Skip to main content

Review of Cluedo 2 at Milton Keynes Theatre

Back in 2022, the original Cluedo stage play, based on a 1985 play by Sandy Rustin, itself based on the cult US film Clue, journeyed to Milton Keynes Theatre as part of a UK tour. It was, it has to be said, an average affair, made good by some excellent staging and at times a very fair tribute to the original board game. Now two years later, the success of that tour clearly warranted a return to the franchise and we find Cluedo 2 now on stage at Milton Keynes Theatre. So, is a follow-up warranted, and does it address many of the issues of the original? Let's find out.

Unlike the original and with no film source material to create a second play from, legendary TV comedy writers Maurice Gran and Lawrence Mark have taken the helm to provide the script for this production. Sadly, the legendary writers have for the best part plowed through their archives of extremely dated, and tiresome comedy. Much of the script is heavy on the obvious, high on the cringe, and while at times it can bring a titter (and in some audience members, a constant guffaw), this really is very tired material.

What is worse from Gran and Mark's play is that it isn't really honouring Cluedo as a game. The original worked into the format, with multiple endings and some mystery to the story that those taking part in the board game had when playing. Here, the murder mystery and story is heavy-handed and just created as a comic farce with hardly any link to the Cluedo game bar the names of the characters, and the location.

The cast, many of them excellent in their stage performances and presence in the show, have often the most appalling material to perform. To see the likes of successful screen actor Jason Durr as Colonel Mustard having to "giddy-up" back and forth across the stage is awkward and cringe. Elsewhere, the other "name" in the show, Ellie Leach, fresh from Strictly Come Dancing victory, in her stage debut as Miss Scarlett, seems out of her depth and wondering what might be going on in a very flat, monotonous performance. Some of the other cast seem to be dealing with the material a little better, including a likable Jack Bennett as Wadsworth. However, like much of the show, his character never develops and becomes repetitive eventually, especially with his "I'm not a butler!" line being done to death.

Repetition raises its ugly head in scene changes as well, which are, initially excellent, and truly funny and clever. However, after a while, these also begin to repeat in multiple uses of walking by artwork and billiards room play. Funny the first time (and maybe the second), but eventually just overused with no progression.

The set from David Farley is simplicity itself, but not in a good way. Even for a touring production, this is extremely minimal and provides little backdrop for the multiple locations depicted. As a result, we have to be told where we are often by a huge version of the board from the game lighting up specific locations. The mention of lighting brings us to another disaster for the show, with just appalling lighting leaving many cast members in darkness while delivering key lines. Yes, this is a dark and dingy manor during a storm, but it would still be nice to see the cast.

Cluedo 2 isn't without its successes. There are a few really funny moments, including suitably enough from the many death scenes, which are very much the highlights of the show. However the good bits are few and far between, and the ending provides just an endless succession of pointless moments, finishing on a chaotic and confused low. Sadly a disappointing return to the manor.

Tired, dated comedy provides no improvement sadly on an average original.
⭐⭐

Performance reviewed: Tuesday 16th April 2024 at the Milton Keynes Theatre.

Cluedo 2 runs at Milton Keynes Theatre until Saturday 20th April 2024.

For further details about Milton Keynes see their website at http://www.atgtickets.com/venues/milton-keynes-theatre/

Production photos: Alastair Muir


Popular posts from this blog

Review of Cruel Intentions: The '90s Musical at Royal & Derngate (Derngate), Northampton

Cruel Intentions , released in the final year of the nineties, is a fondly regarded classic from the era, rammed with a collection of young and up-and-coming stars. Based on the classic Les Liaisons dangereuses , Roger Kumble's nineties update was clever and current; however, a quarter of a century later and now playing at Royal & Derngate, does it still work, and more importantly, does it work as a musical? The quick answer to the latter is no, but theatre persists, so what about the story? Kumble's adaptation tells of two wealthy step-siblings, Sebastian Valmont and Kathryn Merteul, sex-obsessed, constantly warring, and attracted to one another. When they begin a bet for Sebastian to deflower the new headmaster's daughter, Annette Hargrove, before the start of term, events spiral quickly out of control. Following in the footsteps of the well-remembered performers from the film does weigh on the cast. Will Callan, playing Sebastian, and Nic Myers, as Kathryn, are fine ...

Review of Annie at Milton Keynes Theatre

Annie was first performed now a remarkable fifty years ago at Goodspeed Opera House in Connecticut, and since then, the tale based on a 1920s comic strip and adapted for the stage by Thomas Meehan on book, with music by Charles Strouse, and lyrics provided by Martin Charnin, has become a perennial favourite across the world. Indeed, this version, directed by Nikolai Foster, last appeared at Milton Keynes Theatre in 2023. So, after all these years, does Annie still have that appeal? Set in  1930s New York during the Great Depression,  Annie  follows the life of an orphan abandoned to the care  of its evil matron, Miss Hannigan. Annie seeks escape, and after one failed attempt, she finds herself the chosen Christmas guest of billionaire Oliver Warbucks, and things slowly, hopefully begin to improve for the little but fiercely strong Annie. Leading the adult cast for this tour now as the cruel Miss Hannigan is Claire Sweeney. Sweeney clearly revels in the chance to embr...

Review of Matilda at Milton Keynes Theatre

Roald Dahl is perhaps one of the most famous children’s authors of any generation, and his work has inspired an exceptional number of film, television, and theatre adaptations. Fifteen years ago, this musical of Matilda , one of his most fondly remembered stories, took to the stage and has not looked back since. Adapted from the original book by Dennis Kelly, with lyrics and music by Tim Minchin, the show has been a fixture at the Cambridge Theatre in London since 2011, has performed on Broadway, and is now reaching Milton Keynes Theatre as part of its second UK and Ireland Tour. Inspired by the Roald Dahl book of the same name, this Royal Shakespeare Company’s multi-award-winning musical tells the story of an extraordinary little girl with a vivid imagination and the courage to change her own destiny. Matilda is of course the centre of attention in this production, and on this extensive tour, the role is shared by Felicity Brown, Petra Hutchings, Mollie Hutton, and Caroline Ravansari ...