Skip to main content

Review of UoN Fringe 2019: Welcome To My World by The Realistic Theatre Company at The Platform Club, Northampton

For my second show of the 2019 University of Northampton Fringe Festival, it was a head-first dive into mental health (and this was not going to be the only show exploring themes on this during Fringe), and Amy DaCosta's Welcome to my World from her company The Realistic Theatre Company.

This particular take on mental health was exploring Dissociative Identity Disorder, which was not one I was aware of going into the show. However, over thirty minutes, DeCosta went some way in helping a little to understand this, it is as it turns out multiple personality disorder, and here DaCosta explores a woman that has several hidden people while embracing as much as possible her real one of Zsofia.

Welcome to my World is at times, and maybe deliberately so, a little confusing. As the characters become dominant, while DaCosta's characterisation is very different, the stories they tell can take some following, and indeed a discussion after was the only way to get a grip on certain aspects of it. However, perhaps that is very much the point, not only to generate talk, but also to confuse and make the audience member a little insecure about events, like the character herself.

DaCosta, however, is a strong performer, clear in delivery, and some nice vocal and visual tones to create the different personalities and to tell the tale, in a storytelling form, a method I am a great fan of, and here, she exhibits a great future potential to move into this field if desired.

Staging is simple but also features some excellent use of a table to create various objects and locations. Tech is nicely handled, including some great use of pre-recorded audio, which is accurately performed within by DaCosta.

Welcome to my World is difficult to watch, it should be I guess, and the life of Zsofia is a tough one, and here with the show, there are unfortunately no happy endings. However, life doesn't always provide that, so, perhaps theatre shouldn't always either, and that maybe makes this show stronger for not providing one and leaving us thinking of the issues raised all the more.

Performance viewed: Monday 29th April 2019

The Fringe Festival 2019 runs until Sunday 5th May 2019 at The Platform Club Northampton, and one show at Hazelrigg House.

Details here: Fringe Festival 2019

Popular posts from this blog

Review of Barnum at Milton Keynes Theatre

Barnum , with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman, premiered on Broadway in 1980 and followed in the West End just a year later. At the helm for these two productions were two huge names in the entertainment business: Jim Dale on Broadway and Michael Crawford in the West End. It needed, of course, big names to fill the shoes of the legendary P. T. Barnum, whose tale is told in this now-fondly remembered musical. Filling these boots in this new production, now pitched at Milton Keynes Theatre, is Matt Rawle, a prolific theatre performer himself, but can he, and this production, live up to the iconic greatest showman? “Step right up and enter the dazzling world of P.T. Barnum, where imagination and ambition know no bounds”, the publicity for the show announces, and this new production of the now-classic Barnum - The Circus Musical mostly ticks these boxes. Rawle is a captivating and strong presence as the lead, bringing an infectious charm to the p...

Review of Lord of the Dance at Milton Keynes Theatre

On what was so far the hottest day of the year, and the highest in many a record book, it feels a tad evil to watch as a group of extremely talented performers bring to the stage one of the most famous and most energetic dance shows to tour. However, arriving now at Milton Keynes Theatre, as part of what is now the still rather immodestly titled 30 Years of Standing Ovations tour, Lord of the Dance remains full of energy even on the hottest of evenings in Milton Keynes. I last and first saw Lord of the Dance as part of the 25 Years of Standing Ovations tour, four years ago (yes, the sums don’t quite work), and it was every bit as spectacular as you could imagine this world-famous dance show is. Born into the world from Michael Flatley and the Riverdance spectacular that preceded it, Lord of the Dance is a simple but effective battle between good and evil and the resolution of it through dance rather than fighting. The dancing here is, as expected, exceptional, led by the Lord of the...

Review of The Woman Who Cooked Her Husband at The Playhouse Theatre, Northampton

During the interval of The Woman Who Cooked Her Husband , last weeks production at The Playhouse Theatre Northampton, I got involved in a conversation between a couple sitting next to me. The lady was very much of the opinion that the play was a comedy, while the gentleman, had formed one that it was a tragedy. They were joking of course in the conversation, but it did highlight the differences that Debbie Isitt's dark comedy might have between the sexes. And also now perhaps the passing of time. When this was written in the nineties, Isitt's play was a forthright feminist play, heralding the championing over of the ladies over the man. One the ex-wife plotting to cook him, the other, the new lover, potentially already very tired of him after just three years. The husband, Kenneth (Jem Clack) elopes initially in pursuit of sex with Laura (Diane Wyman), after his nineteen years of marriage with Hilary (Corinna Leeder) has become tired and passionless. Then later, he elopes ...