Skip to main content

Review of Flash Festival 2016: The Final Cut by LaZénna Theatre at Hazelrigg House (Studios)

The Final Cut by Elizabeth Adejimi (LaZénna Theatre) stood out early in the announcements of shows for this years Flash as the one that initially felt was going to be the hardest to view. Knowing enough about the subject matter of Female Genital Mutilation+ and understanding the absolute barbaric nature of the practice did make it sound that it might be a traumatic viewing. I probably felt that it was a subject that I felt I could do little about and really wasn't sure I wanted to sit through a forty minute exploration of it.

I was wrong though, as while this does become really difficult to experience at the important ending of the play, Elizabeth creates a living world to tell the story first in a vivid and entertaining way. Told through a variety of characters it appeals at first, before it finally appalls.

The main character of the young lady is magical and inspired, the large eyed innocent girl, staring up at her seniors, fond of stealing a snack or two and exchanging comical moments with her mother. She is a real character and your fondness grows for her as she goes about her life. At that time probably not knowing what is to come soon in her life.

As well as the female characters in the play, Elizabeth depicts a couple of male ones and perhaps the most absorbing one is that of the hunter. A tremendously stalking performance and one that really bleeds into the soul of a few of the audience as she stares deep into their eyes. It is however the female roles that are the most important in this story and indeed within the practice. These are, quite scarily the instigators in the continued practice of FGM, which of course makes the situation so much more unbelievable and distasteful.

The performance from Elizabeth is absorbing and the transitions between characters is perfectly planned, full of slow gliding movement and pauses as the various simple costume changes occur. It is all very effective and telling and puts across the practice in a thought provoking, but not preaching way. It is all really intelligent and I challenge anyone to come from the show without having learnt much more understanding of the barbaric act.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016

Popular posts from this blog

Review of Mary Poppins at Milton Keynes Theatre

The 1964 Disney film Mary Poppins is one of the most fondly remembered family films and has been a staple of many children's childhoods ever since its release. Adapted from P. L. Travers's book series featuring the famous nanny, it took until 2004 for the show to reach the stage, with this musical adaptation featuring a book by Julian Fellowes. The stage musical used the familiar songs from the film by Richard M. Sherman and Robert B. Sherman and added new ones by George Stiles and Anthony Drewe, all under the watchful eye of co-creator Cameron Mackintosh. It is safe to say that many people were involved in bringing this show to the stage. The story, of course, tells of the family Banks—father George, mother Winifred, and the tricky-to-handle children Michael and Jane. Following a job advertisement thrown into the fireplace, a nanny named Mary Poppins arrives at their home, and the Banks' family experiences a very different world than they have ever before. Touring to sele...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...