Skip to main content

Flash Festival 2017: A Guide To Perfection by Sample Theatre Company at Hazelrigg House, Northampton

Sample Theatre's Flash shows bravery straight away when you enter the performance room as they have broken many of the conventions of a piece of theatre. Set up with several tables banquet style, we sit around them. There are broken sight lines in abundance and occasionally you can't even see the performer at all. On paper, this is a disaster of a piece of staging, however, its relaxed style actually is beneficial to the show as you duck back and forth observing each of the three performers, like an observer at a restaurant or other social event. The room is also cleverly given a long mirror on either side that when you don't catch your unexpected reflection, offers an alternative take to view the performers.
Florence Waite

The three performers are Samuel Littlewood, April Lissimore and Florence Waite and create fun and interesting characters. Florence was my favourite, often in the corner in hopeful control of her lighting/sound deck in this neat format of a play before a play. She is the perfect foil for this show about perfection as she self-doubts herself at every opportunity and there is a lovely aww moment of her hopeful glance to Samuels character.
Samuel Littlewood

Samuel and April appear to provide the "perfection" of the title, however obviously they are not. This play pretty much makes it clear there really isn't any such thing and in reality the pursuit of it is pointless, perfection is both in the eye of the beholder and the confidence of a person.
April Lissimore
Samuels character clearly shows that to be pursuing such a thing makes you potentially a very shallow person as you spend your life preening away at your hair or despairing at a spilt coffee stain. There is some great humour to be had from this production as well, especially in the scenes of the devil and angel on the shoulder.

It all heads to a conclusion of the opening of the seminar, which we happily see little of and provides a nice ending, if ironically the audience was a little unsure whether it had or not. Curtain calls were a fascinating thing to behold during Flash this year.

However, this is great entertainment, innovative staging and a thoroughly fun show with three very well-balanced performances.

Performance viewed: Wednesday, 24th May 2017

The Flash Festival 2017 ran between Monday 22nd and Saturday 27th May 2017 at three venues across the town.

Popular posts from this blog

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of making second Kontakt with the R&D Youth Theatre at Royal & Derngate (Underground), Northampton

As I said in my first Kontakt review, I wasn't really sure that I wanted to see this show. However come Sunday and a second opportunity to see it, I was genuinely looking forward to it. With the show now having departed, for my second review I will elaborate a touch more on happenings, which initially I shied away from as spoilers. My actor for my second encounter was 15 year old Michael. He had the enviable task unlike Michael before him of dealing with someone who knew quite a bit of what was coming. As those surgical gloves went on I this time was certain that the R&D were not going to overstep the boundary and do a full medical. I had also learnt that a crisp sandwich was something that should be left in the memory, so cheese was a much more sensible option. I was able to complete the calculation generally unaided and managed to express an exaggerated shock at the latter outcome. The game of Jenga managed to stay stable once again and rather amazingly managed to bring t...

Review of DNA by University of Northampton BA Actors at Jacksons Lane Theatre, Highgate, London

The final year performances of BA Actors this year upped sticks and headed away from their Northampton Royal territory and gathered to show their skills in London. The first of the three shows being performed was Dennis Kelly's DNA, a play which I saw performed on the Royal stage itself four years ago. I enjoyed it for its dark mysterious nature and was looking forward to seeing a different interpretation of the show. It tells the tale of a group of youngsters who do something really bad, and proceed to attempt to cover it up, resulting in the real bad, well, getting more bad. It's dark yes, but also, very funny at times. It opens with a looming movement piece of theatre, which I always love and this was no different for me, brooding and sinister. It's quite a long opening, which perhaps, in the end, becomes too long, but it's a fabulous piece of theatre for me. It set's the scene very well for Kelly's dark piece to unfold and in the hands of these, about ...