Skip to main content

Review of UoN Fringe 2019: Welcome To My World by The Realistic Theatre Company at The Platform Club, Northampton

For my second show of the 2019 University of Northampton Fringe Festival, it was a head-first dive into mental health (and this was not going to be the only show exploring themes on this during Fringe), and Amy DaCosta's Welcome to my World from her company The Realistic Theatre Company.

This particular take on mental health was exploring Dissociative Identity Disorder, which was not one I was aware of going into the show. However, over thirty minutes, DeCosta went some way in helping a little to understand this, it is as it turns out multiple personality disorder, and here DaCosta explores a woman that has several hidden people while embracing as much as possible her real one of Zsofia.

Welcome to my World is at times, and maybe deliberately so, a little confusing. As the characters become dominant, while DaCosta's characterisation is very different, the stories they tell can take some following, and indeed a discussion after was the only way to get a grip on certain aspects of it. However, perhaps that is very much the point, not only to generate talk, but also to confuse and make the audience member a little insecure about events, like the character herself.

DaCosta, however, is a strong performer, clear in delivery, and some nice vocal and visual tones to create the different personalities and to tell the tale, in a storytelling form, a method I am a great fan of, and here, she exhibits a great future potential to move into this field if desired.

Staging is simple but also features some excellent use of a table to create various objects and locations. Tech is nicely handled, including some great use of pre-recorded audio, which is accurately performed within by DaCosta.

Welcome to my World is difficult to watch, it should be I guess, and the life of Zsofia is a tough one, and here with the show, there are unfortunately no happy endings. However, life doesn't always provide that, so, perhaps theatre shouldn't always either, and that maybe makes this show stronger for not providing one and leaving us thinking of the issues raised all the more.

Performance viewed: Monday 29th April 2019

The Fringe Festival 2019 runs until Sunday 5th May 2019 at The Platform Club Northampton, and one show at Hazelrigg House.

Details here: Fringe Festival 2019

Popular posts from this blog

Review of Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby at Royal & Derngate (Derngate), Northampton

The Rambert Dance Company is the oldest such company in Britain having first performed in 1926. However, despite this, this was my first encounter with the group in my ten years of theatre-going. Coupled with this, it was also my first encounter with Peaky Blinders , having never seen the show, and only knowing a few vague things about it. My companion for the evening however was very familiar with the show, allowing some background behind the show. It turns out though,  Rambert Dance in Peaky Blinders - The Redemption of Thomas Shelby needs a little more than a good bit of knowledge of the show, as despite this production having incredible style, there struggles to be a cohesive structure to the show and the storytelling. Much more than other dance shows as well. The first act does a whistle-stop tour of the first five seasons and while it is a feast on the eye, and on the ear, it gets extremely confusing at times. The second act is freestyle and drifts away from the stories tol...

Review of Mamma Mia! at Royal & Derngate (Derngate), Northampton

Ahead of my trip to see Mamma Mia! in Northampton, I had enough conversations about the show to discover that there appears to be no in-between with people over their love or hate of the work of ABBA (music and lyrics by Benny Andersson and Björn Ulvaeus). For your information, patient reader, I fall firmly in the love department and an audience member of Mamma Mia! like myself is always going to ride on a tidal wave of joy as this jukebox churns out an incredible selection of their numbers (and truly reveals a substantially great back catalogue, that even a hater could not deny), however, is the show they are weaved around actually any good? The answer is mostly, yes. It is though, a typical popcorn musical where you are just required to switch your brain off for two hours or so and ride that tidal wave to Kalokairi, and observe the bright colours and frivolous nature of the plot. The plot, such as it is, involves 20-year-old Sophie, who is heading towards marria...

Review of Matthew Bourne's The Car Man at Milton Keynes Theatre

Matthew Bourne has been the accessible end of stage ballet and contemporary dance for decades now, and first imagined for the stage back in 2000, his interpretation and loose adaptation of Bizet’s Carmen , as The Car Man , is perhaps his most accessible to the general public. So, as it drives into Milton Keynes Theatre this week, is it still the masterly piece first seen 26 years ago? Luca is a man on the move; however, as he heads into Harmony, a town of 375 people, he sees a sign reading “Man Wanted” and decides to stop over to try to settle in and take some work at Dino’s Garage. After setting his eyes on the proprietor's wife, Lana, turmoil begins to infect the inhabitants of this harmonious town. The Car Man is a dazzling spectacle by Matthew Bourne and his New Adventures company, filled, as expected, with stunning dancing from the immensely dedicated and talented team of dancers. Led by Will Bozier as Luca, "The Car Man", his strength and confidence drive through h...