Skip to main content

Flash Festival 2017: Click Here by Stern Mystics Theatre Company at St Peter's Church, Northampton

The dark web has perhaps never been as relevant as it currently is with the recent shocking events where it is no doubt often being used for this kind of activity. Stern Mystics takes the dark web and offers a fascinating collection of stories and characters to teach me more during this show about the dark web than I possibly wanted to know. You leave this show both wanting to go and see this vast place, over 90% of the internet in existence and also absolutely never wanting to go anywhere near it.

Chris Drew
A Parkinsons' sufferer, a layabout with plans against his sister's partner and a neo-Nazi blogger are the three characters we follow during this play. The viewer and myself often unsure at first how each character is going to find themselves on the path to the dark web. The blogger is perhaps the most obvious, while I admit I did take some time to work out the Parkinsons timeline, as for the layabout. I genuinely didn't see that coming until much near the end. I blame that on my pure innocence of what is on the dark web.

Matt Kitson
Each of the characters is tremendously well played by their respective performers. Chris Drew once again a remarkable presence on stage in his collection of characters. Of all the male performers in this year group, there is perhaps no better performer in creating individual, absorbing people and in Click Here, he is allowed to play different ones within the same play and his strength is there to show at all times. The strongest, of course, is the recreation of the rightfully bitter and desperate Parkinsons sufferer, not only verbally brilliant but physically so as well with the cruel effect the disease saddles an individual with. He is quite remarkable at all times.

Matt Kitson's blogger is everything that you want a character that you despise at all times to be, vicious and cruel, but only through the safety of words, and hidden ones at that. His interviews are a little disconcerting as he appears so polite at all times and so relaxed in his rhetoric. While he epiphany is well played and developed at times, it somehow still feels a little obvious and I wonder really if someone really could change that much?

Tom Garland
The path of the final character is the one that intrigues the most and Tom Garland is effective and convincing as the layabout without the philandering brother-in-law. Again it might take a little bit of swallowing that someone would contemplate the lengths he does to resolve the situation, but who knows how you would react. It certainly as I have already said offers the most expected path for me and therefore is interesting purely for this alone.

I really enjoyed Click Here, so much more than many of the other Flash shows this year. It has brilliant characters, interesting stories and genuinely for myself, I learnt a heck of a lot of things from it, which is all no better recommendation that anything else as we learn better when we are being entertained by it. Now, what was that browser name again...?

Performance viewed: Friday, 26th May 2017

The Flash Festival 2017 ran between Monday 22nd and Saturday 27th May 2017 at three venues across the town.

Popular posts from this blog

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...