Skip to main content

Flash Festival 2017: Push & Shove by Crisis Point Theatre at Hazelrigg House, Northampton

Despite being a long term blogger, the alternative vlogging has mostly passed me by and I have rarely sat and watched many and certainly am not an avid subscriber of one, however the social revolution of them has not passed me by as I am very aware that many people make an awful lot of money nowadays as vlogging stars. In this Flash show Olly Manning plays one such vlogger and in Push & Shove, he has something very special for his subscribers.

To be perfectly frank, that something special is really quite simple to guess. I realised very early the contents of the ominous box that Olly's character Jared Howell presents to his audience at the start of the vlog, and it is clear very early on who is going to be on the end of the said contents as Jared goes through his pretty bleak piece to camera. However guessing does not change the impact of this cleverly put together play.

At the basis of this Flash is another issue play, this time mental illness, one which thankfully is gaining more and more recognition after having spent too long being ignored, most especially in the male gender. Push & Shove handles it with a nice touch, allowing the story to unfold in a believable way, Olly chipping away for the audience the emotions of Jared beneath.

There is a delightfully well-sung song during proceedings to music nicely played on guitar by Luke Mortimore, although this did get me wondering how we were meant to interpret his appearance as everything was supposedly done live. Was this chap sitting in the corner of the room observing Jared as he made his final vlog? It just felt strange as everything else was intuitive and being created very naturalistically by one person for his audience. Not a problem, just a little something I was unsure of.

There is also an issue of performing to a camera for a vlog for the audience within the room and this was slightly made more problematic by the configuration if the seating with audiences on two sides rather than the usual format, which could have meant it was presented front on, instead of often to one side.

However this was a powerful piece of theatre well performed by Olly, which while didn't hold much surprise (except for one member of the audience), was very well constructed and believable in its telling of a very real issue that the world needs to deal with.

Performance viewed: Wednesday, 24th May 2017

The Flash Festival 2017 ran between Monday 22nd and Saturday 27th May 2017 at three venues across the town.

Popular posts from this blog

Review of Sunny Afternoon at Milton Keynes Theatre

Sunny Afternoon , the Kinks-inspired jukebox musical, debuted on stage in 2014. Featuring Ray Davies' music and a book by Joe Penhall, it first found success in London before a UK tour in 2016/17. Now arriving at Milton Keynes Theatre with a new 2025/6 tour, the question remains: with some songs now over 60 years old, is Sunny Afternoon still relevant to today's audiences? While this is a jukebox musical, this show follows, via this system, the story of the formation and eventual success of The Kinks rather than creating a random story from the songs. Opening with the band The Ravens, the group is safe and sophisticated, with their prim-and-proper lead singer. However, the true band of the future, Ray Davies, Dave Davies, Mick Avory and Pete Quaife, are itching for freedom, to break away, especially writer Ray, who wants to create songs that mean something to people. Enter the suits of management, and the rocky creation of The Kinks begins. I had the pleasure of seeing Sunny A...

Review of It's A Wonderful Life by Masque Theatre at the Holy Sepulchre, Northampton

Remarkably I only saw the classic film It's A Wonderful Life last Christmas, this was thanks to spotting it lurking on my subscription of Netflix. A glorious heartwarming film perfect for Christmas? That must be why I was a blubbering mess at the end of it then. There was hope that in public, The Masque Theatre's performance of the radio version of the story didn't leave me in the same situation. As it happened it did a little as that final scene in the Bailey household played out again, but it didn't matter as there were members of the cast in the same broken state as many of us audience members. Left to right: Jo Molyneux, John Myhill, Lisa Wright, Michael Street, Lisa Shepherd and Jof Davies This was the first radio play that I had seen performed and on the evidence of this, I sure would like to see some more. While not having the drama of standard plays in their creation of moment and places, they do have a rather striking drive towards character creation. The ...

Review of A View from the Bridge at Royal & Derngate (Royal), Northampton

Although writer Arthur Miller died 15 years ago, and last published a play almost 30, he remains a force to be reckoned with, and you are probably still never far from production of one of his works, albeit one of probably just four from his back catalogue of 33 plays. If you pressed someone to choose his best, they would probably more often than not say The Crucible , because A: they studied it, or B: they have actually seen it. As for best though, maybe not. Perhaps that lies with the simpler format of A View from a Bridge , the gritty tale of immigration in the fifties. So, does this new version, a co-production between Royal & Derngate and York Theatre Royal, do it justice? In 1950s New York, hardworking longshoreman Eddie Carbone lives a simple life with his wife and niece deep in an immigrant community. When two of her Sicilian cousins arrives, slowly Eddie's life begins to change forever. In a theatre world where life is rarely simple anymore and directors of...