Skip to main content

Review of Shrek the Musical at Royal & Derngate (Derngate), Northampton

Once upon a time, there was a splendidly green ogre who went by the name of Shrek. For many years, Shrek starred in a captivating and thrilling adventure set upon a theatre stage. This came to pass following a tale told in a Dream(works) in a cinematic spectacle. His tale was told in a truly fun way, with staging sublime, and endless mirth from a nefarious baddie who in many ways came up short. However, around the corner, there was greater evil afoot as our green friend's show was undergoing a transformation for further adventures on stage. What possible way could this evil be stopped? Sadly, for all, it could not and the evil reigned for a full UK tour which journeys most recently to the magical kingdom of the Royal & Derngate after a long adventure across the land.

So, dear reader, forgive my fairy tale preamble, and perhaps, from that you might imagine this show isn't up to much and sadly you would be right. Shrek when it toured before to Northampton was a little light on content but a visual feast and brought to life by one of the funniest characters in shows of this ilk, Lord Farquaad. The character in all his diminutive state was pure fun and comedy, the performer on his knees and the best lines and humour as a result.

For some reason, this production chooses to present Lord Farquaad as a taller, maybe slightly shorter than the norm character and it robs his every scene of what made the character so good. James Gillan does his best in the role, but, unlike the dragon (more on her later), he simply has no teeth or the character to perform. It is difficult to explain how much these decisions have destroyed the character, and the show as a result.

Our other leads have a little more success, Antony Lawrence is a striking presence as the titular Shrek but does play second fiddle to other characters despite his name on the show. Brandon Lee Sears as the Donkey comes out best really from this show, filling his scenes with energy and comic poses and looks making him the clear crowd favourite. Finally of the main characters, Joanne Clifton is a solid and likeable Princess Fiona, but does at times play the role with too much brattishness and annoying manner, with little softness of character to add belief to the role.

On top of some poor production changes, the show did have a few technical issues as well, including some overamplified sound across the show. This was most prominent during the Story of My Life song (one of the best, catchiest of the show) where we are introduced to all of the fairy tale characters. The sound levels made clarity of lyrics extremely difficult and actually, slightly painful to listen to at times.

The world of Shrek on stage is created much more from projections this time, with much less physical set making it look a little cheap despite the projections being generally very good, if a little disjointed at times. The dragon (sung beautifully it has to be said by Cherece Richards) is slightly poorly realised also in comparison to previous versions in an almost obvious reduction in production costs.

In this production, Shrek is something you may enjoy or something you grit your teeth through. If you haven't seen the stage show before, you won't feel deprived of the splendour and endless humour from the Lord and get carried along for the ride (many of the kids loved the show). Those who have been to this fairy tale world before might find it far from as fantastical as it once was though sadly.

Entertaining once again, but some production decisions leave it really lacking compared to previous versions.


Performance reviewed: Wednesday 23rd April 2024 at Royal & Derngate Theatre, Northampton.

Shrek the Musical runs at the Royal & Derngate Theatre until Saturday 27th April, 2024.

For further details about the Royal & Derngate and to book tickets see their website at http://www.royalandderngate.co.uk

Production Photos: Marc Brenner


Popular posts from this blog

Review of The Rocky Horror Show at Milton Keynes Theatre

Richard O’Brien’s anarchic, surreal, and often incomprehensible musical, The Rocky Horror Show , has captivated audiences for over fifty years now. With this new tour, it feels as fresh and unpredictable as if it had just emerged from O’Brien's vivid imagination yesterday. While another review might seem unnecessary given the countless dressed-up fans who fill every theatre it visits, let’s go ahead and write one anyway. The Rocky Horror Show follows the adventures of Brad and Janet, a newly engaged couple. On a dark and stormy November evening, they run into car trouble and seek refuge at a mysterious castle reminiscent of Frankenstein’s. There, they encounter the eccentric handyman Riff-Raff, the outrageous scientist Dr. Frank N. Furter, and a host of other bizarre characters. What unfolds is a science fiction B-movie narrative that is at times coherent and at other times bewildering — yet somehow, that doesn’t seem to matter. I first saw The Rocky Horror Show in 2019 and exper...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

Review of Dial M For Mayhem! at Royal & Derngate (Royal), Northampton

Middle Ground Theatre has been creating unique and intrepid adventures for the stage since the late eighties, and with Dial M For Mayhem! , they take those experiences and bring to the stage a brand new play within a play now arriving for a week run at Royal & Derngate. Written by Margaret May Hobbs and directed by Michael Lunney, Dial M For Mayhem! has much to admire. Still, sadly, for every good joke, amusing set piece and chaotic moment, there are too many periods of flatness, stilted sequences and, especially during the first act, too many slow scenes which either tread the same old ground or bring nothing new to the proceedings and then fail to flow into the next leaving it often disjointed. The cast does their very best, though, and the characters they bring to the stage are entertaining and perfect for this farcical play, but they lack depth despite the script trying desperately at times to give them one. The attempt to create character also comes at the expense of the farc...