Skip to main content

Review of School Shorts: Star Brave, Brian Gravy & Who's Afraid Of The Bogeyman? at Royal & Derngate (Underground), Northampton

The Royal & Derngate Youth Theatre School Shorts consisted of two acts and to add to my confused mind I watched act two first. However this matters not as each act consists of two completely separate plays. Act two features the plays Stay Brave, Brian Gravy by Carl Grose and Who's Afraid Of The Bogeyman? by Mike Kenny. Both plays are short (no flies on me) and roughly about 25 minutes, also these two in particular featured very tough and heavy subjects.

*

Stay Brave, Brian Gravy is the lighter of the two but even so revolves around the potential divorce of Brian's parents and their constant fighting and physical violence. The latter is handled in a lighthearted way complete with comedy sound effects. However this doesn't disguise from the seriousness of the situation of what these young actors are performing. A spin on the divorce nature in the second half of the play adds a neat and thankfully more lighthearted element to proceedings.

At the centre of the piece is a wonderful performance by Louis Sheldon as Brian Gravy, he keeps a playful edge to the role despite the obvious tough subject and despite being script in hand (as are all), he never uses it. Josie Adams and Lewis Varrier also handle their tough roles as Brian's parents well and maintain the level at the right point for children performing such characters. It is overall a lovely entertaining piece considering the subject matter and the ensemble in all their collection of bizarre costumes are a delight.


*

Who's Afraid Of The Bogeyman? for me was considerably different and much more uncomfortable to watch. Mixing the heavy subject of parents concern at a child missing and challenging an innocent in connection with it, was I felt a touch too much for such young children to perform. The play itself was cleverly constructed and had very smart use of sentences being completed by different cast members., This was performed generally well considering the obvious challenge of keeping them the sentance moving. The use of the ticking clock was a lovely device, as was the knocking on doors. This saw the switching of this between the distressed father's pleas for help and then to those at the door, and was a tremendously clever idea. It was actually I think a better play than the first, but for me it had this edge of not being appropriate for such a young cast.

Having said all that, I remain assured that R&D are working totally professionally with these youngsters and director Ashley Elbourne himself made it clear that they had worked more upon the development of the characters and their paths through the plays than the performance itself, and for me leaving that afternoon, that is all the assurance that I needed to hear.


Performance reviewed: Saturday 21st, 2015 (matinee) at the Royal & Derngate (Underground), Northampton.

Stay Brave, Brian Gravy and Who's Afraid Of The Bogeyman? were performed for School shorts
 by the R&D Youth Theatre at the Royal & Derngate on Friday 20th March and Saturday 21st March, 2015. Details here: http://www.royalandderngate.co.uk/whatson/2015-2016/Underground/SchoolShorts/?view=Standard

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of Paranormal Activity at Milton Keynes Theatre

The low-budget film Paranormal Activity , first released in 2007, has since become the starting point of one of the most prolific horror series ever, with seven films now released in the franchise and another due next year. Its unique down-to-earth style of storytelling, inhabiting what is many people’s real life, with dangers within the house, has contributed greatly to its success. So, from one successful medium franchise, it is no surprise the series was developed for theatre in 2024, with a new story by Levi Holloway (though it borrows heavily from the original film). First performed at Leeds Playhouse before heading to both the West End and Broadway, and now, for 2026, a UK and Ireland tour, which this week arrives at Milton Keynes Theatre. So the question is: has the medium successfully crossed to the other side? Newly married couple, James and Lou, move from Chicago to London in an attempt to escape both of their past lives. However, as events begin to repeat themselves, they re...

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...