Skip to main content

Review of School Shorts: Star Brave, Brian Gravy & Who's Afraid Of The Bogeyman? at Royal & Derngate (Underground), Northampton

The Royal & Derngate Youth Theatre School Shorts consisted of two acts and to add to my confused mind I watched act two first. However this matters not as each act consists of two completely separate plays. Act two features the plays Stay Brave, Brian Gravy by Carl Grose and Who's Afraid Of The Bogeyman? by Mike Kenny. Both plays are short (no flies on me) and roughly about 25 minutes, also these two in particular featured very tough and heavy subjects.

*

Stay Brave, Brian Gravy is the lighter of the two but even so revolves around the potential divorce of Brian's parents and their constant fighting and physical violence. The latter is handled in a lighthearted way complete with comedy sound effects. However this doesn't disguise from the seriousness of the situation of what these young actors are performing. A spin on the divorce nature in the second half of the play adds a neat and thankfully more lighthearted element to proceedings.

At the centre of the piece is a wonderful performance by Louis Sheldon as Brian Gravy, he keeps a playful edge to the role despite the obvious tough subject and despite being script in hand (as are all), he never uses it. Josie Adams and Lewis Varrier also handle their tough roles as Brian's parents well and maintain the level at the right point for children performing such characters. It is overall a lovely entertaining piece considering the subject matter and the ensemble in all their collection of bizarre costumes are a delight.


*

Who's Afraid Of The Bogeyman? for me was considerably different and much more uncomfortable to watch. Mixing the heavy subject of parents concern at a child missing and challenging an innocent in connection with it, was I felt a touch too much for such young children to perform. The play itself was cleverly constructed and had very smart use of sentences being completed by different cast members., This was performed generally well considering the obvious challenge of keeping them the sentance moving. The use of the ticking clock was a lovely device, as was the knocking on doors. This saw the switching of this between the distressed father's pleas for help and then to those at the door, and was a tremendously clever idea. It was actually I think a better play than the first, but for me it had this edge of not being appropriate for such a young cast.

Having said all that, I remain assured that R&D are working totally professionally with these youngsters and director Ashley Elbourne himself made it clear that they had worked more upon the development of the characters and their paths through the plays than the performance itself, and for me leaving that afternoon, that is all the assurance that I needed to hear.


Performance reviewed: Saturday 21st, 2015 (matinee) at the Royal & Derngate (Underground), Northampton.

Stay Brave, Brian Gravy and Who's Afraid Of The Bogeyman? were performed for School shorts
 by the R&D Youth Theatre at the Royal & Derngate on Friday 20th March and Saturday 21st March, 2015. Details here: http://www.royalandderngate.co.uk/whatson/2015-2016/Underground/SchoolShorts/?view=Standard

For further details about the Royal & Derngate visit their website at http://www.royalandderngate.co.uk/

Popular posts from this blog

Review of The Wizard Of Oz by the Northampton Musical Theatre Company at Royal & Derngate (Derngate), Northampton

The last couple of shows from the award-winning Northampton Musical Theatre Company has been a slightly mixed bag, with their last show at Derngate the rather difficult to get a grip on thrills of Grease , a woefully inferior stage version of the classic film despite being very well performed. Their best show recently was ironically Summer Holiday , hidden at the much smaller Cripps venue. Therefore still in the wake of the exceptional Sister Act , does The Wizard of Oz create the Derngate magic once again? The answer for me, is both yes and no, it is as always an exceptional production filled from top to tail with talent, as NMTC is so renowned for, and packing the audience in and thrilling them like perhaps nothing like Oz can in the musical department, you cannot question its selection really. However, like Grease , and to readjust a requote, "it's just Oz". This time I use it in the way that Oz is just a little over-familiar, I am desperate for the buzz that I go...

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Mamma Mia! at Royal & Derngate (Derngate), Northampton

Ahead of my trip to see Mamma Mia! in Northampton, I had enough conversations about the show to discover that there appears to be no in-between with people over their love or hate of the work of ABBA (music and lyrics by Benny Andersson and Björn Ulvaeus). For your information, patient reader, I fall firmly in the love department and an audience member of Mamma Mia! like myself is always going to ride on a tidal wave of joy as this jukebox churns out an incredible selection of their numbers (and truly reveals a substantially great back catalogue, that even a hater could not deny), however, is the show they are weaved around actually any good? The answer is mostly, yes. It is though, a typical popcorn musical where you are just required to switch your brain off for two hours or so and ride that tidal wave to Kalokairi, and observe the bright colours and frivolous nature of the plot. The plot, such as it is, involves 20-year-old Sophie, who is heading towards marria...