Skip to main content

Review of UoN Fringe 2019: Welcome To My World by The Realistic Theatre Company at The Platform Club, Northampton

For my second show of the 2019 University of Northampton Fringe Festival, it was a head-first dive into mental health (and this was not going to be the only show exploring themes on this during Fringe), and Amy DaCosta's Welcome to my World from her company The Realistic Theatre Company.

This particular take on mental health was exploring Dissociative Identity Disorder, which was not one I was aware of going into the show. However, over thirty minutes, DeCosta went some way in helping a little to understand this, it is as it turns out multiple personality disorder, and here DaCosta explores a woman that has several hidden people while embracing as much as possible her real one of Zsofia.

Welcome to my World is at times, and maybe deliberately so, a little confusing. As the characters become dominant, while DaCosta's characterisation is very different, the stories they tell can take some following, and indeed a discussion after was the only way to get a grip on certain aspects of it. However, perhaps that is very much the point, not only to generate talk, but also to confuse and make the audience member a little insecure about events, like the character herself.

DaCosta, however, is a strong performer, clear in delivery, and some nice vocal and visual tones to create the different personalities and to tell the tale, in a storytelling form, a method I am a great fan of, and here, she exhibits a great future potential to move into this field if desired.

Staging is simple but also features some excellent use of a table to create various objects and locations. Tech is nicely handled, including some great use of pre-recorded audio, which is accurately performed within by DaCosta.

Welcome to my World is difficult to watch, it should be I guess, and the life of Zsofia is a tough one, and here with the show, there are unfortunately no happy endings. However, life doesn't always provide that, so, perhaps theatre shouldn't always either, and that maybe makes this show stronger for not providing one and leaving us thinking of the issues raised all the more.

Performance viewed: Monday 29th April 2019

The Fringe Festival 2019 runs until Sunday 5th May 2019 at The Platform Club Northampton, and one show at Hazelrigg House.

Details here: Fringe Festival 2019

Popular posts from this blog

Review of Death on the Nile at Royal & Derngate (Derngate), Northampton

Agatha Christie is a name synonymous with crime fiction, perhaps the most famous, and her 1937 novel Death on the Nile is among her most notable. Adapted often for the screen and previously also as a stage play back in the forties, here Ken Ludwig brings a new adaptation to the stage, first performed in 2024 and arriving now at Royal & Derngate as part of an extensive UK tour. For this production from Fiery Angel, we return very much to the team that brought Ludwig's Murder on the Orient Express recently to the stage, including director Lucy Bailey. That was a solid adaptation, so, as we cruise the Nile, is it more of the same standard? Heiress Linnet Ridgeway and her new husband, Simon, are on honeymoon aboard a luxurious boat cruising the Nile, their journey shadowed by a priceless Egyptian sarcophagus. Tension simmers among the eclectic mix of guests, including Simon's vengeful ex-fiancée, a watchful MI5 agent, the British Museum's enigmatic Egyptology curator, and P...

Review of Mary Poppins at Milton Keynes Theatre

The 1964 Disney film Mary Poppins is one of the most fondly remembered family films and has been a staple of many children's childhoods ever since its release. Adapted from P. L. Travers's book series featuring the famous nanny, it took until 2004 for the show to reach the stage, with this musical adaptation featuring a book by Julian Fellowes. The stage musical used the familiar songs from the film by Richard M. Sherman and Robert B. Sherman and added new ones by George Stiles and Anthony Drewe, all under the watchful eye of co-creator Cameron Mackintosh. It is safe to say that many people were involved in bringing this show to the stage. The story, of course, tells of the family Banks—father George, mother Winifred, and the tricky-to-handle children Michael and Jane. Following a job advertisement thrown into the fireplace, a nanny named Mary Poppins arrives at their home, and the Banks' family experiences a very different world than they have ever before. Touring to sele...

Review of Jesus Christ Superstar (N.M.T.C.) at Royal & Derngate (Derngate), Northampton

The now-legendary Jesus Christ Superstar , written by Andrew Lloyd Webber and Tim Rice, initially struggled to find backing in 1970, so its first airing was as a concept album rather than the now mainly recognised stage show. Now, 55 years later, the legendary Northampton Musical Theatre Company, at least in Northampton, brings the show to the Royal & Derngate once again, after last performing it in 2010. The story, I suspect, needs little introduction, so I leave you to ensure you know the story before heading to the theatre to see the show. And what a show it is: this is the N.M.T.C., almost at the top of their game, assembling the cream of their group and a vast cast supporting the main players. As lead, newcomer Linden Iliffe takes on the weighty role of Jesus of Nazareth, and he is terrific in the challenging part, depicting the innocent power imbued in him and his desperation and disappointment as his life unravels amid bitter betrayal and disownment. He has a powerful voice,...