Skip to main content

Flash Festival 2017: Can't Stop Theatre at St Peter's Church, Northampton

Upon entering the church to see Ben Sullivan's one man Flash show about alcoholism, you are presented with a neat little stage setting of a chess board with cans and bottles representing the pieces. It is a genuinely clever idea and lays the grounding for this extremely well performed and balanced play.

During the piece, Ben plays three characters affected in some way by alcohol. We have the first, a son of alcoholism, a disturbing and emotionally charged monologue portraying well the damage that drinks cause to the family. Then we move onto an occasionally comical posh guy and his checkered past with the devil's water. Finally, we have an Irish chap, a would-be quitter whose world is collapsing as a result of his failure.

Each of the characters is tremendously well created without descending into stereotypes and the three are expertly ordered as well, with the calmly relaxed delivery of the first moving into the much more physical of the second and finishing on clearly the saddest story. It is a piece of exceptional storytelling often in its simplest form with the static approach of the first piece especially, however, Ben brings to life the three characters with amazing skill and maintains them throughout, including a constantly solid Irish accent.

Often this play feels just too simple in the exterior, however, this is its strength, stripping away excesses of over complicated stage shows and relying on genuinely great acting and powerful narrative. A true gem of Flash.

Performance viewed: Wednesday, 24th May 2017

The Flash Festival 2017 ran between Monday 22nd and Saturday 27th May 2017 at three venues across the town.

Popular posts from this blog

Review of National Theatre Connections 2017 (16 Shows) at Royal & Derngate (Royal & Underground), Northampton

Alongside the University of Northampton BA Actors Flash Festival, the Connections festival at Royal & Derngate is now my joint favourite week of theatre each year. This is my fourth year at the festival and each time I have tried my very best (and succeeded) in seeing more and more of those on offer (four in 2014, ten in 2015 and twelve last year). This year I cracked sixteen shows, including the most interesting, a chance to see two of the plays by three different groups. I was able to see nine of this year's ten plays (a single nagging one, Musical Differences by Robin French was missing from the R&D line-up), and most I either enjoyed or finally understood their merits or reasons for inclusion. The writing of sixteen reviews is a little bit of an daunting prospect, however, I will do my best to review each of the plays and those I saw more than once, and pick around the comparisons. Extremism by Anders Lustgarten Performed by Bedford College Extremism was perfo...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Breaking the Code at Royal & Derngate (Royal), Northampton

Breaking The Code , the opening play in the new Made in Northampton season at Royal & Derngate, is a surprisingly old and rarely seen play. Written in 1986 by Hugh Whitemore, it tells the story of legendary codebreaker Alan Turing, a man who, in the 1980s, when this play first appeared, was relatively unknown. The years since the origin of this play have been good for Turing, with his life's work finally getting the recognition it deserves, and also, very much what this play centres on, a recognition of the horrific life and end that Turing had as a result of dealing with the laws of the day. Breaking the Code has seen life before on the stage of the Royal, as back in 2003, Philip Franks took to the role of Turing in a very well-received production. So, what of this brand new version directed by the Royal & Derngate's artistic director Jesse Jones? Does it live up to Turing's legend? That is an unquestionable yes with no machines needed to crack the class behind thi...