Keynes

Written by Shelagh Delaney in 1958 at just nineteen, A Taste of Honey was a ground-breaking depiction of modern society, falling very much into the "kitchen-sink" genre, fast developing with writers within the world of British theatre during the fifties. Dealing with a multitude of themes including class, race, age of sexual consent, gender, sexual orientation and illegitimacy, it has rightfully become a legend of theatre. However, almost seventy years later, does this play still resonate with audiences and have a place in modern theatres? The play, set in 1950s Salford, tells of teenager Jo and her mother Helen moving from one rough lodge to another as either rent becomes due or Helen needs to escape another failing relationship. With Jo approaching school leaving age, Helen sees the time is right to abandon her to the world and move on with her own life. When watching A Taste of Honey , you can imagine the controversy surrounding its original release. The content is provoc...

Review of War Horse at Milton Keynes Theatre

Michael Morpurgo's novel War Horse was published in 1982. While it was highly regarded and thought to be his best work, perhaps it eventually came to most people's attention when this striking play stormed the stage, thanks to the National Theatre, back in 2007. Now, War Horse arrives at Milton Keynes Theatre as part of another vast UK tour. Adapted by Nick Stafford in association with the award-winning Handspring Puppet Company, War Horse tells the story of the First World War through the eyes of one horse, Joey, sold for a record price from a family battle but eventually shipped off to war-torn France much to the distress of his original owner, 16-year old Albert. The sprawling and epic story should take some staging, but the vast cast, beautiful structure, stunning folk music and, of course, what this play has become known for, magnificent puppetry, all bring the story to life. This production, directed by Tom Morris and revival director Katie Henry, is a magnificent thin...

Review of Murder She Didn't Write at Royal & Derngate (Royal), Northampton

Murder She Didn't Write , stopping off for a four-day run at Royal & Derngate on a lengthy UK tour, treads the now well-worn path of an improvisational evening of theatre entertainment. Unsurprisingly, from the title, this show from Degrees of Error's takes a murder mystery as its inspiration, with the story influenced by ideas from the audience each evening. Due to this, Murder She Didn't Write and a review are very much an individual affair. What I saw in my evening at the theatre will differ significantly from what the audience will see the following evening; however, the fine performers will remain. The touring cast, in no particular order, is Lizzy Skrzypiec, Rachael Procter-Lane, Peter Baker, Caitlin Campbell, Stephen Clements, Douglas Walker, Harry Allmark, Rosalind Beeson, Sylvia Bishop, Emily Brady, Alice Lamb, Sara Garrard, Peta Maurice and Matthew Whittle. For my performance, Skrzypiec, Procter-Lane, Baker, Walker, Bishop, and Clements were on stage alongsid...