Skip to main content

Review of Flash Festival 2016: The Anti-Social Network by Barefeet Films at Hazelrigg House (Basement)

George Marlow from Barefleet Films has taken a gamble with his solo Flash production and gone on the path of using other peoples material and speeches far more than any other show. In fact I got the impression that pretty much most of the show is available elsewhere and this is very much highlighted by the final scene that sees George holding in darkness his laptop, a montage of footage featuring much of what we have already heard.

What we do get that you won't get elsewhere, is George's performance of all these pieces. As they have come from various other sources, George is required to become those people, be they performers or more starkly and disturbing a victim of rape.

To wind back to the start, The Anti-Social Network takes as its subject the fact that all these social networks that now millions of us inhabit, actually create a non-social world. We all live on Facebook or Twitter and just stare observing are likes, friends and favourites tally increasing and hardly even interacting in real life. Perhaps this is true for some, however personally it has opened up a new world and many people that I have first met on these mediums have now become good friends in what we like to call real life. It is perhaps true that for many it creates a reclusive nature, however this is as I always say, not the fault of the machine but the user and I suspect that in most cases, they would have been slightly reclusive in nature before. Since using these mediums myself, I have certainly become less reclusive.

None of this is to put down the message that The Anti-Social Network makes. The stories told are sad, horrific and funny in equal measure and they are impressively put together by George to create a thoughtful piece of work. This is George's peak for me in all the shows that I have seen and it is of course the best time to peak. He is brilliant company in the confines of the basement creating a friend rather that a performance with just sixteen members of the audience. He shares cookies with the audience and offers them a finger, thankfully of the chocolate variety to the relief of the audience. He has several up on the feet to dance with and at the end we are all up and sort of dancing, and he exchanges a hug on leaving with every member of the audience.

It is never short of fascinating and is often quite brilliantly entertaining, almost nothing in the Flash week beats the perfect performance of that rap. It is also heartbreaking as the rape victims tale is told, the horror of that moment of the perpetrator popping up on his friends you might know section is portrayed brilliantly and sensitively. It is a consummate performance from George and was a real quality piece for me to finish my Flash Festival week with. Poignant and powerful.


The Flash Festival 2016 runs between Monday 16th and Saturday 21st May, 2016 at four venues across the town. Details can be found at http://ftfevents.wix.com/flashtheatre2016


Popular posts from this blog

Review of Sunny Afternoon at Milton Keynes Theatre

Sunny Afternoon , the Kinks-inspired jukebox musical, debuted on stage in 2014. Featuring Ray Davies' music and a book by Joe Penhall, it first found success in London before a UK tour in 2016/17. Now arriving at Milton Keynes Theatre with a new 2025/6 tour, the question remains: with some songs now over 60 years old, is Sunny Afternoon still relevant to today's audiences? While this is a jukebox musical, this show follows, via this system, the story of the formation and eventual success of The Kinks rather than creating a random story from the songs. Opening with the band The Ravens, the group is safe and sophisticated, with their prim-and-proper lead singer. However, the true band of the future, Ray Davies, Dave Davies, Mick Avory and Pete Quaife, are itching for freedom, to break away, especially writer Ray, who wants to create songs that mean something to people. Enter the suits of management, and the rocky creation of The Kinks begins. I had the pleasure of seeing Sunny A...

Review of Joseph and the Amazing Technicolor Dreamcoat at Milton Keynes Theatre

There have been numerous productions of Andrew Lloyd Webber and Tim Rice's groundbreaking musical since it first appeared in 1968 and opened in the West End in 1973. One might wonder if there is still room for another tour. However, judging by the packed audience in Milton Keynes Theatre for the opening night of Joseph and the Amazing Technicolor Dreamcoat , much interest remains for this show. Also, with this production first seen at The London Palladium in June 2019, and with a few production elements altered, Joseph still has, after all those years, the room to change and evolve. However, the question is, does this change help or hinder the show's history? For those unfamiliar with Joseph and the Amazing Technicolor Dreamcoat, it tells the story of Joseph, Jacob's favourite son, in a lighthearted and musical style that jumps between various genres. Joseph's brothers are somewhat envious of him, leading to them selling him into slavery to an Egyptian nobleman. As for ...

Review of Dear Evan Hansen at Royal & Derngate (Derngate), Northampton

First performed in 2015, Dear Evan Hansen remains the musical of the modern teen's life, showcasing all the troubles in that generation of popularity and social media. And as this long UK tour of the West End and before that Broadway smash hits the Royal & Derngate, it offers a troubling mirror on modern society. Before seeing this show, I had avoided all knowledge of the story Dear Evan Hansen tells, and with that came a joyful voyage of discovery as the captivating story evolved. Therefore, if you have also managed to avoid the story, skip the next paragraph and enjoy a new story to be found. Evan Hansen is a troubled teen who struggles to fit into society and cannot find friends. As a result, his therapist has suggested that he write letters to himself, "Dear Evan Hansen." When one of these letters is found on the body of an equally troubled teen, Evan finds himself spiralling into a world of fictitious friendship, which gets increasingly out of control. The stor...